Sentences with phrase «commissioned dance work»

There will be a wide assortment of live events throughout the exhibition, including a newly commissioned dance work by Candoco Dance Company with choreographer Laila Diallo, and performances by Harold Offeh, Anna Brownsted, Issam Kourbaj, Regina José Galindo and Emma Smith.

Not exact matches

As a not - for - profit dance organization, KPD commissions and produces the work of dance artists with and without disabilities — presenting excellence in dance through our quality - based programs, community performances and educational workshops.

2012 - 2013 syzygy, project space in a social housing flat in Elephant and Castle, hosting 8 residencies, workshop programs and curated exhibitions with invited UK and international artists, London 2011 - 2016 In The Company of Elders, reflections and performance with a group of Elders, London / Bath AWARDS AND GRANTS 2014 FreeSpace, awarded for impact and participation in The Big Lottery National funding Awards Wenlock Barn TMO, winners of national TMO Awards for involving community through Fourthland projects Awards for All funding, Wenlock Barn Estate, Meeting House 2011 - 2013 Big Lottery Funding, The Back Garden and Public Program, Wenlock Barn Estate 2010 - 2011 Big Lottery Funding, The Growing Kitchen Community, Wenlock Barn Estate 2008 - 2010 Shoreditch Trust Commission, The Growing Kitchen, Wenlock Barn Estate 2009 University of East London, Funding, Making architecture TEACHING 2015 Visiting Artists, Bergen Academy of Art and Design Norway Visiting Artists, CASS School of Art and Design Louise isik Sayarer (1982, British / Turkish) EDUCATION 2007 - 2011 BA Fine Art part time, Sir John Cass school of Art and Design, London 2006 Foundation in Art and Design, Sir John Cass School of Art and Design, London 2002 - 2005 BSc / BA Environmental Science and Development Studies, University of Sussex 2000 BTEC level 3 Tropical Habitat Conservation Madagascar Recent Training 2016 - 2017 Shakti dance 2015 - 2016 Dancing Tao - Movement Medicine circle Previous work 2008 - 2015 Artist associate SASA Works Architecture 2010 - present Bow Arts Trust, Education Artist 2007 - 2008 Education Officer Chelsea Physic Garden 2006 - 2007 Education Officer The Wildlife Trust 2005 Research associate Ethnomedica, Kew Gardens Eva Knutsdotter Vikstrom (1985, Norwegian / Swedish) EDUCATION 2009 - 2011 BA Fine Art, Sir John Cass school of Art and Design, London 2004 - 2005 Foundation in Art and Design, Einar Granum School of Art, Oslo Recent training 2015 - 2016 Kundalini Yoga teacher training Previous work 2014 - 2016 Art director for Ale Tarraf's feature film «Yupanqui» 2009 - 2011 The Readers performance Group LANGUAGES English Norwegian Swedish Spanish

We work with international and UK artists to produce extraordinary experiences, creating an exciting mix of thought - provoking drama, dance, film and contemporary visual art with a strong focus on international work, new commissions and talent development.

Embracing the work of local and international artists, the Armory season launches in March with FLEXN — a major commission co-directed by Reggie «Regg Roc» Gray and visionary director Peter Sellars embracing and transforming Brooklyn's sharp, bone - breaking street dance, flex.

The Apollo Theater today announced its 2015 — 2016 season, encompassing world premieres, commissions, and collaborations with world - class performing arts institutions and international artists working across a range of disciplines and genres — from dance and theater to jazz, soul, and opera.

Since then the company has enjoyed continued success, winning commissions and residencies at prestigious performance venues such as The Joyce Theater, New York Live Arts, The Kitchen, Dance Theater Workshop, Danspace Project Joyce SoHo, The Guggenheim Museum's Works & Process program and Baryshnikov Arts Center.

Dunn's commissions for site - specific work include Second Mesa, (1982) at the Institute for Contemporary Art in Boston, Multiple Undo, (2006) at Lower Manhattan Cultural Council, Glass Sea (2006), at Dancing in the Streets, and Informations (2008), at the Ancram Opera House in Ancram, NY.

Originally commissioned for the Hayward Gallery exhibition, «Spellbound», which marked a century of cinema in Britain, Rego was inspired by the hallucinatory dance sequences of the famous Disney film — but her works are surely also a homage to Degas» dancers.

In the Los Angeles - based Isaac's video work, both the soundtrack — a three - minute commissioned sound piece by Adrian Frasier — and the video, which was created by mixing together Star Wars and Dances with Wolves using an analog mixer, are slowed down to the running time's full three hours to create an artificial «dreamtime.»

2006 Yinka Shonibare Installation, Speed Museum, Kentucky, USA Flower Time, Stephen Friedman Gallery, London, England 2005 Mobility, James Cohan Gallery, New York, USA Yinka Shonibare Selects: Works from the Permanent Collection, Cooper - Hewitt, National Design Museum of the Smithsonian Institution, New York, USA Collaborative film / dance project with the Royal Opera House and the Africa Centre, London, England 2004 Turner Prize, Tate Britain, London Yinka Shonibare, Double Dutch, Boijmans van Beuningen Museum, Rotterdam, The Netherlands; touring to Kunsthalle Vienna, Austria (catalogue) Vasa, Commission for the opening of Moderna Museet, Stockholm, Sweden Yinka Shonibare, The Fabric Workshop and Museum, Philadelphia, PA, USA 2003 Play with me, Stephen Friedman Gallery, London

Goldberg is the final presentation of the Armory's 2015 season, which encompassed site - specific installations, commissions, and cross-disciplinary collaborations across a range of art forms including: FLEXN — an evolution of the Brooklyn - born street dance flex co-directed by Peter Sellars and dance pioneer Reggie (Regg Roc) Gray; H -LCB- N) Y P N (Y -RCB- OSIS, Philippe Parreno's largest exhibition in the U.S. to date, a multi-sensory journey within the monumental interior of the Armory's drill hall; the U.S. premiere of the new contemporary dance Tree of Codes by Wayne McGregor, Olafur Eliasson, and Jamie xx; HABEAS CORPUS, a penetrating new work by Laurie Anderson in collaboration with Mohammed el Gharani; and the third annual recital series featuring the U.S. premiere of The Night Dances by Charlotte Rampling and Sonia Wieder - Atherton, a concert of songs from World War I by Ian Bostridge, a performance of Viennese lieder by Christian Gerhaher and Gerold Huber, and more.

Programs in the drill hall include the North American stage premiere of Louis Andriessen's De Materie, directed by composer Heiner Goebbels and featuring the International Contemporary Ensemble in a visually dramatic production incorporating music, dance, and spoken word; a new commission by visual artist and musician Martin Creed that marks his largest installation in the U.S. to date and reimagines the Armory's drill hall and period rooms in a surprising meditation on existence; a major new work by artist Taryn Simon that explores rituals of grief and mourning; and Circle Map, a program of ambitious spatial works by composer Kaija Saariaho that features the New York Philharmonic.

Requiem for Mirrors and Tigers was commissioned by Corpus Network and headed by, If I Can't Dance Amsterdam, the series features the artist working solo or with an ensemble in an ethereal series of performances.

Comprising newly commissioned works presented by dance artists, performers and visual artists, The Collection takes place at Siobhan Davies Studios in South East London and Victoria Miro Gallery in North London.

Apart form the studio work, they've been commissioned artworks on public space and created several scenographic concepts for dance and theater — in their country and abroad.

Commissions have come from mouvoir: a Cologne - based dance company, to create sound works for inclusion in the productions Beautiful Me and Cactus Bar, which toured extensively throughout Europe.

Smart's new work also includes commissioning texts and puppet plays, crosscultural choreography and performance with Javanese dance movement and re-interpretations of traditional wayang kulit (shadow puppet) theatre performance, identifying parallels of crosscultural influence and reciprocity, which critically engage her art practice.

Her work has received commissions and presentations from The Chocolate Factory, Danspace Project, River to River Festival, American Realness, ISSUE Project Room (Emerging Artist Commission), Mount Tremper Arts Festival, Dance and Process at The Kitchen, Movement Research at Judson Church, Center for Performance Research, Catch Performance Series, and a Danspace performance curated by Judy Hussie - Taylor in «Come Together: Surviving Sandy.»

The fair also features special Frieze commissions: including new work from Cally Spooner for Frieze Film, a major project from Frieze Artist Award winner Mélanie Matranga, and exciting collaborations from national dance, film and music institutions for Frieze Projects.

Standing in line at The Dance Theater Workshop with Laurie Anderson, for whom I played piano in a workshop she conducted at CalArts, for a work - in - progress performance of Perfect Lives (Private Parts), a video / opera by Robert Ashley, commissioned by The Kitchen, I was convinced I had severed ties with my small - town, Midwestern roots, once and for all.

Lacey has founded a number of projects with ambiguous borders: Projet Bonbonnière, a research and living project designed to rehabilitate Italian theatres; Prodwhee, a series of performances using the concept of dance residency as currency; Robinhood, a mythical and invisible performance with the artist Cerith Wyn Evans; and Transmaniastan — a work commissioned for A Choreographed Exhibition at the Kunsthalle, St. Gallen (curator Mathieu Copeland).

At EMPAC she commissioned and / or produced a broad range of new work by artists that included The Wooster Group, Laurie Anderson, Japanther, Jem Cohen and Ben Rubin, and curated exhibitions such as Dancing on the Ceiling: Art and Zero Gravity.

Just back from their US Tour and collaboration with the Dublin Dance Festival, Crash Ensemble's upcoming events include a recording for Nonesuch Records and the world premiere of a new work by Donnacha Dennehy, commissioned by Grammy award - winning soprano Dawn Upshaw, to be performed in October 2010.

Shen Wei Dance Arts recently performed armory - commissioned works.

Her work commissioned for Frieze Film points a lens at the culture surrounding Bulgaria's bawdy and sexually charged nightclubs known for chalga, a style of music that combines traditional Eastern European sounds with contemporary dance rhythms.

Whilst living in New York, Lewis danced for many choreographers and from 2004 exhibited commissioned works at The Kitchen, Dance Theater Workshop, New Museum and Movement Research at Judson Church, amongst others.

Brooks is currently working with New York media - dance pioneer Charles Atlas, who is in residence at EMPAC with choreographers Silas Riener and Rashaun Mitchell to produce a newly commissioned stereoscopic film and accompanying theatrical production that will be premiered in 2017.

/ awards 2015 - 18 Australian Postgraduate Award 2014 Highly Commended award for city constructed from sleeping brain activity data, Fremantle Arts Centre Print Award, Perth 2014 Visual Arts New Work Grant, Australia Council (as Té with Andrew Brooks) 2013 Best Design for Wintering by Aimee Smith, Western Australian Dance Awards (video design, in collaboration with Ben Taaffe and Craig McElhinney) 2013 Young People and the Arts Fellowship, WA Department of Culture and the Arts 2013 Australia Council Artstart Grant 2013 WA Screen Awards, Outstanding Achievement Award: Best Interactive Narrative for Sound Chamber (with Yvette Coyne and Malcolm Riddoch) 2012 JUMP Mentorship Grant, to study with audio - visual artist Robin Fox 2010 Decibel Commission, to compose the audio - visual work Split Mirror Planes, performed at Decibel's Camera Obscura ConWork Grant, Australia Council (as Té with Andrew Brooks) 2013 Best Design for Wintering by Aimee Smith, Western Australian Dance Awards (video design, in collaboration with Ben Taaffe and Craig McElhinney) 2013 Young People and the Arts Fellowship, WA Department of Culture and the Arts 2013 Australia Council Artstart Grant 2013 WA Screen Awards, Outstanding Achievement Award: Best Interactive Narrative for Sound Chamber (with Yvette Coyne and Malcolm Riddoch) 2012 JUMP Mentorship Grant, to study with audio - visual artist Robin Fox 2010 Decibel Commission, to compose the audio - visual work Split Mirror Planes, performed at Decibel's Camera Obscura Conwork Split Mirror Planes, performed at Decibel's Camera Obscura Concert

An original, new work commissioned by MetLiveArts, «The Museum Workout» is the result of a collaboration between the contemporary American dance company Monica Bill Barnes & Company, and writer and illustrator, Maira Kalman.

The exhibition explores the historical and current relationship between visual arts and dance by presenting seminal works and new commissions by leading artists from the last 50 years.

Gayle Chong Kwan presents a new commission Save the Last Dance for Me, the work consists of a large - scale map illustrating Labanotation techniques to record the movement and migration of Rumba, accompanied by a sound piece giving gallery visitors dance instructDance for Me, the work consists of a large - scale map illustrating Labanotation techniques to record the movement and migration of Rumba, accompanied by a sound piece giving gallery visitors dance instructdance instructions.

Works & Process at the Guggenheim presents a costume and dance commission Reid Bartelme and Harriet Jung

Pujol is currently working on four new performance commissions for 2011 - 2012, including: Visitation, for the Spencer Museum of Art, a 6 - hour solo performance as an intervention throughout the museum of the embodied gaze of the artist; Walking Ground: Speaking in Silence, for the Contemporary Museum in Honolulu, for 7 performers scattered throughout the city as public orators; Affinitas, a 2 - hour dance performance in honor of the 10th anniversary of 9/11 in Boston; and a new American performance opera, Vortex, choreographed for 12 women.

Combining experimental dance - theatre, improvisation, and aerial imagery, she has created and performed works with major support from private foundations, public institutions, and artistic residencies, including The Center For Cultural Innovation, Djerassi Resident Artiist Program, The LA County Arts Commission, and The LA Department of Cultural Affairs.

ISSUE serves as a leading cultural incubator, facilitating the commission and premiere of innovative new works spanning genres of music, dance, literature and film.

The show presents works from the Zabludowicz Collection alongside new live performance and dance commissions.

Use / User / Used / presents works from the Zabludowicz Collection alongside newly commissioned live work, and houses a temporary dance studio in which dance companies will improvise new choreography, exposing the body at work throughout the show.