It's inevitable that I will
compete against another author for placement, for attention, for the limited time and limited money that a reader has to spend.
Therefore, indie authors aren't necessarily
competing against authors with millions of books in print in thousands of bookstores (you know who we're talking about!)
This can be a disadvantage because you're
competing against authors with an established brand.
Not exact matches
Concerning man as sinner, the
authors place Arminius» thought
against the backdrop of
competing medieval ideas, including the doctrine of original sin.
I was
competing against slam - poet Taylor Mali, hilarious storyteller /
author Beth Lisick and out and out genius Daniel Alarcon.
The
authors acknowledge some liberal arts colleges have «expanded their programs and changed their names to enter into new prestige markets in order to
compete against other comprehensive universities instead of
against elite liberal arts colleges.»
Specifically, the
authors report that women who
compete for assistant professor positions in math - intensive science fields are just as likely to be hired as men are, if not more so, and that women are not discriminated
against in tenure and promotion decisions.
A self - publisher once said to me that they didn't want to
compete against people like Mo Willems,
author of Don't Let the Pigeon Drive the Bus.
The Seattle based e-commerce giant is now
competing against companies such as Oyster and Scribd, which have friendly terms for self - published
authors.
A recent lawsuit was filed
against them stating that they misrepresents themselves, luring
authors in with claims that its books can
compete with «traditional publishers,» offering «greater speed, higher royalties, and more control for its
authors.»
Sadly, MOST of those 15 million
authors you're
competing against for readership just don't GET IT... they don't see the power of connecting to their audience in a commanding, visual way.
Look, we
authors are not
competing against each other.
Self - Published
authors are often on a shoestring budget, and
competing against the big six publishers with really great art is a hard task.
In a post for Dear
Author, Jane Litte provided an in - depth look at some of the numbers involved in being — and
competing against — Amazon.
This leaves the
author to try and
compete against people paying for reviews, marketing agencies, and established
authors.
My project numbers do not match your book catalog numbers, and you guys imported books from wherever and set them up to
compete against Lulu
authors.
This puts brand - building nonfiction books at a disadvantage, as your book would be
competing against good review of a pop - culture fiction book in a mass circulation magazine like Cosmopolitan, or a controversial or timely
author interview on Oprah!
Remember, the self - pubbed
author is
competing against publishers who already have established relationships with media outlets because it's their business.
In attempting to restrict
authors from
competing against their own works, publishers craft broad, harsh non-compete clauses that can unfairly impede
authors from making a living.
Large publishers can't
compete against that (a traditional mass market paperback sold for $ 8.00 earns the
author about 40 cents), which is one of the reasons I firmly believe the future of publishing lies in the hands of indie
authors and small publishers, and in the years ahead we'll see more and more big - name
authors go indie.
Likewise, I've heard an
author say, «Well, I don't want to
compete against traditionally published books.
Although
authors may not technically be
competing against one another for readers, we are
competing against one another for the things I mentioned above.
will be
competing against traditionally - published
authors as well as self - publishers who are committing time, effort and money to their project — and are seeing the results.
4) Maybe giving away free books actually levels the playing field for indie
authors when
competing against ARC's (advance reader copies).
A pitfall there is that an
author who publishes a full novel may never see that novel in print under a label name, as Indie and Big Five presses — like most companies — don't want to
compete against themselves.
They're
competing against indie
authors who are bearing all the costs.
They're wiping out their stables of
authors because they're demanding they
compete at the highest level (often
against each other), and then dropping those who are deemed «failures».
Remember that you are
competing against both respectable
authors who have already made a name for themselves in their niches, but also
against new
authors who are extremely creative and have great content.
One of the fastest ways to build your audience is to work with your fellow
authors instead of
competing against them.
How are indie
authors going to
compete and thrive
against huge conglomerate corporations?
Without the presence of A-lister titles like The Hunger Games this year, it seems the holiday season can still be perfectly entertaining when top - earning
authors like Jeff Kinney, Suzanne Collins, and Rick Riordan are
competing against one another on Amazon's Best Sellers in Children's Books.
Not only did people pay heavily (and still do) for that space, but
authors were forced to
compete against one another for it.
The Seattle giant keeps moving up the food chain, from controlling ebook distribution (in addition to selling print books), to
competing against publishers and even agents by luring bestselling
authors.
Late last year saw the «You Crime» competition in which
authors of noir stories were pitted
against each other,
competing for a publishing contract based on how strongly they could generate social - media support.
Agency puts
authors and publishers in control and frees retailers to
compete against one another based on customer experience rather than cut - throat price wars.
The
authors help you identify your most marketable skills and effectively
compete against job seekers with more directly relevant experience.