A Film Director has the prime responsibility of giving direction to
the complete cast of a film and help in its completion and release.
Not exact matches
Tom Wilkinson steals the
film as Tuppy, the elder, wealthy bachelor who sets his sights on Mrs. Erlynne; he appears to be the only one correctly
cast and in
complete command
of the material.
And,
of course, no review
of this
film would be
complete without mentioning how great the
cast is.
She was a
cast member
of SATURDAY NIGHT LIVE and most recently
completed filming WELCOME TO ME, starring Kristen Wiig and Kitchen Sink, with BREAKING BAD
cast member Bob Odenkirk.
Instead we are presented with an absolute turd
of a
film with shockingly bad «action» set pieces (despite not actually requiring major action set pieces for the plot), dreadful visuals that might as well be that «Gladiators» TV show
complete with glitter and sparkles, a god awful thrash / heavy metal soundtrack just in case you forgot this
film was suppose to be tough and your obligatory dire big name
cast hot
of the heels
of other poor major blockbusters (yeah stick him / her in it, big name, can't go wrong, doesn't matter if they actually fit the role or not pfft!).
While it would be easy to shoot an entire
film like this on a sound stage and use visual effects to
complete the scenery, director Baltasar Kormakur (2 Guns, Contraband) wanted the
cast to experience the elements firsthand by shooting on location in Nepal on the foothills
of Everest, as well as the Italian Alps.
Guadagnino has already
completed filming on his Suspiria remake, with an impressive
cast that features the likes
of Tilda Swinton, Dakota Johnson, Mia Goth and Chloe Grace Moretz.
Not only did they invite half
of the
film press down to the event,
complete with fireworks and a screening
of the original movie, but they live - streamed a Q&A with the
cast.
First, a seven - minute piece called «The Spirit
of the Ride» has the director and various other
cast and crew discussing how they drew on the amusement park ride for ideas and general atmosphere for the
film; the 14 - minute mini-documentary «Dead Men Tell No Tales» (also available in the DVD - ROM content in the two - disc edition) gives a history
of the «Pirates
of the Caribbean» ride,
complete with lots
of behind - the - scenes looks at the animatronic pirates and nostalgia - inducing footage from the ride itself.
And because
of the relative inexperience
of the
cast and crew and the possibility the lack
of season could have led to a
complete disaster on screen, this
film deserves some degree
of kudos for being halfway decent.
Scott, with his
completed film just weeks from opening, made a tough decision: He would reconvene his
cast and, in lightning - quick time, reshoot all
of Spacey's scenes — with Christopher Plummer in the role.
The plot is thin and unsatisfying, and I don't think I'll ever truly get Donald Sutherland's
complete disinterest in everything he gets
cast in, but the center
of the
film is rightly Jane Fonda's high - class hooker Bree.
Saoirse Ronan is a
complete fulfilled character and completely will pull you in, but it's the lack
of completion in the rest
of the
cast that makes this
film not hard hitting enough.
Cast and filmmakers will
complete a Q&A sharing details
of the project's transition from book to
film.
A majority
of the role was performed via motion capture by stunt performer Andre Tricoteux; it wasn't until mid-December that Kapicic was
cast, though he did manage to
complete some minor physical work for the
film.
- The original title
of the movie was «Tomorrow Never Comes» - Anthony Hopkins was
cast as Elliott Carver and joined the production, but dropped out after three days because
filming was disorganized and chaotic and there was no
completed shooting script - First Bond
film since Diamonds Are Forever to have a running time
of less than two hours.
Working with Sundance Institute on
casting also provided some insight to what
casting for the actual feature will be like, and made it more clear exactly what types
of personality traits each actor should have to really make each
of the
film's characters
complete.
Now, a comprehensive new book on the
film — Pulp Fiction: The
Complete Story
of Quentin Tarantino's Masterpiece (by Jason Bailey from Voyageur Press)-- reveals some intriguing
casting near - miss and what if?
Luke will also be sharing some
of these newly restored rarities with us (only a handful
of Kinemacolor
films survive), taking us on a time - travelling trip from Italy's Lake Garda, down the Nile and onward to the spectacle
of the 1911 Delhi Durbar,
complete with a
cast of elephants.
Due to the
complete uniqueness
of the
film it took seven years to make altogether but Booth - along with the rest
of the
cast - were only brought in two years ago.
A fair overview
of each
film is covered in several featurettes — using
cast members, and a fairly candid Steven Spielberg — but those expecting to see pristine,
complete versions
of those old TV specials will have to hold onto their VHS and / or Betamax copies.
• Limited Edition collection
of the
complete Blood Bath • High Definition Blu - ray (1080p) presentation
of four versions
of the
film: Operation Titian, Portrait in Terror, Blood Bath and Track
of the Vampire • Brand new 2K restorations
of Portrait in Terror, Blood Bath and Track
of the Vampire from original
film materials • Brand new reconstruction
of Operation Titian using original
film materials and standard definition inserts • Optional English subtitles for the deaf and hard
of hearing on all four versions • The Trouble with Titian Revisited — a brand new visual essay in which Tim Lucas returns to (and updates) his three - part Video Watchdog feature to examine the convoluted production history
of Blood Bath and its multiple versions • Bathing in Blood with Sid Haig — a new interview with the actor, recorded exclusively for this release • Archive interview with producer - director Jack Hill • Stills gallery • Double - sided fold - out poster featuring original and newly commissioned artworks • Reversible sleeve featuring original and newly commissioned artwork by Dan Mumford • Limited edition booklet containing new writing on the
film and its
cast by Anthony Nield, Vic Pratt, Cullen Gallagher and Peter Beckman
This
film marks the
complete return
of the original
cast from the first
film.
Those
films can all be found on our release calendar, listing the releases by date and giving each its own page
complete with a ton
of information (
cast, distributor, synopsis, trailer, etc.).
But other characters are
complete ciphers, and Cotrona and Palacki are wan substitutes for any
of a number
of cast members from the first
film, which offers up more punchy fun than this sequel.
Even though WKW has
completed part
of the
filming, he can not expect Kidman to be as accommodating with her schedule as the
cast of «2046».
Complete with bongs and bell bottoms, macrame and mood rings, and featuring classic rock music by Aerosmith, Black Sabbath and KISS, this superb ensemble
cast of up - and - comers (Ben Affleck, Matthew McConaughey, Parker Posey and Milla Jovovich) delivers an enduring
film that Rolling Stone...
Thus, the director decided to take advantage
of the presence
of his crew and most
of his
cast and shot a full second feature, Crystal Fairy & the Magical Cactus on a shoestring budget while waiting to
complete principal photography on the
film he was supposed to make in the first place.
But rather than slipping a digital version
of Plummer into already
completed footage, Scott mounted pricey re-shoots with the
cast and Plummer, and plans to recut the
film with Plummer's performance.
Because
of the great screenplay and even better
casting of complete unknowns, the
film has a feel much more like «Stand By Me» or «Stranger Things» than the nightmare - ridden story most
of us are familiar with.
Principal photography
of the new Halloween movie is
complete, as many
of the
cast and crew members
of the highly anticipated sequel have taken to social media to say goodbye to their temporary home
of Charleston, South Carolina, where
filming wrapped this week.
«Evil Comes in Small Packages» is a 25 - minute retrospective making -
of complete with an option to watch its three sections separately: «The Birth
of Chucky» expounds on Mancini's original vision
of the story (a golem in service to Andy's id, brought to life by a blood - brother ritual) and how it evolved into its current form; «Creating the Horror» discusses
casting and the shoot itself — including brief snippets
of rehearsal footage
of Dourif acting out Chucky's every move; and «Unleashed» describes the
film's release and Chucky's ascent to cult stardom.
That trajectory seemed perfect for The Circle, a
film with his biggest
cast yet (Emma Watson, Tom Hanks, Bill Paxton, Karen Gillan, John Boyega, etc) based on a well - received novel with plenty
of relevance to our current societal fears surrounding uber - powerful tech companies with charismatic CEOs, but the final product is a
complete disaster.
But the
film resolves itself in no time into something a good deal more mundane: a twisty crime drama
complete with gauzy Guy Maddin visuals that cements Norton as the gravitas - heavy young actor most likely to be
cast as Heathcliff in a badly - considered community theatre adaptation
of Wuthering Heights.
Creators Dmitry Lipkin and Colette Burson discuss the new characters and story arcs that make up «Hung: The
Complete Third Season»; author Jonathan Ames records a series
of mini-interviews for all eight Season Three episodes
of «Bored to Death»; and the
cast of «How to Make It in America» talk about
filming the show's second season.
Director Ridley Scott (Thelma & Louise, Black Rain) gives the
film a great look and gets the most out
of his
cast of actors, but the
film plays a little too much like Dead Poets Society on the Atlantic,
complete with a schmaltzy «oh captain, my captain» ending.
Just as intriguing is the excellent
casting of Frances Farmer as the sultry, yet sharp - willed first cousin Ben intends to marry (the whole romance seems to ignore any worries about spawning three - eyed blinkies), whose last
completed film this proved to be before her mental breakdown, and incarceration in a mental institution (vividly depicted in the 1982 bio-drama Frances.)
Matthew Barney opened this survey
of his work from the past five years to spectacular effect — with an elaborate costume parade featuring the
complete cast of characters from his
films and videos.
In the
film's climax, Rublev has a life - changing revelation upon witnessing the triumph
of a craftsman who
completes the difficult task
of casting a bell.
Drawing on the stylistic expression
of classic old Hollywood,
film noir and the jazz age, the projects are full productions requiring the equivalent
of major
film sets
complete with a
casts, extras and lighting.