Sentences with phrase «commercial gallery presentations»

Price's work has been much talked about, though not widely exhibited until relatively recently (and then only in group shows or in commercial gallery presentations).

Not exact matches

While the Green Gallery was not a commercial success, it was distinguished by Bellamy's wide - ranging taste and his presentation of artists working in directions that soon became recognized as vital trends.

The Hauser & Wirth presentation is his first with the gallery in Los Angeles and his first at any commercial space in his hometown in more than 15 years.

The convergence of a general mistrust of government in the wake of Watergate and the first sale of a contemporary artwork for more than $ 100,000 (at the 1973 auction of the Scull collection) saw artists seeking alternative modes of presenting and experimenting with the process of art's presentation outside the museum or the commercial gallery.

Cumberland Gallery provides full service including selection and presentation of artwork for private, corporate, and commercial spaces, conservation framing, shipping and installation.

First, the large - scale commercial gallery exhibition abc — which many consider to be effectively an art fair — is taking place again, this time making a collective effort to include off - spaces (not - for - profit ventures) in the presentation.

Some people's presentations could feel like a solo show, which could easily be transposed to a commercial gallery space.

As an organization dedicated to solo presentations by UK - based artists who are currently not represented by any UK commercial gallery, Zabludowicz Collection is once again on its mission with Victoria Adam's show.

The week's openings have also included a Gauguin exhibition at the Museum of Modern Art; a vital show on art and civil rights in the 1960s at the Brooklyn Museum; three large solo presentations at PS1, MoMA's hipper kid sister in Queens; and untold numbers of openings at commercial galleries.

Sion and Moore, a new commercial gallery project dedicated to photography, is delighted to announce its inaugural show, Work Books 1984 — 2018, a presentation of work by the photographer Nigel Shafran.

In 2009, I noticed a move towards edgier, more daring presentations in commercial galleries than usual.

Clients range from private individuals, to public and / or not - for - profit institutions, to commercial galleries, corporations, and top luxury brands — with resulting presentations created around the clients» special interests and strategic needs.

For the young filmmaker this marked a turning point in his career: forty years on a presentation encompassing the last fifty years of his work at Richard Saltoun Gallery marks another - the first solo exhibition of his work in a commercial gGallery marks another - the first solo exhibition of his work in a commercial gallerygallery.

Participation as Artistic Principle, Museum Morsbroich, Leverkusen Group Exhibition Curated by Asha Bukojemsky, Samuel Freeman gallery, Los Angeles You can tell I'm alive and well because I weep continuously, Knockdown Center, New York While I was also listening to David, Eleanor, Mariana, Delia, Genk, Jean, Mark, Pierre, Shima, Simon, Zin and Virginie, Criée centre of contemporary art, Curate by Felicia Atkinson, Julien Bismuth, Sophie Kaplan and Yann Sérandour, Rennes, France Commercial Break, Public Art Fund 40th Anniversary, Public Art Fund, New York 2016 Sequences Art Festival, 10th Anniversary at Marshall House, Reykjavik Breathing Space, Museum Arnhem, Netherlands 8688, curated by Diana Campbell Betancourt, Project 88, Colaba, Mumbai A Moment In Time, BolteLang, Zürich The Sun Placed in the Abyss, at Columbus Museum of Art, Columbus Sea, curated by Monika Kozioł, MOCAK, Museum of Contemporary Art, Krakow Group presentation at Artissima, Turin The Distance of a Day: New in Contemporary Art, curated by Rita Kersting, The Israel Museum, Jerusalem I will go where I don't belong, at Volcano Extravaganza, Stromboli Par tibi, Roma, nihil, Palatin Hill, Rome I»M WAITING FOR SOMEONE TO CALL ME, at Galeria Dawid Radziszewski, Warsaw Six Weeks, in Time, Henry Art Gallery, Seattle True Spirit, Galerie Allen, Paris Publish or Perish, Transmitter Gallery, Brooklyn, Ngallery, Los Angeles You can tell I'm alive and well because I weep continuously, Knockdown Center, New York While I was also listening to David, Eleanor, Mariana, Delia, Genk, Jean, Mark, Pierre, Shima, Simon, Zin and Virginie, Criée centre of contemporary art, Curate by Felicia Atkinson, Julien Bismuth, Sophie Kaplan and Yann Sérandour, Rennes, France Commercial Break, Public Art Fund 40th Anniversary, Public Art Fund, New York 2016 Sequences Art Festival, 10th Anniversary at Marshall House, Reykjavik Breathing Space, Museum Arnhem, Netherlands 8688, curated by Diana Campbell Betancourt, Project 88, Colaba, Mumbai A Moment In Time, BolteLang, Zürich The Sun Placed in the Abyss, at Columbus Museum of Art, Columbus Sea, curated by Monika Kozioł, MOCAK, Museum of Contemporary Art, Krakow Group presentation at Artissima, Turin The Distance of a Day: New in Contemporary Art, curated by Rita Kersting, The Israel Museum, Jerusalem I will go where I don't belong, at Volcano Extravaganza, Stromboli Par tibi, Roma, nihil, Palatin Hill, Rome I»M WAITING FOR SOMEONE TO CALL ME, at Galeria Dawid Radziszewski, Warsaw Six Weeks, in Time, Henry Art Gallery, Seattle True Spirit, Galerie Allen, Paris Publish or Perish, Transmitter Gallery, Brooklyn, NGallery, Seattle True Spirit, Galerie Allen, Paris Publish or Perish, Transmitter Gallery, Brooklyn, NGallery, Brooklyn, New York

Works that are immediately recognizable from major institutional presentations like the Whitney Biennial and Venice Biennale are presented alongside lesser - known works, which may have initially only been seen by a small audience in commercial galleries, alternative spaces, or in the artist's studio.

We strive to develop presentations that are defined by a clear curatorial vision, an extension of gallery programming, rather than simply a commercial opportunity.