Sentences with phrase «communications through space»

A record - breaking quantum satellite has again blown away the competition, achieving two new milestones in long - distance quantum communications through space.
SPACING OUT Quantum communication through space is possible thanks to a Chinese satellite that beams particles of light down to telescopes like this one in Xinglong, China (shown here tracking the satellite's location with a laser).
Quantum communication through space is now possible, putting the quantum internet within closer reach.
«Communication through space and time is what I seek to express, linking the ideas of the past with those of the future.

Not exact matches

She is driven by a passion for communications and making the world a smaller, more connected space through collective visual experiences.
He argued that we can not have it both ways: our communication will tend to support either cultural permanence through time or cultural continuity across geographic space.
These moves and their communication have clearly been thought through by the Tory leaders» team: the Hague move was remarkably public and coordinated media operation, and I am sure nobody in politics thought it was just that they happened to have some diary space to do an interview together.
Long - distance quantum communication became possible because traveling through space, with no atmosphere to stand in the way, is much easier on particles.
There are now years of experience of the process, which contains most of the elements of space travel, including cramped and unpleasant surroundings in complicated tubular habitats, limited washing and toilet facilities, poor communication and food delivered through a service lock.
A wormhole is a shortcut through space - time, so sending a light pulse through one could allow faster - than - light communication.
In the new study, published June 5, in the online journal Nature Communications, Luo and colleagues used an innovative algorithm to more precisely calculate the volume of cavity space within Mars valleys and the amount of water that would have been needed to create those cavities through erosion over time.
The Universal logo yields to a view of the Earth from space, featuring the globe aglow with crisscrossing lines of communication; then we zoom in, first to China, then to the Chai Wan Nuclear Power Plant, until the camera passes through a computer terminal to the network of wires, motherboards and pulsing white packets of sinister code.
All is Lost Year: 2013 Director: J.C. Chandor The parallels between Gravity and All Is Lost are obvious: A lone protagonist survives the destruction of her or his space shuttle / boat, loses all communication with Earth / land and must navigate solo through the vastness of space / the ocean to get back home.
After hearing a long speech regarding the way WikiLeaks protects its sources and its communications through encrypted chats and document sharing, director Bill Condon and screenwriter Josh Singer visualize the concept with a vast, open office space containing desks with nameplates featuring the monikers of the organization's hundreds of volunteers and, in one instance, showing how the white - haired leader met in secret with a shadowy whistleblower.
«We teach to all the 4 Cs and the kids learn in all those ways and it has actually revealed a new space for them to express themselves, to think for themselves, and to connect with the world through communication,» Dr Jefferson said.
This communication is prepared by the International Center for Not - for - Profit Law through the Civic Space Initiative, implemented in partnership with ARTICLE 19, CIVICUS: World Alliance for Citizen Participation, and the World Movement for Democracy.
You ll also find plenty of space to stow items in the door - trim panel bins and under - seat rear storage area there s even space for a laptop inside the available flow - through center console., ELECTRONIC LOCKING W / 3.73 AXLE RATIO, REVERSE SENSING SYSTEM, XL SPORT APPEARANCE PACKAGE - inc: Fog Lamps Box Side Decals Wheels: 17» Silver Painted Aluminum Body - Color Front and Rear Bumpers body - color front fascia, TRAILER TOW PACKAGE W / 101A - inc: Towing capability up to 11 100 lbs Class IV Trailer Hitch Receiver towing capability up to 5 000 lbs on 3.3 L V6 PFDI engine (99B) and 2.7 L EcoBoost engine (99P) or up to 7 000 lbs on 3.5 L EcoBoost engine (99G) and 5.0 L V8 engine (995) smart trailer tow connector and 4 - pin / 7 - pin wiring harness Pro Trailer Backup Assist Upgraded Front Stabilizer Bar, OXFORD WHITE, ENGINE: 2.7 L V6 ECOBOOST - inc: auto start - stop technology GVWR: 6 360 lbs Payload Package, TRANSMISSION: ELECTRONIC 10 - SPEED AUTOMATIC - inc: selectable drive modes: normal / tow - haul / snow - wet / EcoSelect / sport, TRAILER TOW PACKAGE - inc: Towing capability up to 11 100 lbs Class IV Trailer Hitch Receiver towing capability up to 5 000 lbs on 3.3 L V6 PFDI engine (99B) and 2.7 L EcoBoost engine (99P) or up to 7 000 lbs on 3.5 L EcoBoost engine (99G) and 5.0 L V8 engine (995) smart trailer tow connector and 4 - pin / 7 - pin wiring harness Upgraded Front Stabilizer Bar, EQUIPMENT GROUP 101A MID - inc: SYNC enhanced voice recognition communications and entertainment system 911 assist 4.2» LCD display in center stack Applink and 1 smart charging USB port 4.2» Productivity Screen in Instrument Cluster compass XL Power Equipment Group Power Glass Sideview Mirrors w / Black Skull Caps manual - folding Power Door Locks flip key and integrated key transmitter ke
Through their work with language systems for communication with — and within — technological systems, space has been opened for conceptual and arbitrary inclusions.
Four internationally active project spaces and initiatives were selected through an open call for this exhibition, based on artworks that are clearly positioned against discrimination and repression, instead displaying ways forward toward communication and freedom.
Through large - scale civil disobedience projects, augmented reality mobile apps, and an ongoing studio practice, Seiler's work questions the monopoly of consumer media on our shared public spaces while creating new opportunities for public communications.
For more than three decades Beirne's conceptual art has examined public space, communication, interactivity and sociological concerns through public performances.
Beyond the common superficialities of the two spaces, both artists» work draws heavily upon autobiographical elements, contradicting society's expectations of women's art and women artists, through the communication of their most intimate experiences.
, The Creators Project, July Rees, William, «Yuri Pattison: user, space», this is tomorrow, July Parson, Elly, «Blurred Lines: Yuri Pattison questions the viability of live / work spaces», Wallpaper, July Thorne, Harry, «Network Control», Frieze, July Piejko, Jennifer, «Art Basel and Liste», Art Agenda, June Fattori Franchini, Attilia, «Yuri Pattison», Kaleidoscope, Issue # 26, Winter 2015 Herbert, Martin, «British Art Show 8», Frieze, November Dell, April, «Abjection in the Digital Age at Import Projects», BerlinArtLink, September Bondi de Antoni, Alexandra, `'» Abjects» examines the vulnerability of the real world in the digital age», i - D, September Sherwin, Skye, «10 Artists You Should Meet», 10 Magazine, August Nettel, Michaela, «Yuri Pattison: «There needs to be more knowledge sharing within the London art community», www.a-n.co.uk, July van der Heide, Bart, «Yuri Pattison», interview, Mousse # 49, June 2015 Bondi de Antoni, Alexandra, «cosmos carl», i - D, June Pattison, Yuri, «The Crypt of Civilization 1940 — 2015 ---------8113», commission, Art Papers, May Joel, Dean, «Morphing Overnight», this is tomorrow, April Guggenheim, Katie, Sleek Magazine No. 45, Spring 2014 Khan, Nora N., «Free Traveller at Cell Project Space», DIS Magazine, November Grace, Banks, «Installations, installations and... installations», Elephant Frieze Review, October Dixon, Tim, «Yuri Pattison: Free Traveller» review, this is tomorrow, October Thorpe, Harriet, «Yuri Pattison: Free Traveller», Studio International, October Benson, Louise, «Free Traveller» interview, POST Matter, www.postmatter.com, September Hothi, Ajay, «Lonely Arts», Art Monthly # 379, September Rochat, Jeanne - Salomé, «colocation, time displacement» feature, Novembre Magazine # 9, Spring 2014 Archey, Karen, «RELiable COMmunications» cover feature & interview, Art Papers, May / June Robertson, Adi, «Reliable Communications» turns Soviet message boards into online art», The Verge, www.theverge.com, March Luke, Ben, «Web of Intrigue», The Art Newspaper Number 254, February Kay, Jean, «An Interview with Yuri Pattison», www.aqnb.com, January 2013 Davidson, Laura, «Traveling Through Layers: Yuri Pattison and his Leakers», www.rhizome.com, Jan 2012 Davies - Crook, Susanna, Yuri Pattison: Faraday Cage, interview, www.dazeddigital.com, March Nairne, Eleanor, «Yuri Pattison» focal - plane review, Frieze # 145, March 2011 Bailey, Stephanie, «Yuri Pattison, focal - plane» critic's pick, Artforum, December Symester, Chantelle, «Yuri Pattison: Focal - Plane» interview, www.dazeddigital.com, Decspace», this is tomorrow, July Parson, Elly, «Blurred Lines: Yuri Pattison questions the viability of live / work spaces», Wallpaper, July Thorne, Harry, «Network Control», Frieze, July Piejko, Jennifer, «Art Basel and Liste», Art Agenda, June Fattori Franchini, Attilia, «Yuri Pattison», Kaleidoscope, Issue # 26, Winter 2015 Herbert, Martin, «British Art Show 8», Frieze, November Dell, April, «Abjection in the Digital Age at Import Projects», BerlinArtLink, September Bondi de Antoni, Alexandra, `'» Abjects» examines the vulnerability of the real world in the digital age», i - D, September Sherwin, Skye, «10 Artists You Should Meet», 10 Magazine, August Nettel, Michaela, «Yuri Pattison: «There needs to be more knowledge sharing within the London art community», www.a-n.co.uk, July van der Heide, Bart, «Yuri Pattison», interview, Mousse # 49, June 2015 Bondi de Antoni, Alexandra, «cosmos carl», i - D, June Pattison, Yuri, «The Crypt of Civilization 1940 — 2015 ---------8113», commission, Art Papers, May Joel, Dean, «Morphing Overnight», this is tomorrow, April Guggenheim, Katie, Sleek Magazine No. 45, Spring 2014 Khan, Nora N., «Free Traveller at Cell Project Space», DIS Magazine, November Grace, Banks, «Installations, installations and... installations», Elephant Frieze Review, October Dixon, Tim, «Yuri Pattison: Free Traveller» review, this is tomorrow, October Thorpe, Harriet, «Yuri Pattison: Free Traveller», Studio International, October Benson, Louise, «Free Traveller» interview, POST Matter, www.postmatter.com, September Hothi, Ajay, «Lonely Arts», Art Monthly # 379, September Rochat, Jeanne - Salomé, «colocation, time displacement» feature, Novembre Magazine # 9, Spring 2014 Archey, Karen, «RELiable COMmunications» cover feature & interview, Art Papers, May / June Robertson, Adi, «Reliable Communications» turns Soviet message boards into online art», The Verge, www.theverge.com, March Luke, Ben, «Web of Intrigue», The Art Newspaper Number 254, February Kay, Jean, «An Interview with Yuri Pattison», www.aqnb.com, January 2013 Davidson, Laura, «Traveling Through Layers: Yuri Pattison and his Leakers», www.rhizome.com, Jan 2012 Davies - Crook, Susanna, Yuri Pattison: Faraday Cage, interview, www.dazeddigital.com, March Nairne, Eleanor, «Yuri Pattison» focal - plane review, Frieze # 145, March 2011 Bailey, Stephanie, «Yuri Pattison, focal - plane» critic's pick, Artforum, December Symester, Chantelle, «Yuri Pattison: Focal - Plane» interview, www.dazeddigital.com, DecSpace», DIS Magazine, November Grace, Banks, «Installations, installations and... installations», Elephant Frieze Review, October Dixon, Tim, «Yuri Pattison: Free Traveller» review, this is tomorrow, October Thorpe, Harriet, «Yuri Pattison: Free Traveller», Studio International, October Benson, Louise, «Free Traveller» interview, POST Matter, www.postmatter.com, September Hothi, Ajay, «Lonely Arts», Art Monthly # 379, September Rochat, Jeanne - Salomé, «colocation, time displacement» feature, Novembre Magazine # 9, Spring 2014 Archey, Karen, «RELiable COMmunications» cover feature & interview, Art Papers, May / June Robertson, Adi, «Reliable Communications» turns Soviet message boards into online art», The Verge, www.theverge.com, March Luke, Ben, «Web of Intrigue», The Art Newspaper Number 254, February Kay, Jean, «An Interview with Yuri Pattison», www.aqnb.com, January 2013 Davidson, Laura, «Traveling Through Layers: Yuri Pattison and his Leakers», www.rhizome.com, Jan 2012 Davies - Crook, Susanna, Yuri Pattison: Faraday Cage, interview, www.dazeddigital.com, March Nairne, Eleanor, «Yuri Pattison» focal - plane review, Frieze # 145, March 2011 Bailey, Stephanie, «Yuri Pattison, focal - plane» critic's pick, Artforum, December Symester, Chantelle, «Yuri Pattison: Focal - Plane» interview, www.dazeddigitalCOMmunications» cover feature & interview, Art Papers, May / June Robertson, Adi, «Reliable Communications» turns Soviet message boards into online art», The Verge, www.theverge.com, March Luke, Ben, «Web of Intrigue», The Art Newspaper Number 254, February Kay, Jean, «An Interview with Yuri Pattison», www.aqnb.com, January 2013 Davidson, Laura, «Traveling Through Layers: Yuri Pattison and his Leakers», www.rhizome.com, Jan 2012 Davies - Crook, Susanna, Yuri Pattison: Faraday Cage, interview, www.dazeddigital.com, March Nairne, Eleanor, «Yuri Pattison» focal - plane review, Frieze # 145, March 2011 Bailey, Stephanie, «Yuri Pattison, focal - plane» critic's pick, Artforum, December Symester, Chantelle, «Yuri Pattison: Focal - Plane» interview, www.dazeddigitalCommunications» turns Soviet message boards into online art», The Verge, www.theverge.com, March Luke, Ben, «Web of Intrigue», The Art Newspaper Number 254, February Kay, Jean, «An Interview with Yuri Pattison», www.aqnb.com, January 2013 Davidson, Laura, «Traveling Through Layers: Yuri Pattison and his Leakers», www.rhizome.com, Jan 2012 Davies - Crook, Susanna, Yuri Pattison: Faraday Cage, interview, www.dazeddigital.com, March Nairne, Eleanor, «Yuri Pattison» focal - plane review, Frieze # 145, March 2011 Bailey, Stephanie, «Yuri Pattison, focal - plane» critic's pick, Artforum, December Symester, Chantelle, «Yuri Pattison: Focal - Plane» interview, www.dazeddigital.com, December
It describes and analyzes the movement of the body through space and can be understood more broadly as illuminating modes of communication.
Due to the temporal nature of each creation, Harlow relies on the sharing of information through documentation such as photography, video, and viewer communication from interactions with spaces.
He views graffiti as a vital method of communication, one that keeps him in touch with a larger, more diverse audience than can be reached through the traditional spaces of a gallery or museum.
White Space featured Wang Haiyang's abstract paintings — created to cope with his sexual energies during a recent hospitalization — along with videos and installations depicting human communications through images of gums and saliva.
This transformation from an object - based system of communication to an increasingly virtual method of transmission is mirrored in abstract painting's move from an embodiment of frontal space, manifested through color, form and canvas shape, towards the illusion of infinite space, rendered with digital - like precision.
In Room for Laarni, what «floats through space and thought» is no longer a place or an object, but billions of digital images, their chaotic communication of desires and our attempts to locate ourselves within them.
Organized collaboratively by The Kitchen and participating artists, the exhibition takes up the legacy of Minimalist art and composition during the 1960s and»70s as a precedent for reconsidering work by a younger generation for whom serial repetition corresponds more directly with digital technology and, moreover, its reconfiguring of our encounters with physical space through networked communication.
In a two - way communication of images and information, we move through multiple formulated spaces analogous to a single expanded room.
Though McGee views graffiti as a vital method of communication, one that keeps him in touch with a larger, more diverse audience than can be reached through the traditional spaces of galleries or museums, he makes fine use of traditional exhibition spaces, using them not only to communicate a subcultural point of view to gallery goers but also to point out ways in which space can be reclaimed.
Through performance, video, photography, sculpture and drawing we are sharing intimate space with work that is pushing the boundaries of self - disclosure as Akers, Santiago and Smith navigate identity - based themes such as communication, history and ego.
I read through some of the inaugural issue overnight after a hectic day tracking the Senate climate debate, closing out a piece on the falling forests of Papua New Guinea, and reporting on the release of NASA's Office of Inspector General report on politicization of climate communication at the space agency.
, in A.W. Ayer et al., Studies in Communication 12 - 13 (1955)(«The type of communication that I particularly wish to discuss is the transference of information...»); F.C. Johnson & G.P. Klare, General Models of Communication Research, Journal of Communication, March 1961, at 13 («Communication is used here as the transfer of information...»); Paul McKelvey, Communications 1952, Journal of Communication, May 1952, at 13 -LRB-» [Communication] is the transmission of information...»); McGraw - Hill Encyclopedia of Science and Technology 317 (1966)(«Communication: the science and technology by which information is... transmitted over over electrical networks or through space to anotCommunication 12 - 13 (1955)(«The type of communication that I particularly wish to discuss is the transference of information...»); F.C. Johnson & G.P. Klare, General Models of Communication Research, Journal of Communication, March 1961, at 13 («Communication is used here as the transfer of information...»); Paul McKelvey, Communications 1952, Journal of Communication, May 1952, at 13 -LRB-» [Communication] is the transmission of information...»); McGraw - Hill Encyclopedia of Science and Technology 317 (1966)(«Communication: the science and technology by which information is... transmitted over over electrical networks or through space to anotcommunication that I particularly wish to discuss is the transference of information...»); F.C. Johnson & G.P. Klare, General Models of Communication Research, Journal of Communication, March 1961, at 13 («Communication is used here as the transfer of information...»); Paul McKelvey, Communications 1952, Journal of Communication, May 1952, at 13 -LRB-» [Communication] is the transmission of information...»); McGraw - Hill Encyclopedia of Science and Technology 317 (1966)(«Communication: the science and technology by which information is... transmitted over over electrical networks or through space to anotCommunication Research, Journal of Communication, March 1961, at 13 («Communication is used here as the transfer of information...»); Paul McKelvey, Communications 1952, Journal of Communication, May 1952, at 13 -LRB-» [Communication] is the transmission of information...»); McGraw - Hill Encyclopedia of Science and Technology 317 (1966)(«Communication: the science and technology by which information is... transmitted over over electrical networks or through space to anotCommunication, March 1961, at 13 («Communication is used here as the transfer of information...»); Paul McKelvey, Communications 1952, Journal of Communication, May 1952, at 13 -LRB-» [Communication] is the transmission of information...»); McGraw - Hill Encyclopedia of Science and Technology 317 (1966)(«Communication: the science and technology by which information is... transmitted over over electrical networks or through space to anotCommunication is used here as the transfer of information...»); Paul McKelvey, Communications 1952, Journal of Communication, May 1952, at 13 -LRB-» [Communication] is the transmission of information...»); McGraw - Hill Encyclopedia of Science and Technology 317 (1966)(«Communication: the science and technology by which information is... transmitted over over electrical networks or through space to anotCommunication, May 1952, at 13 -LRB-» [Communication] is the transmission of information...»); McGraw - Hill Encyclopedia of Science and Technology 317 (1966)(«Communication: the science and technology by which information is... transmitted over over electrical networks or through space to anotCommunication] is the transmission of information...»); McGraw - Hill Encyclopedia of Science and Technology 317 (1966)(«Communication: the science and technology by which information is... transmitted over over electrical networks or through space to anotCommunication: the science and technology by which information is... transmitted over over electrical networks or through space to another point....
What I have learned is that our community is stronger when we join forces in every possible way through coalitions, consortiums and collectives to support developers and other emerging leaders in our space — from communications, to pilot projects to business inclusion.
Track record of results, in competitive market space, through alignment of business priorities with public relations, communications and advertising efforts.
The course of the child care day can be a chance to respond to and support a child's behavioral needs through choice of play materials, physical arrangement of space, manner of communication, and choice of how and when transitions occur.
Children's Therapy — If your child is demonstrating behavioral challenges, needs a safe space for open communication, is overcoming a challenging or traumatizing life event, or needs help working through and accepting changes, our child therapists are here to help.
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