Sentences with phrase «commerce over art»

We chose convenience over community, commerce over art.
If Boogie Nights is, at least in part, about the triumph of commerce over art and There Will Be Blood is about the triumph of commerce over religion in the American psyche, I think it's fair to say that Phantom Thread is the Paul Thomas Anderson film in which commerce has finally met its match: love does indeed conquer all.

Not exact matches

Collectively they feel like a triumph over the long - simmering tension between art and commerce — between personal expression and commercial concerns — that has seen renewed debate in the film industry as artists endeavor to make movies that feel like more than another episode in a series.
THE DIRECTOR»S CUT By Greg Solman The reconstitution of Blade Runner, Lawrence of Arabia, et al., represents the triumph of art over commerce — or is it more a matter of shake hands with the devil?
The really motivating part of building Lulu over the last few years has been the remarkable works that are uniquely available on our virtual shelves — non-fiction books about science, commerce, art and history and novels that show the rich imaginations of creators from around the world.
Yet, as entrenched as the allusive power of red, white, and blue is in American art, design, and commerce, the political or psychological content of any symbol or color is perishable over the long term.
The event is intended to show up the bottle's special place in the world of art and design as well as commerce over the past 100 years.
The eleven artists juxtapose divergent approaches in conversation with each other, reflecting on primal questions consuming artists over the millennia: Elliot Arkin's conceptual use of web - based commerce spins an absurdist view on the commodification of artists; Babette Bloch's stainless steel reassessments of nature and artistic precedent limn positives and negatives through light; Christopher Carroll Calkins's street photography captures moments of under - the - radar narratives; Valentina DuBasky's acrylic and marble dust works on paper and plaster are a contemporary comment on the prehistory of art; Gabriel Ferrer's performance - like in - the - moment sumi - ink drawings on handmade paper reflect on memory and personal narrative; Christopher Gallego's realist, pure light - filled oil painting elevates the ordinariness of an artist's space to visual poetry; Ana Golici, in pergamano and collage, takes inspiration from 17th Century female naturalist, entomologist and botanical illustrator Maria Sibylla Merian to explore questions of science, nature and objective truth; Emilie Lemakis's monumental amplification of an ancient Greek krater employs scale to upend perceptions for the viewer's reconsideration; Mark Mellon's bronzes address the oppositions of movement and stillness; the alchemy of Michael Townsend's uncontrolled poured acrylic paintings equate the properties of materials with the turbulence of the universe; Jessica Daryl Winer's engagement with luminous color and choreographic line reflects in visual resonance the sonic history of a musical instrument.
In this state of relative non-recognition within the discourse and debate around art and culture in general, the subject of the «reductive» as a possible antithesis to the overpowering reintroduction of representational painting and at the same time to the emergence of the focus on new media, technology and photography, has regained considerable strength over the last decade within an international frame of cultural production and commerce, as well as through the firmly held lone positions of artists like Mosset, Charlton, Armleder, Morellet, Palermo and others throughout the 80's and 90's.
By 2016, the Miami Design District is expected to include over 120 luxury - brand stores, a boutique hotel, 15 to 20 restaurants, luxury residential condos and lofts, galleries, furniture showrooms, and numerous large - scale public art, design and graphic art installations — all in keeping with the history of the neighborhood and the developers» goal of bringing fashion, design, art, culture and commerce together.
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