Sentences with phrase «commercial fiction and nonfiction»

Zack Company, Inc. is a full - service literary agency representing works of commercial fiction and nonfiction.

Margret is interested in a wide range of commercial fiction and nonfiction, especially historical fiction, medical suspense, legal thrillers, and stories featuring strong female protagonists.

Adam Chromy, president of Movable Type Management, represents a select list of commercial fiction and nonfiction authors including several NY Times Bestsellers, # 1 Amazon Bestsellers and Barnes and Nobles Discover Picks.

Lauren is interested in acquiring commercial fiction and nonfiction for both young adult and adult.

Not exact matches

She focuses primarily on literary and commercial fiction and narrative nonfiction.

Cassie specializes in representing prescriptive nonfiction — with a particular focus on mind / body / spirit, health and wellness, self - help, inspiration, and Christian interest titles — as well as select projects in the commercial fiction and romance categories.

We represent nonfiction and fiction, both literary and commercial for the mainstream trade market.

In the adult world, I'm looking for: commercial women's fiction, historical fiction, biography, history, health, and lifestyle — and, especially, thoughtfully written commercial novels, thrillers with international settings, and narrative nonfiction.

She wants to hear pitches for fantasy, science fiction, literary fiction, upmarket / mainstream fiction, young adult (all kinds), middle grade (all kinds), women's fiction, romance, thriller, mystery, diverse stories, #ownvoices, narrative nonfiction, and voice - driven memoir with commercial appeal.

The eclectic and exciting breadth of our list — nonfiction in most categories, commercial and literary fiction, romance novels, gift books, calendars, children's books, YA and more — is unmatched anywhere.

Agent Louise Fury The Bent Agency Louise Fury represents young adult, middle grade, new adult, commercial fiction including romance, and select nonfiction.

She represents: mainstream literary and commercial fiction, and nonfiction in the areas of memoir, biography, narrative nonfiction, and popular culture.

Mark specializes in books with bestseller or high commercial potential, and he works with authors of all genres (fiction, nonfiction, children's books) around the world, at all stages of development.

Mark Malatesta specializes in books with bestseller or high commercial potential, and he works with authors of all genres (fiction, nonfiction, children's books) around the world, at all stages of development.

Simon is a senior agent at Writers House, where he represents a wide range of authors in literary and commercial fiction, narrative nonfiction and young adult fiction.

Evy Tillman: Oslo Literary Agency is Norway's biggest agency, representing authors in the genres of literary fiction, crime, and commercial fiction, plus children's and YA books and nonfiction.

Fox Literary is a boutique agency which represents commercial fiction, along with select works of literary fiction and nonfiction that have broad commercial appeal.

He works primarily with quality fiction — literary, historical, strongly written commercial — and with voice - driven nonfiction across a range of areas — narrative history, biography, memoir, current affairs, cultural trends and criticism, science, sports, etc..

Currently Looking For: Fiction that hits the sweet spot between commercial and literary with interesting settings and a strong narrative voice; mystery (particularly cozies and crossover literary — think Ordinary Grace by William Kent Krueger), literary thriller, and psychological suspense; and memoir by writers who connect the events of their lives to readers through incredible storytelling, as well as a wide variety of prescriptive and narrative nonfiction and gift books.

She represents both literary and commercial fiction as well as nonfiction, and brings to the agency experience as a former acquisitions editor, freelance publicist, and writer.

Amazon has been quietly working to build its presence on the publishing side, acquiring both literary and commercial fiction, memoirs and other nonfiction.

DongWon Song represents commercial fiction for adult, young adult, and middle grade readers as well as select nonfiction.

Eaker acquires literary and commercial fiction and narrative nonfiction and pop culture.

The eclectic and exciting breadth of our list — nonfiction in most categories, commercial and literary fiction, romance novels, gift books, calendars, children's books, YA and mor...

She seeks Christian romance fiction (fresh stories within the romance novel framework); commercial or general fiction that 1) has a place in the Christian Booksellers Association, and 2) has romantic elements; general market (secular) fiction that involves a clean story and disrespectful elements toward faith, and nonfiction from writers with an excellent platform.

What defines St. Martin's most is its ability to establish best - selling authors across a broad range of categories, from commercial women's fiction and literary fiction to romance and young adult, to its strength in nonfiction such as military, business, science, politics, and many other categories.

What she wants to read: Literary and commercial fiction, especially upmarket and women's fiction, as well as select memoir, narrative nonfiction, cultural studies, and pop culture.

And perhaps non-narrative nonfiction could be seen as having a different purpose than genre fiction does — to inform primarily, rather than to entertain primarily — so nonfiction authors might then publish eBooks with other than purely commercial goals.

Unlike commercial fiction, nonfiction isn't read once, consumed, and forgotten.

Areas of interest: Literary fiction, upmarket commercial fiction, narrative nonfiction, memoir, humor, and pop culture

Eva, I have been trying to move from modestly successful nonfiction to commercial fiction for several years now, and haven't had a novel published yet.

For example, distressed text is often used for horror; big bold font for nonfiction, pastel color palettes and handwritten titles for commercial women's fiction.

Don is aggressive in looking to build a list of authors with «strong voices» across a wide variety of areas: literary and commercial fiction, narrative nonfiction, memoirs, travel, science, and health.

Melissa represents authors of children's fiction, adult commercial fiction, and select pop - culture nonfiction.

Today, Doubleday publishes an array of commercial fiction, literary fiction and serious nonfiction titles.