Sentences with phrase «commercial culture on»

Not exact matches

The phrase went viral, sparking a pop culture phenomenon akin to «Wassup» and «I Love You, Man» phrases from commercials of years past — printed on T - shirts and used in memes online.

GFI estimates that cultured meat could become cost - competitive with conventional meat in about a decade.42 The Open Philanthropy Project (Open Phil) reports that one of two scientists they spoke with who work on tissue engineering gave a similar estimate — though Open Phil themselves remain much more pessimistic about the timeline for the widespread commercial availability of cultured meat.43 We are not certain whether it is realistic to expect cultured meat to become cost - competitive with conventional meat within a decade.

After watching the live cesarean birth on the TODAY show last week and then the commercial for Jennifer Lopez's new movie The Back - Up Plan during the Superbowl *, I've been thinking a lot about the way childbirth is portrayed in popular culture — on TV and in the movies — and how that influences us.

Our culture isn't ashamed to post lingerie adverts in Times Square, on the side of highways — or on T.V. commercials that our kids watch.

When children adopt the values that dominate commercial culture — dependence on the things we buy for life satisfaction, a «me first» attitude, conformity, impulse buying, and unthinking brand loyalty — the health of democracy and sustainability of our planet are threatened.

After watching the live cesarean birth on the TODAY show last week and then the commercial for Jennifer Lopez's new movie, The Back - Up Plan, during the Superbowl, I've been thinking a lot about the way childbirth is portrayed in popular culture - on TV and in the movies - and how that influences us.

A series of strikes in the culture and heritage sector opens with walkouts by British Library workers on Thursday (16) and Friday (17), the Public and Commercial Services union announces.

It further added that the words were understood to mean «the second — fourth plaintiffs are organized criminal companies employed by the first plaintiff, through a corporate culture of malfeasance and impropriety, to perpetrate fraud on the Republic of Ghana and their other clients through illegal, dishonest, fraudulent, sleazy, shady and opprobrious commercial transactions».

Fermented sausages can vary in taste quality depending on whether the fermentations begin «spontaneously,» or using a commercial starter culture.

These items provide tantalizing hints of commercial traffic on a Silk Road predating by two millennia the trading route that eventually linked China to Europe in the early centuries A.D. Hiebert likens the Oxus civilization to Polynesia — a scattered but common culture held together by camels rather than canoes.

In the afternoon, the CoW agreed to forward the following draft Resolutions to plenary for adoption, on: Sustainable Boat - Based Marine Wildlife (UNEP / CMS / COP11 / CRP9); Renewable Energy and Migration Species (UNEP / CMS / COP11 / CRP10); Taxonomy and Nomenclature of Birds Listed on the CMS Appendices (UNEP / CMS / COP11 / CRP12); Conservation Implications of Cetacean Culture (UNEP / CMS / COP11 / CRP13); and Live Captures of Cetaceans from the Wild for Commercial Purposes (UNEP / CMS / COP11 / CRP15).

The image of a bleary - eyed pyjama - clad woman seeking comfort in a block of chocolate is so ingrained in popular culture that commercials advertising the latest sweet treat seem to capitalise on our tumultuous relationship with sugar - laden foods.

At best and depending on the brand you buy, you may get around six batches of kefir out of your sachet of commercial starter culture.

Many cultured foods today are produced on a large commercial scale like cheese.

«With such a successful body of work as a commercial and video director, he is ready to take the next step forward and make this incredible film that will be on the cutting edge of youth culture.

Double Take, Johan Grimonprez's quasi-experimental meditation on (among other things) the Cold War tension of the late fifties, the space race and the culture of commercial television, turns Hitchcock into the main character of an abstract thriller about the director meeting his own double.

Not only does the ethnically correct cast prove to be effective, as we'd expect, but it's putting the culture of Africans in a strong, powerful light rather than what you've seen on sad commercials and all of Blood Diamond (which I love).

Susan Raihofer has been an agent at the David Black Agency since 1993 and focuses on commercial fiction and non-fiction, including memoir, pop - culture, music, inspirational; as well as thrillers and a selective amount of literary fiction.

The four two - minute documentary - style films, created by BBC StoryWorks, BBC Advertising's commercial content production arm, challenge the perceptions of traditional Britain, offering a modern take on the stunning landscapes, fashion, culture and history, and will air on BBC's commercial, international news channel, BBC World News, to an American audience between October 2017 to March 2018.

Internationally - renowned interior designer Alexandra Champalimaud was inspired by Jakarta's long - established position on the global stage, and by its commercial trading history and the influence of many cultures on its character, in particular Indonesia's Dutch colonial period.

With resplendent sunsets, rainforests and wildlife, indigenous cultures and friendly locals, Sabah is a renowned paradise on the Malaysian part of Borneo island.Whether you are a business traveller, a family on vacation or someone looking for that elusive weekend escape, Oceania Hotel has the right room for you.Oceania Hotel is a new 3 star hotel situated in the heart of beautiful Kota Kinabalu.Located just 10 minutes drive from the airport and few minutes drive to the shopping malls, dining destinations, nightlife and the commercial district, this hotel is a perfect mix of convenience and tranquility for all tastes and travellers.

Once again, the show welcomed a number of new initiatives including the launch of the ATM Global Stage, which opened the week's proceedings with a high level panel discussion on the future of tourism in the UAE featuring leading industry leaders including Issam Kazim, CEO, Dubai Corporation Travel and Commerce Marketing; Sultan Al Mutawa Al Dhaheri, Acting Executive Director, Tourism, Abu Dhabi Tourism & Culture Authority; H.E Khalid Jassim Al Midfa, Chairman, Sharjah Commerce and Tourism Development Authority; Haitham Mattar, CEO, Ras Al Khaimah Tourism Development Authority; Marwan bin Jassim Al Sarkal, CEO, Shurooq; Thierry Antinori, Executive Vice President and Chief Commercial Officer, Emirates Airline; Gerald Lawless, Head of Tourism, Dubai Holding and Honorary President, Jumeirah Group and Aligi Gardenghi, VP Marketing EMEA and Commercial Director MEA, Hilton.

In a practice that combines traditional drawing, commercial photography, and new media, Horowitz turns American culture on its head to explore the idiosyncrasies of entertainment, class, commerce, failure, success, and personal meaning.

The two characters» different personalities and dispositions cause a succession of miscommunicated and misconceived ideas as the dialogue unfolds, revolving around foreign cultures, commercial production, allegory, religion and so on.

In a practice that combines traditional drawing, commercial photography, and new media, Marc Horowitz turns American culture on its head to explore the idiosyncrasies of entertainment, class, commerce, failure, success, and personal meaning.

Andrews translates her Los Angeles movie - set references to a New York context — playing on the neighborhood's industrial and commercial past as well as its current associations with popular culture and advertising.

Dora and Maja on December 4, 2012 Croatian - born artist duo Dora and Maja merge together digital media, sculptural installation, and performance to explore a psychological dependence on commercial and digital culture.

Why are we still giving six - times more weight to commercial spectacles than to awesome culture producers who operate on the fringes of the market?

Josephine Meckseper, born in Germany, uses commercial forms of presentation such as vitrines, window displays, and magazines, to demonstrate inextricable influences of consumer culture on society.

American conceptual artist Barbara Kruger is best known for her layered photographs, featuring provocative statements on issues like commercial culture, feminism, and identity politics.

Like Roe Ethridge and Elad Lassry, who were also included in that exhibition, Ms. Prager explores Hollywood, fashion and commercial imagery to riff on contemporary culture.

Using commercial forms of presentation, Josephine Meckseper aims to demonstrate an inextricable influence of consumer culture on society.

Works on canvas use enamel housepaint, much as Ruscha worked in commercial art, but they do not point to Hollywood pop culture or Pop Art.

One of the most celebrated American conceptual artists, Barbara Kruger is best known for layering photographs with provocative statements on issues surrounding commercial culture, feminism, and identity politics.

After co-founding and co-directing resource sharing networks OurGoods.org and TradeSchool.coop from 2008 - 2014, Woolard is now focused on her work with BFAMFAPhD.com to raise awareness about the impact of rent, debt, and precarity on culture and on the NYC Real Estate Investment Cooperative to create and support truly affordable commercial space for cultural resilience and economic justice in New York City.

He is interested in forms of urban commercial culture and has written on New York City's culture and politics in the first half of the 19th century and part of The Cambridge History of the American Theatre.

Traveled to Spacex Gallery, Exeter (catalogue) 1997 Material Culture; Sculpture from the 80s and 90s, Hayward Gallery, London (catalogue) Fergal Stapleton and Rebecca Warren, The Showroom, London (catalogue) Martin, Commercial Gallery and 146 Brick Lane, London Class Vegas, The Embassy, London 1996 Berlin Art Fair NIS Project at world PC Expo, Tokyo On Camp / Off Base: Pimple Life, Tokyo Big Sight Exhibition Centre, Tokyo (catalogue) Disneyland After Dark: La Ronde, Kunstlerhaus Bethanien, Berlin (catalogue) Rebecca Warren and Fergal Stapleton, Cleveland, London Light, Richard Salmon, London.

Adrian Wong bases his series of neon works on the proliferation of signage and commercial messaging that covers his native Hong Kong, a method of appropriation and simulation shared by Wiyoga Muhardanto from Indonesia whose branded sculptures satirise consumer culture.

Kessler turns to contemporary visual culture, and specifically Apple Inc., to examine the impact of popular and commercial imagery and products on society's desires and collective psyche.

Works by such Pop artists as the Americans Roy Lichtenstein, Andy Warhol, Claes Oldenburg, Tom Wesselman, James Rosenquist, and Robert Indiana and the Britons David Hockney and Peter Blake, among others, were characterized by their portrayal of any and all aspects of popular culture that had a powerful impact on contemporary life; their iconography — taken from television, comic books, movie magazines, and all forms of advertising — was presented emphatically and objectively, without praise or condemnation but with overwhelming immediacy, and by means of the precise commercial techniques used by the media from which the iconography itself was borrowed.

Chris Burden passed away on May 10 and here at Open Culture we honored him with a post about his oddly hilarious late night 1970s TV commercials.

Similarly, Barbara Kruger uses photography for provocative statements on issues surrounding commercial culture, feminism, and identity politics.

From 1959 to 1961 he lived in New York on a Harkness Fellowship, producing paintings that combined the formal qualities of the work of American abstract painters, with references to American commercial culture, with its lush seductive colours, exploitation of magnification and soft - focus effects and, generally, its stimulation of desire and fantasy.

The exhibition's placement on the fourth floor of the Museum — between galleries featuring paintings by Robert Rauschenberg, Jasper Johns, Jackson Pollock, and Andy Warhol — underscores the continuation of prewar avant - garde practices in America and the unique legacy of Evans's explorations of signs and symbols, commercial culture and the vernacular.

Her career experience varies from art media platform development to commercial exhibition executions, mainly focusing on culture agendas.

The United States arrived as the commercial center of the art world while countless other cultures emerged on an increasingly globalized stage.

Not only was their imagery, culled from consumer culture, entirely new — baked potatoes, ads for foot medication and BB Guns — but so was their treatment, which drew on the rudimentary character of cheaply printed commercial drawings.

Brüggemann's installations therefore speak of the material quality of culture; on the one hand emphasising the commercial value of products, to the detriment of their function, and on the other hand suggesting an ironic interpretation of the collective, social, mechanisms of the everyday.

It has brought about increased commercial influence on the mass culture that seems to be more uniform.

Beyond those commercial buyers, there is a big access to justice component on the consumer side that is really important to the culture of Neota Logic.