Sentences with phrase «comic strip style»

Employing a comic strip style and a compositional rigor, Wesley makes warm, sexy paintings with a frequent twist of the bizarre.

While many artists of his generation such as Andy Warhol and Tom Wesselman have used the popular image to explore the cultural landscape, Wesley has employed a comic strip style and a compositional rigor to make deeply personal, often hermetic paintings that strike at the core of our most primal fears, joys, and desires.

Cutscenes are comic strip style, so you will be reading the story instead of hearing it.

The story is told by way of comic strip style cutscenes, with a few in - game cutscenes thrown in for good measure.

It's a 4 - koma, or comic strip style comic that shows Poyopoyo with his new family.

All facts are in comic strip style.

Not exact matches

Even better, the show has encouraged fans to upload content ranging from photos to comic strips to illustrations (Botticelli's Birth of Venus redone manatee - style) to poetry («The product of our ecstasy will be half man and half a - «tee») to songs («She had big black eyes / no discernible thighs»), some of which have been featured on - air.

The San Francisco duo credits their parents and their grandfather (Chic Young, the creator of the Blondie comic strips) for their distinctive style.

Aaron McGruder is the cartoonist best known for creating the controversial satirical comic strip The Boondocks, and now he has taken his signature style to live - action with Black Jesus.

«The Peanuts Movie — Charlie Brown, Snoopy and the rest of the gang are back, this time in a computer - drawn animation that seeks to replicate the stylings of Charles Schulz's original comic strip drawings.»

In this case, Russell has an underlying conception and a unifying style — a pop - art, comic - strip style, built on parodies of old movie genres.

Zwigoff also proves himself with a deliberate visual style that evokes the panels of a comic book (though the Ghost World comic was in black and white), as well as the industrial wasteland at the outskirts of any city: strip malls, porno shops and overall dingy, dirty cars, streets and people.

According to the deal announcement, the book will take readers «on a romp through history and literature with dignity for few and cookies for all, with comic strips about famous authors, their characters, political and historical figures, all drawn in Kate Beaton's pared - down, excitable style.»

Developed by Andrews McMeel Universal — a sister company of the omnipresent Universal Press Syndicate, known to all comics strip fans — Uclick comics are available as separate applications, priced at 99 - cents each, and come with the same content found in a traditional 24 - to -32-page pamphlet - style comic book.

The article goes on to define manga: «Manga are comic strips or cartoon films originating in Japan and drawn in a distinctive style.

They work best for children's books, coffee - table books, comic books, comic strips, and magazine - style layouts.

• Unique and Customizable Brawler - Style Combat Anything can be a weapon, from baseball bats to comics to motherboards, and individual clothing items may be targeted, stripped and added to the player's own inventory.

As his style matured during the mid-1960s, Jones increasingly sought inspiration in «non-art» sources such as illustrations from fetish magazines, advertising and comic strips.

Seeking a language to resolve a pictorial crisis that was at once personally and politically engaged, Guston's adaptation of the comic - strip style of caricature emerged at a pivotal crux in his artistic career.

The work epitomises Lichtenstein's style — comic strip motifs, bright primary colours, large format, stylised form and humour.

The first exhibition showcasing his mature style, in 1970, was generally panned; Guston's newfound crudity was compared to the work of R. Crumb, a cartoonist the painter claimed he'd never heard of, but who shared the same big - foot comic - strip influences.

Frequently set in urban environments and featuring flesh - colored cyclopses, Guston's pioneering and mature work ranges from the humorous to the ominous, utterly unique in its pictorial style so reminiscent of comic strips.

Magdy's references abound: they range from the slick veneer of advertising, the sinister tropes of science fiction and comic strip to the documentary style of nature, science and technology shows and the apocalyptic tone of biblical stories.

Pioneering Pop Art printmaker and painter Roy Lichtenstein burst onto the scene in the early 1960s with a solution to the problem — an instantly iconic comic - strip style belonging to a Postmodern age in which the boundaries between high and low art had become for ever blurred.

Hancock employs a variety of cultural tropes, ranging in tone from comic - strip superhero battles to medieval morality plays, and in style from Hieronymus Bosch to Max Ernst.

The result is an eclectic collection of works and a wide variety of styles: from handwritten contemplations to pictorial stories taking up a complete wall, from a single monumental black and white ink drawing to an elaborate comic strip.

Returning to Ohio State in 1946, he developed a style influenced by Cubism and Abstract Expressionism but, though his early work contained elements of popular and historical culture, it wasn't until he was teaching at New Jersey's Rutgers University that he began to appropriate the style and subject matter of comic strips.

While many artists of his generation have used the popular image to explore the cultural landscape, Wesley has employed a comic - strip style and a compositional rigor to make deeply personal, often hermetic paintings that strike at the core of our most primal fears, joys, and desires.

Roy Lichtenstein's (1923 - 1997) paintings, drawings, prints and sculptures based on the style and imagery of comic strips and illustrated advertisements made him a defining figure within American Pop art.

Though he is now a seminal figure of Pop art, Roy Lichtenstein was a relatively unknown artist until his mid-30s when he created his first «comic - strip style» painting.

The American artist Roy Lichtenstein, best known for his outsize comic - strip - style paintings and prints, was a founder of the Pop Art movement and, with Andy Warhol, one of its principal practitioners.

He is best known for his instantly recognizable comic - strip style of painting, as exemplified by works like «Whaam!»

A leading Pop - artist with an instantly recognizable style, his works turned comic - strip graphics into an international art form.

Previously, Lichtenstein had reinterpreted source material using personal variations of Cubist or Constructivist techniques; he now drew from comic strips both subject matter and style.

Pop art Style derived from the popular culture of the 1960s, including commercial illustration, comic strips, and advertising images.

In Fine Style: The Dancehall Art of Wilfred Limonious, is the first solo exhibition of work by prolific Jamaican illustrator Wilfred Limonious (1949 — 99) in Germany, and includes reproductions of work from the early 1970s through the mid-1990s, spanning three key phases in his career: his comic strips for the Jamaican newspapers, his illustrations for the publications of JAMAL (the Jamaican Movement for the Advancement of Literacy).

These were years when the artist tutored himself in painting, taking inspiration from sources including Surrealism, Mexican folk art, American comic strips, and silent - film comedy as he developed his distinctively guileless, heart - on - sleeve storytelling style.

While many artists of his generation have used the popular image to explore the cultural landscape, Wesley has employed a comic - strip style and compositional rigor to make deeply personal, often hermetic paintings that strike at the core of our most primal fears, joys, and desires.

A virtuoso chameleon possessing an amazing range of skills, he does Surrealism, Pop Art, Abstract Expressionism, Conceptualism, cartoons and comic strips, psychedelic posters and myriad kitschy illustration styles all with his own endlessly inventive, comedic twist.

Together on display for the first time, these drawings give some insight on how Lichtenstein developed his style of using Benday dots to simulate commercial reproduction, and his subject matter of appropriated comic strips and advertisements.

Instantly recognizable as a Lichtenstein comic - strip style painting, whose colours and tones are built up with primary - coloured Ben - Day dots painted through stencils, this picture of a shocked - looking blonde woman in a stiff white collar and starched white hat was taken from a comic romance novel of the early 1960s.

Marshall also produces drawings in the style of comic strips, as well as sculptural installations, photography, and video.

Copley's growing Surrealist art collection inspired him to paint and draw, to move to France, and to conceive his own art in a style that combined America's comic - strip humor, prefiguring American Pop, with Surrealism's revealing eroticism.