If nothing else, I have discovered some really amazing up - and -
coming film photographers.
Not exact matches
That was the main thing, finding a
photographer that worked with the natural light and on
film to create something romantic and beautiful — I was so lucky to
come across Married Morenos on Instagram.
Now
comes The American, a European - set
film from
photographer - turned - director Anton Corbijn (he made Control, about Joy Division's Ian Curtis), a thriller based on a 1990 Martin Booth novel that promises some high - toned excitement, and a chance to see the dark side of George Clooney - that is, the side that isn't being a handsome scamp or earnest humanitarian.
Less Is More, More is Less: In his second feature
film,
photographer - turned - director Anton Corbijn tries his best to match Clooney's hostile stillness with distance of his own, but his attempts at visual nuance inadvertently
come off as conspicuous filmmaking choices overly fraught with meaning.
Some old school
photographers having been
coming here since way back in the day, when photoshop was a place you went to buy
film.