So, having spent the morning looking at the predominantly cinematic John Hoyland canvases in the inaugural «Power Stations» exhibition at Damien Hirst's Newport Street Gallery (NSG), an afternoon session viewing John Bunker's
comparatively small collages at the Westminster Reference Library was a suitable combination and, by good chance, seen in the right order.
There in the ever dimming late - afternoon light, surrounded by his newest works —
comparatively small to mid-sized painted wall reliefs and large - scale
collages of computer generated images — we spoke of his views and attitude toward his work, both past and present.