Sentences with phrase «comments about his photography»

My husband always looks forward to hearing me read your sweet comments about his photography!

Since my comment about Photography 101 is posted, the Type - A English nerd in me MUST point out that I meant «excited» not «xcited» (okay... I feel better now).

Not exact matches

While the blog post is about photography (of religious sites), the general thrust of this blog and the comments in it is re religion (or lack of it).

I've been a long time reader and I don't think I've ever commented before, but I'd just like to say that I've always enjoyed reading your blog and your writing style and approach to food has being one of the many influences to me becoming more serious about food, photography, and food writing.

Yes the toppings do sort of steal the photography show don't they Someone commented about using a Japanese sweet potato since those «taste like cake» which is kind of true and makes the whole thing make a lot more sense.

I think some of you might be considering this lens purchase for yourself, so I am just going to talk about it a little bit (I do NOT know all the appropriate photography words for the things I am about to discuss, if you know, or have any additional info, please share it in the comments, let's chat!)

Aww thank you for the comment about my golden hour photography!

Walt Disney Studios Chairman Alan Horn spoke a bit this morning about the highly anticipated sequel Star Wars: Episode VII, but his comments were essentially confirming things we already know: the cast isn't 100 % set yet, principal photography hasn't begun,...

Other works in the exhibition include Jorge Pardo's handcrafted wooden palette and modernist designed furniture that question the nature of the aesthetic experience; pioneering conceptual artist Joseph Kosuth's discourse on aesthetics in neon, An Object Self - Defined, 1966; Rachel Lachowicz's 1992 row of urinals cast in red lipstick, which delivers a feminist critique of Duchamp's readymade; Richard Pettibone's paintings of photographs of Fountain; Richard Phillips» recent paintings based on Gerhard Richter's highly valued work; Miami artist Tom Scicluna's neon sign, «Interest in Aesthetics,» a critique of the use of aesthetics in Fort Lauderdale's ordinance on homelessness; the French collaborative Claire Fontaine's lightbox highlighting Duchamp's critical comments about art juries; Corey Arcangel's video Apple Garage Band Auto Tune Demonstration, 2007, which tweaks the concept of aesthetics in the digital age; Bernd and Hilla Becher's photographs, Four Water Towers, 1980, that reveal the potential for aesthetic choices within the same typological structures; and works by Elad Lassry and Steven Baldi, who explore the aesthetic history of photography.

When asked about these photographs, John Szarkowski commented, «Photography is about what you can see — this is what you can't see.»

Hovering between photography, collage work, and watercolor, Rafferty's portraits examine the hangdog undertones of the humorous and the hilarious overtones of the mournful; the presence of the gendered body in actions ranging from the quotidian to the extraordinary; and the ability of pop cultural artifacts to generate not just nostalgia, but a comment about the here and now.

The Figure, McCann comments, «responds to David Hockney's «Secret Knowledge» to some degree — several artists... openly describe how they use traditional as well as modern techniques like photography, Photoshop, or 3D computer programs... The New York Academy of Art asked me to project - manage a book Rizzoli was interested in doing about the school.

The photo conceptual artist uses photography, film, sculpture and other media to comment on the underlying racism and exploitation at the core of professional sports in America and addresses the ways in which advertising and popular culture create and perpetuate stereotypes about race and gender.

Also featured in Winter 2018 — Interviews with Anja Salonen, Daniel Rich, Luke Pelletier, Smithe and Kip Omolade — A look back at the illustrious career of Gustav Klimt — An in - depth, special dedication to our late founder, Greg Escalante, with comments from the artists in his life — Cheryl Dunn on her life in street photography — We get inside the studio of the grotesque visionary, Sarah Sitkin — Kerin Rose Gold takes inside her creative process with her new eyewear collection — Martyn Reed writes about the historical importance of Stencil Art — Mike Lee shows his floating dancers to us in Tokyo — Juxtapoz takes a city tour of Mexico City... — Plus we review the opening of Urban Nation in Berlin...