Sentences with phrase «compelling painting in the show»

Not exact matches

Immediately compelling for its subject and formal decisions such as cropping and frontality, Green Heart shows the direction her paintings would take in the 1970s: carefully descriptive, cool, colorful depictions of sex and naked bodies, sourced by the disembodied camera, but reinterpreted in paint by the artist.

The exhibition, the artist's first solo show of paintings in New York in six years, continues to reveal Taaffe as a philosopher of painting, offering compelling meditations on art and culture, both contemporary and historical, and visual ruminations on the interrelated families of forms and images in art, architecture, and archaeology.

Visionary Painting presents a selection of works showing artists in compelling dialogue with the work of Marsden Hartley.

In New Mirrors: Painting in a Transparent World, a group show at Exit Art, curator Herb Tam suggests that painters, confronting a digital onslaught in which shifting identities are continually updated and instantly distributed, are compelled to deconstruct the logistics of painting in a similar fashioIn New Mirrors: Painting in a Transparent World, a group show at Exit Art, curator Herb Tam suggests that painters, confronting a digital onslaught in which shifting identities are continually updated and instantly distributed, are compelled to deconstruct the logistics of painting in a similar Painting in a Transparent World, a group show at Exit Art, curator Herb Tam suggests that painters, confronting a digital onslaught in which shifting identities are continually updated and instantly distributed, are compelled to deconstruct the logistics of painting in a similar fashioin a Transparent World, a group show at Exit Art, curator Herb Tam suggests that painters, confronting a digital onslaught in which shifting identities are continually updated and instantly distributed, are compelled to deconstruct the logistics of painting in a similar fashioin which shifting identities are continually updated and instantly distributed, are compelled to deconstruct the logistics of painting in a similar painting in a similar fashioin a similar fashion.

Once in NYC, I was bombarded with the hype surrounding New Image painting (Jennifer Bartlett, Robert Longo, Eric Fischl, Julian Schnabel, etc.), the blitz of Neo-Expressionism (Polke, Immendorff, Penck, and Baselitz), the irony of Appropriation (Sherry Levine, David Salle, Richard Prince, Barbara Kruger, etc.) and the semiotics of Neo-Geo (Peter Halley, Philip Taaffe), but the artists Rubinstein has selected for this show were more urgently compelling.

The title of her current show runs 198 words and unspools in the cadences of a sideshow barker: «Sikkema Jenkins and Co. is Compelled to Present the Most Astounding and Important Painting show of the fall Art Show viewing season!.&rashow runs 198 words and unspools in the cadences of a sideshow barker: «Sikkema Jenkins and Co. is Compelled to Present the Most Astounding and Important Painting show of the fall Art Show viewing season!.&rashow of the fall Art Show viewing season!.&raShow viewing season!.»

Schwitters in Britain is a compelling show because it charts the artist's interest in ephemera, as well as the investigations of figuration and abstraction, painting and assemblage that preoccupied his work.

Thomas» collage work is at once symbiotic to her paintings and distinctly compelling pictures on their own terms using models (like in the one shown here) with her self - designed sets, and layered with myriad visual elements all juxtaposed and compounded to produce an ornately decorative baroque spectacle.

First shown at the Astrup Fearnley Museum of Modern Art in Oslo last October, the exhibition comprises a remarkably succinct compilation of recent evolutions in painting, sculpture, and video that, in the context of the recent Whitney Biennial, seems particularly prescient and compelling.

Next door, in Petzel's booth, the take - no - prisoners artist Joyce Pensato shows monstrous yet compelling portraits of other American figures: six paintings of a demented Bart Simpson, rendered in drippy enamel, and a dead - eyed Homer, in smudged charcoal.

The large - scale work — nearly 12 by 15 feet — was included in Walker's highly regarded Fall 2017 exhibition, Sikkema Jenkins and Co. is Compelled to Present the Most Astounding and Important Painting show of the fall Art Show viewing seashow of the fall Art Show viewing seaShow viewing season!

In 1929 Charles Daniel gave Driggs a one - woman show, which included one of her sleekest and most compelling paintings, Aeroplane, now in the collection of the Houston Museum of the Fine ArtIn 1929 Charles Daniel gave Driggs a one - woman show, which included one of her sleekest and most compelling paintings, Aeroplane, now in the collection of the Houston Museum of the Fine Artin the collection of the Houston Museum of the Fine Arts.

I first encountered Becky Yazdan's seductive paintings at the 2011 NurtureArt benefit, and this month she has a compelling show at Giampietro Gallery in New Haven.

After «Oscar Murillo: Distribution Center,» his first show in Los Angeles, which opened in January in the Mistake Room, David Pagel, writing in The Los Angeles Times, called some paintings in the installation «anemic,» saying that «each large piece is less compelling than a single square inch of anything Jean - Michel Basquiat ever touched.»

The necessity of work In the autumn of 1990 in a group show at Gallery 101, Germaine Koh exhibited some compelling abstract paintings from a series called ESTABLISHINIn the autumn of 1990 in a group show at Gallery 101, Germaine Koh exhibited some compelling abstract paintings from a series called ESTABLISHINin a group show at Gallery 101, Germaine Koh exhibited some compelling abstract paintings from a series called ESTABLISHING.

In «We Regret To Inform You There is Currently No Space Or Place For Abstract Painting,» a delightful group show at Martos Gallery on display through June 18, several of the artists also understand how compelling metallic can be.

«Unreasonable Sized Paintings» (a term neither limited to unorthodox variations in canvas shape nor monumentally sized paintings), showing at SVA Chelsea Gallery, refers to the work of painters who, during occasional unpremeditated episodes, feel compelled to make paintings that are neither specific studies of larger or smaller paintings nor parts of particular ongoing series, but rather the byproduct of pure pleasure or the release of spontaneous thoughts that need to be concretized without limPaintings» (a term neither limited to unorthodox variations in canvas shape nor monumentally sized paintings), showing at SVA Chelsea Gallery, refers to the work of painters who, during occasional unpremeditated episodes, feel compelled to make paintings that are neither specific studies of larger or smaller paintings nor parts of particular ongoing series, but rather the byproduct of pure pleasure or the release of spontaneous thoughts that need to be concretized without limpaintings), showing at SVA Chelsea Gallery, refers to the work of painters who, during occasional unpremeditated episodes, feel compelled to make paintings that are neither specific studies of larger or smaller paintings nor parts of particular ongoing series, but rather the byproduct of pure pleasure or the release of spontaneous thoughts that need to be concretized without limpaintings that are neither specific studies of larger or smaller paintings nor parts of particular ongoing series, but rather the byproduct of pure pleasure or the release of spontaneous thoughts that need to be concretized without limpaintings nor parts of particular ongoing series, but rather the byproduct of pure pleasure or the release of spontaneous thoughts that need to be concretized without limitations.

Heather Guertin's delicate painting, Children of Paradise, pictured above, is a stand - out among the many compelling pieces in the show.

But the last substantial show of contemporary art I felt compelled to travel there to see was a Willem de Kooning painting survey — in 1994.

Both were expats — the Dutch de Kooning in New York and the Chinese Zao in Paris — and the show offers a compelling comparison of two masterful, gestural approaches to painting placed side by side.

The exhibition is titled in part: «Sikkema Jenkins and Co. is Compelled to present the most Astounding and Important Painting show of the fall Art Show viewing seashow of the fall Art Show viewing seaShow viewing season!

From the earliest work in the show, a 1905 portrait by John Singer Sargent of Lady Alice Lowther, to Alyssa Monks» freshly completed painting of Betsy Eby, this exhibition reminds us that portraiture is as compelling and vital a discipline today as it has been throughout history.

Installation view of «U.S.A. Idioms» by Kara Walker in «Sikkema Jenkins and Co. is Compelled to Present The most Astounding and Important Painting show of the fall Art Show viewing seashow of the fall Art Show viewing seaShow viewing season!

I always destroy the work if anyone looks passive» — L. YIADOM - BOAKYE «I want the work to be pulled out of the air somehow, to play God and exploit that power of creation in paint» — L. YIADOM - BOAKYE «It's not a person, it's not a portrait; it's a painting, and everything that goes on within it qualifies the other elements» — L. YIADOM - BOAKYE The centrepiece of Lynette Yiadom - Boakye's major 2012 exhibition Extracts and Verses at Chisenhale Gallery and subsequently of her Turner Prize show in 2013, Bound Over to Keep the Faith is a monumental and compelling vision.

Her paintings that fare best here are those that are the most abstract, like the puissant Bullfight (1959), which is one of the most compelling works in the show, with its highly saturated, polychromatic color and tornado of crashing brushwork.

Now, in a sequence of galleries, the DMA's senior curator of contemporary art, Gavin Delahunty, presents a compelling case for the significance of the black paintings, with portable drip paintings, the first burst of black works, later ones that were exhibited in solo shows at the galleries of Betty Parsons and Sidney Janis in New York, screen prints, and drawings made on Japanese mulberry paper.

Specifically, if your friend is trying to paint a picture of their expertise, or show what they have done in the past (something that is valuable to the job they are applying to), is there a complete, compelling story?