Sentences with phrase «commitment as a painter»

Not exact matches

As disparate as the artistic approaches appear to be in Rothko to Richter, what united the painters throughout the period was a commitment to process, as artists explored a range of brushwork techniques, from audaciously gestural ribbons of built - up paint to vibrating fields and soft washes of color to hard - edged geometrieAs disparate as the artistic approaches appear to be in Rothko to Richter, what united the painters throughout the period was a commitment to process, as artists explored a range of brushwork techniques, from audaciously gestural ribbons of built - up paint to vibrating fields and soft washes of color to hard - edged geometrieas the artistic approaches appear to be in Rothko to Richter, what united the painters throughout the period was a commitment to process, as artists explored a range of brushwork techniques, from audaciously gestural ribbons of built - up paint to vibrating fields and soft washes of color to hard - edged geometrieas artists explored a range of brushwork techniques, from audaciously gestural ribbons of built - up paint to vibrating fields and soft washes of color to hard - edged geometries.

Celebrated as a sculptor, she aws nevertheless influencial on the work of a number of painters, and, through her commitment to close contacts with contemporary European artists, she influenced the course of art in general in Britain.

«I can think of no other painters whose commitment to art and their artistic community was as strong as that of James Brooks and Charlotte Park in the decades that they lived on the East End,» stated Alicia G. Longwell, the Lewis B. and Dorothy Cullman Chief Curator at the Parrish.

The vision and creativity demonstrated by this group of painters is inspiring, as is the MCC's commitment to recognizing and promoting the talented artists in our midst», said Daniel Elias, Executive Director of the New Art Center.

[4] In 2006, at the time of solo exhibitions of his work in Edinburgh and New York, art reviewer Janet McKenzie wrote of «his remarkable commitment and development as a mature painter, abstract, yet inspired by natural phenomena.»

In collections including the Smithsonian / National Portrait Gallery, the City Museum of New York, Maine's Farnsworth Art Museum, and the Butler Museum of American Art in Ohio, Clark stands as a modern master figurative painter known for his command of composition, drawing and color, moving the continuum of art language with commitment and power.

She befriended painter Clyfford Still, whose commitment to abstraction fit their Bauhaus - inflected idea of art as a potentially universal language.

By his mid-twenties, he had variously supported himself as a house painter, elevator operator, cook, taxi driver, professional gambler and merchant marine (traveling to South America and the Caribbean), yet his commitment to painting and drawing never wavered.

Already well established as an important colour - field painter and figure in the Washington Colour School, Noland left an indelible impression on his British peer with his commitment to the exploration of colour's psychic and phenomenological effects through serialized forms, including targets and horizontal bands.

Already well established as an important colour - field painter and figure in the Washington Colour School, Noland left an indelible impression on his British peer with his commitment to the exploration of colour's psychic and phenomenological effects through serialized forms, including horizontal bands.

March 12: Milton Resnick, 87, New York abstractionist revered by fellow painters for decades of unstinting commitment to paint itself as content.

However, because she believed that she would never distinguish herself as a painter within the tradition of imitative realism, she abandoned her commitment to being a painter altogether and took a job in Chicago as a commercial artist.

Its commitment to emerging artists has seen the gallery transformed into a nightclub (for Prem Sahib's «Bump») or this summer given over as a studio to painter Celia Hempton, whose evolving painting installation will be presented at Frieze London.