Through basic elements such as pixels and binary code, the artist builds large - scale sculptural installations that defy predictability, and ultimately grow into complex forms that question
common notions of space and time.
On both formal and conceptual levels, the artist and filmmaker challenges
common notions of space and boundary, weaving together archival material, scripted text and hypothetical circumstances to chronicle the political narratives of our day.
Not exact matches
Now in his earliest metaphysic embedded in Science and the Modern World Whitehead did address a problem
common to philosophers
of that period: how to find a workable substitute for
space, time, and matter, the discredited
notions of scientific materialism.
It is a mistake, however, to overlook the
notions of space and location: it is not necessary to leave these concepts to the abstractness
of a static formal model or to unanalyzed technological «
common sense.»
Our
notions of location are a case where, in the absence
of that criticism,
common sense may lead us into mistaken and disastrous ideas and plans involving
space and time.
More to the point, Newton's «Scholium» which introduces the
notions of «absolute, true, mathematical»
space and time, and «relative, apparent,
common»
space and time (PNP 6 - 12), makes clear that absolute
space and absolute time continua are thought to be necessary for a satisfactory theory
of dynamics, that is, a theory
of the forces which determine • the motion
of material objects.7 The main idea in Newton's position is that not all physical frames
of reference are suitable for satisfactory analysis
of the motion
of material objects; in fact, no physical frame
of reference is completely suitable for this purpose.
So how about instead
of asking to touch her belly with the accompanying hand out ready to violate, tell her that you aren't even going to ask or go there because you respect her personal
space and the
common sense
notion that NO ONE, especially a tired, hormonal, pregnant woman, wants someone rubbing her belly.
The scientific aspects
of the film are probably not going to impress many who have a basic
notion of science, especially in astrophysics, or just in
common sense as far as how our technological advancements (especially in
space travel) will probably progress in the next 50 years or so, but to judge it on that level will probably ruin the rumination on the film's larger questions regarding humanity and its right to existence.
The public is invited to observe five disparate working methods, though they all share and exploit a greater
notion and
common area
of felt
space while applying a diverse set
of tactics
of presentation.