Sentences with phrase «commissioning works for exhibitions»

It has no permanent collection; instead, it concentrates on commissioning works for exhibitions in its four gallery spaces.

A commissioned work for the exhibition, Jennifer Marman's and Daniel Borins» Stripped (2012), is a curtain of PVC strips across the entrance of the main gallery onto which the artists have appropriated and abstracted the visual style of document censorship and redaction.

A newly commissioned work for this exhibition, Untitled (2009), by the Shanghai - based conceptual artist Xu Zhen is a parody of the Potala Palace in Lhasa (initially the winter residence of the 14th Dalai Lama and later converted into a museum and tourist attraction).

Three newly commissioned works for this exhibition are also featured: Beijing - based artists Sun Xun and Guo Hongwei, and a new work by Michael Lin.

Not exact matches

In addition to Mark di Suvero at Crissy Field, other site - specific projects during this period will include a city - wide exhibition including newly commissioned, site - responsive artworks at Los Altos in fall of 2013; a multi-location display of Doug Aitken's Empire trilogy (2008 — 14) in 2014, showing all three video installations simultaneously for the first time; and off - site presentations of the museum's ongoing SECA Award shows and New Work series.

After several years developing game prototypes, freelancing and working as a game designer at NYC's This is Pop, he was awarded a commission to produce an original game for the NYU Game Center's No Quarter exhibition.

Initially working as an illustrator he now paints solely for exhibitions and commissions.

Among its programs is the annual Grants & Commission Program, for which artists, nominated by a network of CIFO - affiliated curators and artists, submit proposals for new work to be debuted at an annual exhibition in September.

NORTH ADAMS, MASSACHUSETTS — The powerful sculpture of artist Richard Nonas transforms MASS MoCA's largest gallery in a monumental exhibition that features both a survey of past works and a new site - specific commission for some 15,000 sq. ft. of space.

Wave Hill commissions a diverse group of emerging New York - area artists to create a new body of work or site - specific project for a solo exhibition in the Sunroom Project Space.

Works in the exhibition include The Earth Is a Magnet, 2016, a major new commission by Anna Craycroft that brings the photography, biography, and inventions of Berenice Abbott, famed for both her street photography and rigorously scientific images made at MIT, together with video, sculpture, and photography by a group of Craycroft's peers, including Fia Backström, Katherine Hubbard, Matt Keegan, Jill Magid, MPA, Lucy Raven, Mika Rottenberg, A. L. Steiner, and Erika Vogt.

This exhibition features newly - commissioned work from artist collective the Institute for New Feeling (IfNf), including the video nominated by Ballroom Marfa for the 2016 season of Artists» Film International (AFI).

Beginning with significant historical works from artists such as Richard Long, who was one of the first artists to make walking his art form, to Ana Mendieta, who carved and shaped her own figure into the earth and documented these private sculptural performances, to Michelangelo Pistoletto's performance, Walking Sculpture, in which he and a group of people walked a large newspaper ball down the streets of Turin, the exhibition will include works from all decades since the 60s and commission artists to create new work for 2017.

In 2008, Dior presented «Dior and the Chinese Artists,» an ambitious exhibition at the Ullens Center for Contemporary Art, in Beijing, featuring specially commissioned works by 20 artists, among them Liu, who made a series of abstract sculptures based on a Dior dress pattern from 1948.

The exhibition includes historical figures alongside younger artists, and numerous works commissioned especially for The Gold Standard.

2012 - 2013 syzygy, project space in a social housing flat in Elephant and Castle, hosting 8 residencies, workshop programs and curated exhibitions with invited UK and international artists, London 2011 - 2016 In The Company of Elders, reflections and performance with a group of Elders, London / Bath AWARDS AND GRANTS 2014 FreeSpace, awarded for impact and participation in The Big Lottery National funding Awards Wenlock Barn TMO, winners of national TMO Awards for involving community through Fourthland projects Awards for All funding, Wenlock Barn Estate, Meeting House 2011 - 2013 Big Lottery Funding, The Back Garden and Public Program, Wenlock Barn Estate 2010 - 2011 Big Lottery Funding, The Growing Kitchen Community, Wenlock Barn Estate 2008 - 2010 Shoreditch Trust Commission, The Growing Kitchen, Wenlock Barn Estate 2009 University of East London, Funding, Making architecture TEACHING 2015 Visiting Artists, Bergen Academy of Art and Design Norway Visiting Artists, CASS School of Art and Design Louise isik Sayarer (1982, British / Turkish) EDUCATION 2007 - 2011 BA Fine Art part time, Sir John Cass school of Art and Design, London 2006 Foundation in Art and Design, Sir John Cass School of Art and Design, London 2002 - 2005 BSc / BA Environmental Science and Development Studies, University of Sussex 2000 BTEC level 3 Tropical Habitat Conservation Madagascar Recent Training 2016 - 2017 Shakti dance 2015 - 2016 Dancing Tao - Movement Medicine circle Previous work 2008 - 2015 Artist associate SASA Works Architecture 2010 - present Bow Arts Trust, Education Artist 2007 - 2008 Education Officer Chelsea Physic Garden 2006 - 2007 Education Officer The Wildlife Trust 2005 Research associate Ethnomedica, Kew Gardens Eva Knutsdotter Vikstrom (1985, Norwegian / Swedish) EDUCATION 2009 - 2011 BA Fine Art, Sir John Cass school of Art and Design, London 2004 - 2005 Foundation in Art and Design, Einar Granum School of Art, Oslo Recent training 2015 - 2016 Kundalini Yoga teacher training Previous work 2014 - 2016 Art director for Ale Tarraf's feature film «Yupanqui» 2009 - 2011 The Readers performance Group LANGUAGES English Norwegian Swedish Spanish

The New York auction house is collaborating with Drake, commissioning the rapper / musician to program a playlist for its selling exhibition of modern and contemporary works by 31 major African American artists, including Jean - Michel Basquiat, Mark Bradford, Nick Cave, Njideka Akunyili Crosby, Theaster Gates, David Hammons, Barkley L. Hendricks, Glenn Ligon, Wangechi Mutu, John Outterbridge, Faith Ringgold, Betye Saar and Lorna Simpson.

Originally commissioned as»11 Rooms» by Manchester International Festival, the International Arts Festival RUHRTRIENNALE 2012 - 2014 and Manchester Art Gallery, this landmark exhibition will now be extended and presented at Pier 2/3 in Sydney's Walsh Bay including new and re-imagined works, specially commissioned for this project, by some of the world's most celebrated contemporary artists spanning six continents.

The SCAD Museum of Art is a premier contemporary art museum that features emerging and established international artists through commissioned works and rotating exhibitions; engages local communities with special initiatives of an international scope; and serves as a resource for SCAD students and alumni during their academic careers and beyond.

The specially commissioned works of art for the exhibitions will have been created via a process where committed research, access to the online UMass Amherst Du Bois Archive, along with collaboration and correspondence with Du Bois scholars inform an innovative approach to artistic expression.

Tales from Water Margins will take the form a multidisciplinary «laboratory» encompassing thinking processes, spaces for reflection and creation at Ifitry, as well as exhibitions of existing and newly commissioned works in Casablanca.

At Art Basel, the Karachi - based Gandhara Art gallery dedicated half of its booth to works that Toronto's Aga Khan Museum commissioned from the artist for its inaugural exhibition last year.

Maurice Doherty's neon sign proclaiming «I Slept With The Curator To Get This Show» might gain an extra turn of wit when we learn that the work was especially commissioned for this willfully daft two - part exhibition.

Additionally, the book features little - seen archival imagery of Riley at work over the years; documentation of her recent commissions for St. Mary's Hospital in West London; and installation views of the London exhibition itself.

Brilliantly combining world - serious and Miami playful, the Rubell Family Collection offered a mini-retrospective selected from its more than 6,300 works and 800 artists, as well as work commissioned for the exhibition from the likes of Mark Flood, Aaron Curry, Kaari Upson, Will Boone and, from newcomer Lucy Dodd, a room - long abstract painting inspired by Picasso's Guernica (watch her prices jump — the Rubells are opinion - makers, as we've seen with Hernan Bas among others).

Recent exhibitions and projects include commissioned works by the Los Angeles County Museum of Art; the Queensland Art Gallery & Gallery of Modern Art, Brisbane; the Athens Biennale; the Bemis Center for Contemporary Art, Omaha; the Portland Art Museum; and the Wexner Center for the Arts, Columbus.

As their Hyundai commission opens to the public at Tate Modern, the artists collective explore shifting perception and parallel reality in works of art with Reem Fadda, recipient of the 2017 Walter Hopps Award for Curatorial Achievement, and curator of the inaugural exhibition at the Palestinian Museum, Ramallah.

Recent work includes a commissioned solo exhibition for the Leitrim Sculpture Centre in 2014, Spaces of Sound and Radio Spaces, and the touring of a selection of sonic works from this exhibition, in the UK, for the Full of Noises Festival 2015.

Major moments for Breitz in 2017 included the Venice Biennale, for which she was one of two artists selected to represent South Africa (alongside Mohau Modisakeng); the inclusion of a new commission titled I'm Your Man (A Portrait of Leonard Cohen) in an exhibition titled Leonard Cohen: A Crack in Everything at the Musée d'art contemporain de Montréal; and the premiere of a major new video work, TLDR (this 13 - channel video installation is the sequel to Love Story), at the B3 Biennial of the Moving Image in Frankfurt.

In 2011, she was granted a fellowship in sculpture by the New York Foundation for the Arts, and two years later her work was commissioned among sixteen others by nonprofit contemporary art organization YARAT for Love Me Love Me Not, an exhibition held during the 55th Venice Biennale.

Included in this section are works that directly echo criminal ideas, such as Maurizio Cattelan's framed theft report for an immaterial artwork he claimed as robbed — Senza titolo (1991)-, or Stolen Rug (1969), a Persian carpet that Richard Artschwager commissioned to be stolen for the exhibition «Art by Telephone» in Chicago.

Artistic Director, Mami Kataoka, is in discussion with a number of artists and anticipates the exhibition will include around 70 artists in total, each presenting ambitious new commissions or recent work for the 45th anniversary of the Biennale.

This limited edition of yellow rubber mats forms part of a larger work, Matte Module, which was commissioned for the exhibition Early One Morning at the Whitechapel Gallery in 2002.

2015 Dec. 17 — Tom Loughman Appointed 11th Director and C.E.O. of the Wadsworth Atheneum Museum of Art Nov. 23 — Wadsworth Atheneum Museum of Art Welcomes Seven New Appointees to Board of Trustees Nov. 18 — Wadsworth Atheneum Museum of Art Appoints Henry R. Martin 30th President of the Board of Trustees Nov. 17 — Susan L. Talbott Appointed to Rank of Chevalier in the Order of Arts and Letters by French Minister of Culture UPDATED Oct. 16 — «Warhol & Mapplethorpe: Guise & Dolls» Opens Oct. 17 at Wadsworth Atheneum Sept. 21 — Wadsworth Atheneum Museum of Art's MATRIX 173 Features Artist Mark Dion Aug. 31 — Unveiling of Galleries Marks Completion of Major Renovation, Secures Future for Wadsworth Atheneum Aug. 26 — Commissioned Artwork by Jack Pierson Illuminates Hartford's Main Street at Wadsworth Atheneum Aug. 24 — Wadsworth Atheneum to Present First Exhibition to Pair the Work of Andy Warhol and Robert Mapplethorpe July 1 — Wadsworth Atheneum Celebrates Grand Reopening with Original Artwork by Artist James Welling June 30 — Wadsworth Atheneum Celebrates Grand Reopening with Original Artwork by Artist James Welling June 23 — Director's Choice Exhibition Examines Contemporary Portraiture in Photography at Wadsworth Atheneum June 23 — Exhibition Exploring Connecticut Artist's Influence on 20th Century Art Opens July 3 June 1 — Advance Exhibition Schedule 2015 — 2016 May 18 — «Mark Bradford / MATRIX 172» Opens June 4 at Wadsworth Atheneum Museum of Art April 16 — Student Artworks Take Center Stage at the 42nd Hartford Youth Art Renaissance UPDATED March 23 — 34th Annual Fine Art & Flowers Takes Place May 1 — 3 at Wadsworth Atheneum Jan. 21 — «Michael C. McMillen / MATRIX 171: SIDESHOW» Opens Jan. 31 at Wadsworth Atheneum Jan. 21 — New Galleries of Post-War and Contemporary Art to be Unveiled at Wadsworth Atheneum Jan. 13 — Wadsworth Atheneum's Board of Trustees Steps Up to Support Museum with $ 1.5 Million

This commissioned work, through the partnership with Art Production Fund, becomes a beacon for the exhibition.

For the sixth season, Wave Hill commissions a diverse set of emerging New York - area artists to create a new body of work or site - specific project for a solo exhibition in the Sunroom Project SpaFor the sixth season, Wave Hill commissions a diverse set of emerging New York - area artists to create a new body of work or site - specific project for a solo exhibition in the Sunroom Project Spafor a solo exhibition in the Sunroom Project Space.

The exhibition will highlight the emerging role of the smartphone as an artistic medium for self - expression through the commissioning ten exciting Young British Photographers to create new works using Huawei's newest dual lens smartphones co-engineered with Leica, as part of their artistic practice.

The exhibition covers the full range of Stoller's work, including images commissioned by Fortune, Architectural Forum, and House Beautiful magazines in the 1940s and for commercial projects for IBM, Upjohn Pharmaceuticals and CBS in the 1940s and 1950s.

Programming at IMMA encompasses Production Residencies for artists Sam Keogh and John Rainey to work on new commissions by EVA International supported through the Arts Council Ireland's Open Call programme and an EVA exhibition in the Project Spaces at IMMA featuring works by Locky Morris, Roy Dib and Marlon T. Riggs.

Support for this exhibition has been provided by the Los Angeles County Arts Commission, the Tournament of Roses Foundation, Lorser Feitelson and Helen Lundeberg Arts Foundation, Bente and Gerald Buck, Anthony and Mary Podell, George and Irene Stern, Lynn and Tim Mason, Jerry Solomon Custom Picture Frames, Louis Stern Fine Arts, Kelley Gallery, Whitney Ganz, Maurine St. Gaudens, National Mustang Association and Harris Art Works, and Simon Chiu.

THE EXHIBITION OCCUPIES ALL GALLERIES COMPRISING THE HISTORIC BUILDING OF THE MUSEUM AND FEATURES THE U.S. DEBUT OF SEVERAL WORKS, INCLUDING A NEW VARIANT OF THE ARTIST»S RECENT COMMISSION FOR SKULPTUR PROJEKTE MÜNSTER (2017) TITLED COSMIC GENERATOR.

Recent group exhibitions include «Fifty Years of Bay Area Art: The SECA Awards» at the San Francisco Museum of Modern Art, San Francisco, CA; «Drawing the Line» at The Boston Center for the Arts, Boston, MA; «Exonome» at the Consulate General of Mexico, San Francisco, CA; «Selections from the Collection,» BAM / PFA, Berkeley Art Museum and Pacific Film Archive, Berkeley, CA; «Regarding Truth, An Exhibition of Work by Artadia Award Winners» at the California College of the Arts, San Francisco, CA; «Hair Rising» at the San Jose Institute of Contemporary Art, San Jose, CA; «2004 SECA Art Award» at the San Francisco Museum of Modern Art, San Francisco, CA; «Wall - to - Wall» at The Drawing Center, New York, NY; «In My Empire Life is Sweet» at DCKT Contemporary, New York, NY; «Next New» at the San Jose Institute of Contemporary Art, San Jose, CA; «Commission» 04» at the San Francisco Arts Commission, San Francisco, CA; «Warped Space» at CCA Wattis Institute of Contemporary Arts, San Francisco, CA; «Cream» at ArtsBenicia, Benicia, CA; «Comers... up and 2» at Jay Jay Gallery, Sacramento, CA; «M.F.A. Exhibition» at Mills College Art Museum, Oakland, CA; «Graduating Student Exhibition» at S.M.F.A., Boston, MA; «Post-Baccalaureate Class Exhibition» at S.M.F.A., Boston, MA; «S.M.F.A. Annual Juried Exhibition» at S.M.F.A., Boston, MA; «Post-Bac» at S.M.F.A., Boston, MA; «B.F.A. Honors Student Exhibition» at the Cleveland Institute of Art, Cleveland, OH; «Graduating Students Exhibition» at the Cleveland Institute of Art, Cleveland, OH; «Collective Sculpture Exhibition» at Universidad Complutense, Madrid, Spain; and «Collective Drawing Exhibition,» Leon, Spain.

Upcoming exhibitions and projects include Afro - Modernism: Journeys through the Black Atlantic at the Tate Liverpool; commissioned works for Locust Projects Miami and a monograph to be published by Name Publications.

In summer 2014, a major exhibition at BALTIC included new and existing work by Buren in its Level 3 and 4 galleries, including a large - scale commission for its renowned Level 4 gallery and the West facade of the exterior building.

«New Works» opens on the heels of a year in which Bradford received acclaim for «Tomorrow Is Another Day,» his searing exhibition for the US Pavilion at the 2017 Venice Biennale, which will travel to The Baltimore Museum of Art (BMA), and unveiled «Pickett's Charge,» a monumental commission for the Hirshhorn Museum and Sculpture Garden in Washington, D.C., inspired by artist Paul Philippoteaux's nineteenth - century cyclorama in Gettysburg National Military Park, Pennsylvania.

For Tuesday Evenings, Hubbard / Birchler discuss Grand Paris Texas, the 2008 video piece commissioned by the Modern and described by Jeffrey Kastner for Artforum as interweaving «the physical and social space of a dead cinema, a forgotten song and the inhabitants of a small town,» in relation to their most recent works, Flora and Bust, featured in the Swiss Pavilion of the 57th Venice Biennale for the exhibition Women of Venice, curated by Philipp KaisFor Tuesday Evenings, Hubbard / Birchler discuss Grand Paris Texas, the 2008 video piece commissioned by the Modern and described by Jeffrey Kastner for Artforum as interweaving «the physical and social space of a dead cinema, a forgotten song and the inhabitants of a small town,» in relation to their most recent works, Flora and Bust, featured in the Swiss Pavilion of the 57th Venice Biennale for the exhibition Women of Venice, curated by Philipp Kaisfor Artforum as interweaving «the physical and social space of a dead cinema, a forgotten song and the inhabitants of a small town,» in relation to their most recent works, Flora and Bust, featured in the Swiss Pavilion of the 57th Venice Biennale for the exhibition Women of Venice, curated by Philipp Kaisfor the exhibition Women of Venice, curated by Philipp Kaiser.

Additionally, the book features little - seen archival imagery of Riley at work over the years; documentation of her recent commissions for St. Mary's Hospital in West London, taken especially for this publication; and installation views of the exhibition itself, installed throughout the three floors of the gallery's eighteenth - century Georgian townhouse located in the heart of Mayfair.

Published for this exhibition, Antony Gormley: For the Time Being examines recent works exploring this tension, such as the Construct series, which range from a standing male figure with his hands at his sides and his head turned, to a cluster of vertical blocks that could be described as post-Constructivist, and recent public commissions such as «Exposure» (2010, executed for a site in the Netherlands) and «Habitat» (2010, erected in Anchorage, Alaska), which also demonstrate this tension of mass in space versus constellated nodes in spafor this exhibition, Antony Gormley: For the Time Being examines recent works exploring this tension, such as the Construct series, which range from a standing male figure with his hands at his sides and his head turned, to a cluster of vertical blocks that could be described as post-Constructivist, and recent public commissions such as «Exposure» (2010, executed for a site in the Netherlands) and «Habitat» (2010, erected in Anchorage, Alaska), which also demonstrate this tension of mass in space versus constellated nodes in spaFor the Time Being examines recent works exploring this tension, such as the Construct series, which range from a standing male figure with his hands at his sides and his head turned, to a cluster of vertical blocks that could be described as post-Constructivist, and recent public commissions such as «Exposure» (2010, executed for a site in the Netherlands) and «Habitat» (2010, erected in Anchorage, Alaska), which also demonstrate this tension of mass in space versus constellated nodes in spafor a site in the Netherlands) and «Habitat» (2010, erected in Anchorage, Alaska), which also demonstrate this tension of mass in space versus constellated nodes in space.

«As one of the first commissioned works by a living female artist to be installed at the entrance of an American museum, Pas de Deux (Plaza Monument) will serve as a beacon for the DMA's intent to broaden its collecting and exhibition habits.»

These commissioned pieces complement the second part of the exhibition that showcases the work of artists in residence at Dieu Donné, a New York - based nonprofit paper workshop that has been providing opportunities for artists to engage with the process of handmade paper since 1976.