Sentences with phrase «comments about the paint»

«We definitely know that our existing customers have an interest in this area,» MacGillivray commented about paint and paint - related products.

I am happy to hear your comment about your paintings being fractured.

I enjoyed every work in this show, so excuse me if I come back to it more than once, to comment about another painting or two.

I just read the Magic Brush's comment about paint and your response.

So, your comments about the paint with primer and the tests you have done to select the best color are very timely for me, thanks!

I was thinking turquoise appliances in the kitchen, but once I read the comment about painting the cabinets sage green, I knew that was perfect.

Not exact matches

The comments sections on the AP story paint a picture of disgruntlement and resentment about water rights in the U.S..

Reblogged this on dialecticalaporia and commented: Been thinking about how I'd bring up my children (re: religion) if I ever have any, and this piece paints a nice picture from an unorthodox Jewish perspective.

There were gasps across the House as he said that 164 statements were significantly amended to remove critical comments about the police, that the police checked the criminal database for the deceased to impugn their memory, that the coroner checked all the deceased — even children — for their blood alcohol level, in an attempt to paint them as drunks.

In a phone interview, MTA Chairman Joe Lhota says Brodsky's comments about new buses are a «cheap shot,» since they needed to be painted anyway.

Hello Sarah, thank you so much for your kind comments It's important to me to paint an authentic picture about living with candida.

Thank you so much for your insightful comments about my illustrations / paintings < 3 You're really sweet!

I have two comments about chalk paint: 1: it is not a one coat wonder... It is great but works best with several coats thinning each coat a bit until you have a nice finish.

I just read all the comments about the wax over the AS chalk paint.

The products I mentioned and most people are talking about in the comments are paint on polyurethanes.

Oops, I was scrolling back through the comments and lo and behold someone had asked the same question about how long to wait between the last coat of chalk paint and polycrylic.

Their comments derive from experience, so I won't try to paint a rosy picture about how easy it can be for senior women to date men their age online.

You've already had a little barbed critical comment about the portrayal and the broken English spoken by the Hong Chau character, Matt Damon's Vietnamese love interest — is this really a «white saviour» film, as the detractors are trying to paint it?

I've participated in many «chats» driven by hashtags and even crowdsourced comments about my grandmother's hand - painted Easter egg a few years ago.

Comments about this dash on the forum are plenty and range from pilots talking shop to the fact that the usually chrome spinner on the Corvette's tilt / tele steering column was painted flat black.

He believes in letting his subconscious reveal itself through brushstrokes, commenting: «I savour slips of the hand that express one's unconscious feelings about the person being painted» — a risqué strategy when painting politicians!

Hello, I have been reading your comments and replies and they are all good, I myself have a problem and some questions about selling art online, you I'm disable and been out of work of a few years, So I decided to go and get back into my art work like painting and drawing, I been wanting to see if I could sell my paintings online, so what I have done is start searching different websites to post my art work, I have been checking out eBay, Ugallery, Art Break, Esty, Fine Art America and some others, the problem for me is which one of these should I choose, I was thinking about putting different pieces on different websites and see what happen, O before I got hurt I use to do wall murals and still do sometimes, of the wall isnt too high, but I want to do some work from home, so what websites would you recommend?

Speaking about her recent work Tharsing comments: «The paintings in my most recent series are based on archived images from the American Museum of Natural History.

Tozer comments: «I'm excited about making paintings that accept all the limitations of paint and surface, and simultaneously try to make this stuff transform into qualities that paintings can only imply; movement, time, volume, light, etc..

Asked about when a painting is done, Grill comments that it's «when a painting looks back at you, when it has a face.

In the comments there a great discussion started about the differences between small paintings from life and large studio works like what we see in Constable and Corot.

Commenting on her works in an interview from 2012, Corse noted: «For me painting has never been about the paint, but what the painting does.

He comments on her approach to painting, about her influence on abstraction and regrets her passing (she died in 1992, when she was only 34 years old).

Upon Reinhardt's death, Frank Stella commented: «If you don't know what [Ad's paintings are] about you don't know what painting is about.»

While some of his recent comments about female artists struck many as upside - down in a different way («women don't paint very well»), this show is still required viewing.

1 Gerhard Richter quoted in a letter to E. de Wilde, February 23 1975, cited in Gerhard Richter: Text, Writings, Interviews and Letters 1961 — 2007, Thames & Hudson, London, 2009, p. 92 2 Agnes Martin handwritten note «Comment About the Prints «On a Clear Day», October 15 1975, cited in Arne Glimcher, Agnes Martin: Paintings, Writings, Remembrances, Phaidon, London and New York, 2012, p. 61

However, her comment on such categorization seems to be disapproving: «I wanted to learn about both Abstract Expressionism and the critique of easel painting — not because I wanted to emulate them, but because I didn't like them.»

His list of connections is extensive and amusing: From a few odd comments Richard Prince made about Bob Dylan's Asia «work,» Prince's own discourse during a 2009 deposition on using pulp fiction book covers as image sources for his Nurse paintings, personal connections between the two and Bob Dylan's instinct to mess with journalists — as well as the fact that this work has nothing to do with the Bob Dylan we know — this could very well be just another staged rebirth of the artist.

Other works in the exhibition include Jorge Pardo's handcrafted wooden palette and modernist designed furniture that question the nature of the aesthetic experience; pioneering conceptual artist Joseph Kosuth's discourse on aesthetics in neon, An Object Self - Defined, 1966; Rachel Lachowicz's 1992 row of urinals cast in red lipstick, which delivers a feminist critique of Duchamp's readymade; Richard Pettibone's paintings of photographs of Fountain; Richard Phillips» recent paintings based on Gerhard Richter's highly valued work; Miami artist Tom Scicluna's neon sign, «Interest in Aesthetics,» a critique of the use of aesthetics in Fort Lauderdale's ordinance on homelessness; the French collaborative Claire Fontaine's lightbox highlighting Duchamp's critical comments about art juries; Corey Arcangel's video Apple Garage Band Auto Tune Demonstration, 2007, which tweaks the concept of aesthetics in the digital age; Bernd and Hilla Becher's photographs, Four Water Towers, 1980, that reveal the potential for aesthetic choices within the same typological structures; and works by Elad Lassry and Steven Baldi, who explore the aesthetic history of photography.

Shah comments on the works saying, These paintings are about things felt but unseen.

If you've painted this Ray Campbell Smith watercolour demonstration yourself, or wish to share your knowledge and know - how on judging the correct wash consistency, or a clever / better / easier way to help judge the timings we'd love to hear about them, so please share your feedback in the comments below.

She also commented to me that there was a lot of controversy about how she was depicted in the painting, but she told me «that is as it should be».

Writing about D'Hollander's paintings in The New York Times in 2016, the critic Roberta Smith commented that «They share some common ground with Belgian painters like Raoul de Keyser and Luc Tuymans, but their softened geometries are more open, accommodating suggestions of landscape, seashore and weather as well as abstraction.»

If you go into one of the larger, more popular exhibitions in a museum today you are faced with masses of humans reading wall texts or listening to tape recorded comments about the individual paintings.

A report in the Inside Art column on Friday about the Brooklyn Museum's acquisition of its first painting by the African - American artist Beauford Delaney misstated part of a comment by Teresa A. Carbone, curator of American Art at the museum.

Speaking about this in 1999, Richter commented «I love figurative painting and find it very interesting.

Heller comments: «It took me a good ten years to figure out how to engage the city, how to draw it, how to paint it, how to picture it... it wasn't exactly about its look, it's more about its being.

Walsh comments: «There is a way of painting that is very much about the elemental, step - by - step methological commitment.

Talking about his technique of painting with bleach, Barceló comments: «you don't see what happens until the day after.

EC comments: «For me the gestural painting, automatic and / or asemic writing and collage have come about from a kind of chaotic soup of information and material; both internal and external to me, conscious and unconscious and in the relationship to matter that working in the studio generates.

Asked about the interaction between the image and support edge, Phillips comments: «I like that the image itself is a form... as you start to make the painting, you're given the rectangle, but that it doesn't necessarily have to live withing that arbitrary shape.

Asked what he finds appealing about working in oil, Brickhouse comments: «One of the beautiful things about oil paint is that you can take off as intelligently as you put on, where I found, mostly, acrylic is additive... it's kind of like the difference between video and film.

Brock comments: «I don't think about the body in a direct or traditional sense, but... they are very physical paintings.

Gale comments: «I am very curious and sometimes obsessive about observation... The search becomes part of the subject of the painting.

I loved his comment about not worrying where the painting is going when you are in the process, but think, «This is exciting!»