Sentences with phrase «commercial film groups»

Same rules apply to commercial film groups as apply to park visitors.

Not exact matches

Richard Burhouse, commercial director at API Group said, «This significant shift in focus in the retail and packaging industry meant 2017 was the busiest year yet for our Transmet film - free laminate.

It's nothing like a safely commercial film: like Ex Machina, it asks viewers to be patient with its mysteries, and with the relatively subtle emotional responses of a group of characters who are all clearly repressing their fear and frustration, right up until the moments where they explode.

The film's narrator (Norton) attends support groups of all kinds as a way to «experience» something within his unfeeling, commercial existence.

Since being founded in 2008 by veteran film executive Glen Basner, FilmNation has established itself as a home for specialty filmmaking with global appeal by focusing on a highly selective group of filmmakers and projects that emphasize both creative integrity and commercial potential.

Directed by Jonathan Glazer (whose latest film Under The Skin will be released this year), the commercial features the inimitable French actor Denis Lavant as a leather - clad Satan who tempts — and rewards — a group of women with a handful of the Cadbury confection being advertised.

After cleaning up with various critics groups and other film - honoring bodies, and going 1 - 2 at the Los Angeles Film Critics Association awards, commercial juggernauts Wall ▪ E and The Dark Knight both got relegated to somewhat unfortunately expected, consolation - type booby prizes: a Best Animated Feature nod for the former, and a Best Supporting Actor nomination for Heath Ledger for the latter, among a mess of other, lesser nods.

The festival's second prize went to a film that already is something of a commercial hit in Los Angeles and New York: John Sayles» «The Return of the Secaucus Seven», a funny melodrama about a group of friends who were young political activists in the late 1960s and hold a reunion 10 years after the end of that idealistic decade.

The late conceptual photographer was a member of what critic Douglass Crimp called the «Pictures Generation» — a group of artists in the late»70s who rejected the predominant values of object - based Minimalism in favor for a return to imagery, or more specifically, commercial imagery related to advertisements and film / television.

Working independently of the Thai commercial film industry, Apichatpong Weerasethakul work has been presented widely in film and art contexts internationally, including the Sharjah Biennial in the UAE (2013) and dOCUMENTA 13 in Kassel, Germany (2012), and in solo and group exhibitions including Haus der Kunst in Munich, Germany; Walker Art Center, Minneapolis; New Museum, New York.

Some of our notable entertainment and media attorneys are: John Quinn, General Counsel of the Academy of Motion Picture Arts and Sciences, who has also represented entertainment and media clients in a number of high profile cases; Kathleen Sullivan, the former Dean of Stanford Law School, First Amendment scholar, and nationally renowned appellate advocate, who heads the firm's appellate practice group; Bob Raskopf, an expert in the sports, entertainment and media bars in New York, who is perhaps best known for his work on behalf of professional sports leagues and teams, newspapers and publishers; Claude Stern, who has represented a broad array of leading software developers, videogame manufacturers, online publishers and other media clients in all forms of intellectual property litigation, including copyright, patent, trade secret, trademark, and licensing disputes; Bruce Van Dalsem, who has tried and resolved disputes for studios, producers and performing artists in the film, television, music and finance businesses, securing a top five verdict in California based on the misappropriation of a film library; Gary Gans, an expert litigator in motion picture financing, production and distribution disputes, as well as copyright and idea theft cases, who has been named in 2012 by The Hollywood Reporter as one of America's «Top Entertainment Attorneys;» Jeff McFarland, who has litigated entertainment related cases for more than 20 years, including cases involving motion picture and television series profits, video game licenses, idea theft and the «seven year rule;» and Michael Williams, who represents a satellite exhibitor and other media clients in trademark, copyright, patent, antitrust and other commercial litigation.