Created during the early and mid-1960s, the fifty - five drawings on view offer a revealing window into the development of Lichtenstein's art, as he began for the first time to appropriate commercial illustrations and comic strips as subject matter and experimented stylistically with simulating
commercial techniques of reproduction — the famous Benday dots.
Warhol's flat images and reference to
commercial technique drive out every reference to the handmade, and so often does Warhol's influence.
Stylistically, the artist's work is informed by a diverse range of sources, including Abstract Expressionist painters such as Franz Kline and Clyfford Still, Japanese calligraphy and woodcuts, and pop - era artists such as Rauschenberg and Warhol, who
recontextualized commercial techniques within the paradigm of painting.
Empire Canvas Works uses bison leather tanned by native Americans either using the traditional smoke method or
modern commercial techniques.
With the spread of
commercial techniques and a rising number of slaughterhouses, the availability of meat increased dramatically while the price declined.
Artists often created Pop works using mechanical or
commercial techniques, such as silk - screening.
Her work often incorporates sculpture and installation to explore popular culture and
commercial techniques.
McKenzie studied at a private school for decorative painting in Brussels in 2007 - 2008, and
the commercial techniques she learned there have been central to her work ever since.
Roy Lichtenstein's Brushstrokes illustrates how
the commercial technique of screenprinting was well adopted for pop's vivid imagery, which here makes an ironic nod to Abstract Expressionism.
By the early 1960s, Warhol and Rosenquist had translated
the commercial techniques they had mastered into fine art and become leading figures in the movement known as Pop Art.»
Alice combines her talent for painting with
a commercial technique; photomontage for composition, then painting and layering so components can be moved and edited digitally.