Another old - NYC gesture: Our young heroines, Chloë Sevigny and Kate Beckinsale, are up - and -
coming editors at a publishing house.
Not exact matches
At the publishing house she works at, and which Christian bought, she is promoted to fiction editor, a job that comes with a big exposed - brick office and lots of responsibility («Increase the font size by two points,» she commands an underling, with a satisfied smirk
At the
publishing house she works
at, and which Christian bought, she is promoted to fiction editor, a job that comes with a big exposed - brick office and lots of responsibility («Increase the font size by two points,» she commands an underling, with a satisfied smirk
at, and which Christian bought, she is promoted to fiction
editor, a job that
comes with a big exposed - brick office and lots of responsibility («Increase the font size by two points,» she commands an underling, with a satisfied smirk).
As an
editor at a big commercial
publishing house, almost all my acquisitions
come in through agents.
We asked Cheston Knapp about how he
came to land his position as the managing
editor at Tin
House, to describe what makes a creative nonfiction piece stand out, and for advice on having work
published in a literary magazine.
You write in a vacuum or for a professor who frowns on genre; you workshop with other writers; you craft a query letter; you appeal to the tastes of an intern
at a literary agency; you claw your way out of the slush pile; you hope to win over an
editor at a major
publishing house; your book
comes out a year later and sits spine - out on a bookshelf for six months; it gets returned to the publisher and goes out of print; you start over.
Did I say, with confidence, that I'd go back to New York and become an
editor at a
publishing house, a life I'd predicted for myself for a long time, but that never
came to be?