For example, the exhibit's third section, «The Entry of the Imagists Into Chicago, 1966 - 1976,» may be dominated by the Hairy Who and their acolytes — it's named after Roger Brown's The Entry of Christ Into Chicago,
a comic riposte to early expressionist James Ensor's The Entry of Christ Into Brussels (Brown has Christ parading down Michigan Avenue on a flatbed truck)-- but that's only part of the segment's story.