Sentences with phrase «commercial hits like»
Then again, Nintendo really hit the ground running with the Switch: It sold 10 million units in its first year on the market, grounded by a strong lineup of critical and commercial hits like «The Legend of Zelda: Breath of the Wild» and «Super Mario Odyssey.»
http://video-games-galore.com/ Not exact matches
They would like to create a digital design, print out prototypes that they could test and refine, and then use the digital file of the optimized version to create a commercial product or part out of the same material whenever they hit «make» on a 3 - D printer.
@@@@@ WIMPY WASP explained it when earthquakes and floods and famine hit really hard then most crazy broke really religious people who don't have a job go crazy like you.you religious people don't give back in my last three years I given back too helping the poor more then $ 20,000 dallors of my own money how much you so called chicken heads crazy religious people given out of your own income wait you crazy religious people got ta pay your light bill.by the way I own my own commercial health base buisness in Arizona.you still working for a pay check I write employees paychecks.
The collection's chain belts, chunky jewelry and embellishments were offset by the easy silk frocks and sporty separates, and since today's woman is all about mixing and matching — just like last season's cult - favorite casual sneakers and regal brocade coats — this one's likely to be another commercial hit.
Why It Could Fail: This does ultimately seem like more of a film looking to be a commercial hit than an awards juggernaut.
The game ended up a critical and commercial hit, and it finally seemed like Dragon Quest was overseas to stay.
Especially since the Hollywood trades, like the Hollywood Reporter, keep writing about how Warner Bros needs a critical and commercial hit and is hemorrhaging after their disappointing summer box office results (see also: Entourage, The Man from Uncle and We Are Your Friends).
Anderson is one of the most amazing filmmakers around, but his recent films have not had the commercial success they've deserved and this is yet another gem like Inherent Vice, The Master and his last film with Lewis, the modern hit There Will Be Blood.
Few actors get to star in a monster commercial smash that is also a zeitgeist hit, but that was Joshua Leonard's experience with The Blair Witch Project, which turned a meager $ 60,000 production budget into almost $ 250 million in worldwide theatrical receipts, and owned the summer of 1999 (and beyond, in the form of countless spoofs, homages and far less inspired rip - offs) like no other indie movie of its time.
Director Doug Liman has helmed some massive hits (The Bourne Identity, Mr. and Mrs. Smith), but in 2014 is by no means a hot property, with his latest film (2010's Fair Game) well - liked by critics but a commercial flop.
The next year he'd star in Three Men and a Baby, the top - grossing film of the year, in addition to Police Academy 4, and the year before he starred in the critical and commercial hit Cocoon, where his costars were people like Hume Cronyn and Jessica Tandy, not the guy who makes all the crazy noises with his mouth.
When he ended up directing the smash - hit stoner comedy Pineapple Express, what should've been a step - up in his career turned out to bring out the worst, with commercial and critical failures like Your Highness and The Sitter following it.
Its most recent reincarnation, Jon Favreau's The Jungle Book, is both a commercial hit and a relative critical success, as have been some of the films that have come before it, like Maleficent and Cinderella.
«This is The Princess Diaries meets Twilight, and Hocking hits all the commercial high notes... Switched is escapist fantasy; it isn't the specificity of the world that matters here; it's the accessibility... What teenager hasn't felt like a freak, a changeling in his or her own family?
«Those who'd like to understand the commercial dynamics of big - hit, big risk media businesses should read Blockbusters: Why Big Hits — and Big Risks — are the Future of the Entertainment Business by Anita Elberse (Faber, 2014).
Many of the patrons in our panel had hit upon a workaround in commercial interfaces, which often include reviews, recommendations, and other ways of discovering new titles: «I will sometimes go to Amazon to find titles I might like, then search them in OverDrive, since Amazon's interface is so much more reader friendly (tells you what else you might like, etc.)»
«When the IGF first opened 10 years ago, few could have seen the impact that the festival would have on the future of gaming,» said Mathew Kumar, IGF Mobile Content Director, «Years later, we're seeing the explosion of the downloadable content and online distribution, and with it, IGF - alums - turned - mainstream titles like Fl0w, N + and Everyday Shooter have become commercial hits.
Unfortunately, the series became rather stale in this current generation; forcing gimmicks like the motion control skateboards that were a commercial flop, and different game play designs that just weren't hitting the mark.
However, if a disaster — such as fire or an explosion like that one that destroyed the Arnel Company facility and neighboring homes and business in 2006 — forces you to shut down commercial operations for an extended period while repairs are made, your business many be unable to generate any revenue at all and the financial hit can lead to a corporate bankruptcy.
Netflix's catalog is loaded with full TV series (past seasons only), scores of movies both licensed and produced in - house, and hit original series like Stranger Things, Marvel's Daredevil, Altered Carbon, and so many more, all of which come commercial free.
The United States economy has displayed a powerful resiliency over the last several years, with home sales hitting records and commercial activity reaching robust levels despite a steady stream of big shocks like hurricanes Katrina and Rita.