Sentences with phrase «complex contemporary experience»

Scott lifts textures and sensations directly from the daily flow of images that surround us, addressing head - on our complex contemporary experience of the body.

Samara Scott lifts textures and sensations directly from the daily flow of images that surround us, addressing our complex contemporary experience of the body.

Not exact matches

Few contemporary philosophers in the West have reckoned with India's complex experience of democracy; and even fewer have engaged with it as vigorously as she does in The Clash Within.

Though this contemporary cancer story laced with everyday and extraordinary experiences will undoubtedly draw comparisons to that other cancer book, Livvie's cancer story and Zoe's emotionally complex web of friendship, fear, loss, love, pain, have their own appeal, and are well worth reading.

Only a virtuoso cellist like Eric - Maria Couturier, with all his experience in contemporary classical music, could give this performance such complex duality with his instrument.

The complex layering of material in Önürmen's studies also references the chaotic and claustrophobic experience of living in contemporary society, specifically the city.

Her complex multilayered pieces poetically blur the categories of fact and fiction, past and present and evoke the dislocating sense of in - betweeness that shapes contemporary experience.

The ideal candidate will have a strong interest in contemporary art, work well with their hands, have some studio and art handling experience, and be able to work independently on complex studio projects.

Referencing issues relevant to contemporary society including politics, war, advertising, propaganda, and surveillance, Kessler's work thrusts the viewer directly into a complex visual experience.

While blurring the traditional distinction between fiction and reality — and revealing the experience of fiction to be as palpable as anything in daily life — Huyghe's playful work often addresses complex social topics, such as the yearning for utopia, the lure of spectacle in mass media, and the impact of Modernism on contemporary values and belief systems.

Seeking a more complex mapping of contemporary art history and African American art history, this presentation interrogates both artist's commitments to experience, phenomenology, materials, the monumental, and their motivation of public space.

This collaboration between Jen Bervin and Charlotte Lagarde produced by Violet du Feng focuses on how contemporary Chinese women experience this complex poem, both as a literary work and as a textile.

She uses a variety of sources, from family albums to popular culture to present a complex self - portrait of her experiences as a contemporary Aboriginal woman.

Li Xu sees the exhibition as reflecting the many complex concerns of contemporary Chinese society, from the «unique historical context and cultural experience» to which the country is heir, to the desire to forge a contemporary culture that is entirely its own.

SB14 will feature exhibitions by curators Zoe Butt, Omar Kholeif and Claire Tancons, bringing together a range of experiences and works — including major commissions, large - scale public installations, performances and films to explore how contemporary life, enabled by rapid technological change, has created a seemingly inescapable «echo chamber» of information, complex personal networks and shifting narratives that are physical, spiritual and virtual.

Samara Scott (b. 1984, London) revels in the emotional resonance of contemporary consumerism, the glut of imagery on the internet and ephemeral urban materials; addressing head - on our complex and conflicted contemporary experience of the body.

While at PAMM to experience this encompassing survey of Ward's works be sure not to miss Firelei Baez, an artist from the Dominican Republic also working now in New York City whose lush and sensuous canvases often subtly betray the complex impact that colonial histories exude on contemporary culture.

Through the natural spaces of the island, historical ruins and plantation houses, the film alludes to the complex narratives that have authored contemporary experience and questions of collective identity in the post-colony.

In contemporary art, an experience of the sublime may be found in the vast and complex worlds enabled by new technologies.

The essence of tradition is to invite the challenge that redefines it, and after many years on the periphery, realism has been reinvigorated by contemporary artists who see it as a way to address the experiences of living in our complex world.

Reflecting on contemporary, postcolonial African cosmopolitanism and her experiences as an expatriate living in America, her intimate paintings provide an important counter-narrative to the often troubled representation of Africa's complex political and social conditions.

In writing that is rich in detail, strong in analysis and informed by their research experience they argue for a deeper appreciation of the creativity inherent in Aboriginal and Torres Strait Islander social life, and the way that knowledge is constructed and deployed in complex intercultural contexts in contemporary Australia.