Sentences with phrase «commercial images»

A large commercial image for a tea towel design can take at least up to 25 hours or more to create.

Here, he has employed techniques of mass commercial image production to realize what is a profoundly personal vision.

They both deal with what it's like to perceive human experience through commercial images.

In comparison to the unique print, the resulting commercial image portrays a stark, contrast with charged line and color.

Gleefully raiding the world of classic commercial images of middle class WASP life, Vallejo gives common American icons a new «sabor» or flavor.

The combination of the vibrant, commercial image with one sourced from news media intensifies the unsettling qualities in each.

It increases the cost of doing business by the country.Our commercial image as a country will have no currency.

A member of the Pictures Generation, the group of artists including Cindy Sherman and Richard Prince that spearheaded the artistic re-use of commercial images in the 1980s, Louise Lawler is known for taking photographs of other artists» work hung in national museums, private collections, auction houses, and even storage.

Sonic, among many other commercial images of the 1980s and 1990s represents the commodification of alterity and rebellion, rendering these concepts less useful, and less capable of inciting change and meaningful social transformation.

A visual artist and writer closely associated with the New York School of the 1960s and»70s, Joe Brainard invented variations on commercial images and artifacts that have become icons of Pop art.

Twenty20 is the world's largest crowd - sourced commercial image catalog, providing leading brands and design agencies with a modern alternative to bad, traditional stock photography.

Working with his Ph.D. adviser, Sriram Vishwanath, Slaughter realized that most commercial image - and motion - capture software sacrifices processing speed for accuracy.

Pop art was about fast foods, fast babes, fast mechanically reproductive processes such as the silkscreen and the Benday dot, and blatant commercial images and ads.

Ethridge takes his pictures in «editorial mode,» directly borrowing from commercial images already in circulation, including outtakes from his own illustrational magazine work.

CAMH goes on to say that an integral part of this exhibition involves, «examining source material, generally borrowed from the mass media, to expose the ways commercial images reveal the mechanisms of power.»

The body of his work replicated a certain lifestyle and described a sequence of seductive commercial images, inviting us to appropriate them, acquire them and become their owners, if only for a moment.

In this sense, his work continues in the tradition of artists like Andy Warhol and Richard Prince, all of whom appropriated recognizably commercial images in order to say something more profound about modern America and its romance with consumption.

He had read Marshall McLuhan's The Mechanical Bride, a study of the advertising industry, but his use of imagery based on such commercial images was neither celebratory nor critical.

Perhaps his most famous work was entitled, F - 111, which paid homage to the powerful aircraft heavily utilized by the U.S. Air Force in Vietnam when Rosenquist painted it in 1964, interspersed with commercial images onto 23 sections, 10 feet high and 86 feet wide.

Image: Screen grab of Google website Google Crunches the Numbers on Energy Google is a company that tends to put its money where its mouth is: They invested around half a billion dollars in various clean energy projects, some at the commercial

Her work is informed by time spent working as a graphic designer at the New York Times and in other commercial image - making roles.

You had mentioned a sort of saturation of images — the insane amount of images we see or scroll through each day — and how you thought of these images as an intentional slowing of that consumption, at least for you to spend more time with them, and how the work also engaged a lot of the materials of advertising, prop styling, and commercial image production.

Through commercial images of fashion, merchandise, and advertisements, in addition to moments from his daily life, Ethridge's works reveal the fine line between the generic and the personal, combining art historical themes with contemporary culture.

Peskine's use of graphic and commercial images in fine art is informed by his early start in graphic design.

The commercial images specialist managed to overcome expectations for a drop in adjusted profit,...

That's just a commercial image.

As the respected Supreme Court Justice, Atuguba admonished in the case cited supra,» Any undue interference with the operation of the contract will damage the commercial image of the government to the detriment of the public interest.»

Any undue interference with the operation of the contract will damage the commercial image of the government to the detriment of the public interest.

The commercial image of Ghana is going down because going forward, every foreign investor will require a guaranteed LC because another Government will try to interfere with their investments.

That is to say any undue interference will DAMAGE the commercial image of the government.

The works on view exemplify the different types of imagery Lichtenstein experimented with over the years, including the distinctive styles of art movements such as Surrealism and Abstract Expressionism as well as the design of commercial images.

The art is purposely not renderings of films being screened or a commercial image with publicity in mind, said Chachere.

Whereas earlier artists pointed to the constructed nature of commercial images, Lassry reserves the right to call anything a picture, to undo photography's seduction technique and, along the way, to situate genre as strictly last century.

Slate, September 28, 2016, This Photographer Playfully Blurs the Line Between Personal and Commercial Images

Rather than avoiding the commercial images, cultural iconography or personal snapshots that we interact with daily, the instant familiarity of photography is used as source material.

This variety in the commissioned work and Phillip's clear passion for photography as an art form & as a way of communicating a product for a business has meant that he has worked with many clients over many years, developing and maintaining their commercial images.

Beginning in 1961, commercial images, such as cigarette packages, figured prominently in his pictures, which, after 1963, frequently had elements of collage, construction, and sculpture.

Larry Rivers, original name Yitzroch Loiza Grossberg, (born August 17, 1923, New York, New York, U.S. — died August 14, 2002, Southampton, New York), American painter whose works frequently combined the vigorous, painterly brushstrokes of Abstract Expressionism with the commercial images of the Pop art movement.

In his effort to reconstruct the city, his lens focuses on different kinds of commercial images, from billboards to the sign details in storefront windows.

«His group» was what art critics and collectors now refer to as the «Pictures Generation» — a movement of artists who, skeptical of the artistic as well as commercial images that surrounded them, appropriated those images into their own work and then subverted them.

The largest installational display in the gallery follows Warhol's original 1962 brief «to simulate cans stacked along supermarket shelves», with the repetition of the instantly - recognisable packaging present in the Campbell's Soup I portfolio: returning the viewer to the intentional lightness of being, mass production and explorations of the commercial image as culturally iconic.

For commercial images, you'll need to get a model release signed by the parents.