Not exact matches
In so doing, I wonder if we've veered too far from the
reality that
human sexuality is indeed very
complex.
If the totality of
reality is far more
complex than we have ever recognized, then it may be that profound
human experience in different times and places has brought to light many of the important patterns that are to be found within it.
One way of viewing the religious crisis of our time is to see it not in the first instance as a challenge to the intellectual cogency of Christianity, Buddhism, Islam, or other traditions, but as the gradual erosion, in an ever more
complex and technological society, of the feeling of reciprocity with nature, organic interrelatedness with the
human community, and sensitive attention to the processes of lived experience where the
realities designated by religious symbols and assertions are actually to be found, if they are found at all.
Lumen gentium teaches that «Christ... has founded... his Holy Church»; «has made her visible framework... the dispenser of grace and truth»; «she is a society equipped with hierarchical organs and the Mystical Body of Christ, a visible assembly and a spiritual fellowship»; «we must not think of the Church as two substances, but a single,
complex reality, the compound of a
human and a divine element» (n. 8).
The
reality of power is
complex; and its use and misuse in all
human, social and political relations and interactions has been a question of utmost importance for all peoples.
Nor is it an ideology, but rather the accurate formulation of the results of a careful reflection on the
complex realities of
human existence, in society and in the international order, in the light of faith and of the Church's tradition.
Or as he puts it, there is no such thing as entirely uninterpreted fact, any more than there is any such thing as an «action» in the world which has no valuation judgement attached to it in the
complex reality of
human experience.
His descriptions evoke the
complex relationship between their respective processional paths, the architecture encountered along the way, the recollection of Rome's Imperial and Christian history, the
reality of Rome itself as a Christian reliquary and pilgrimage destination, and the analogy between the
human body and the city.
The basic pattern of God's self - revelation as life and grace, on the one hand, and the response in
human freedom through faith and deeds to the same revelation on the other, is such a
complex and multifaceted
reality that it can never be imprisoned in any one single mould.
And in
reality the
human body is MUCH more
complex than those statues.
In
reality man is
complex, and
human freedom a composite affair.
Of course,
reality is a lot more complicated than this rough caricature — biology is NOT destiny for animals with a
complex brain, and
human instincts are filtered through layer upon layer of culture and other learned behavior.
Andrew has been asking questions about
reality, truth, and God since he was very young, and he has long been fascinated by the
human mind and its
complex workings.
It is only after hacker cult figure Morpheus agrees to show Tom «how deep the rabbit hole goes» that Tom, and we, learn The Ugly Truth: the surface of the earth has been uninhabitable for centuries, and all
humans are spending their lives in a virtual
reality construct, while a
complex network of machines uses the electrical energy and body heat from their real bodies, which are stored in individual pods, as a fuel source.
The Wind Rises grounds a
human, personal story in a
complex period of Japanese history and balances the tone well between nostalgic whimsy and harsh historical
reality.
Schools and their systems find themselves without
human capital and resources to meet the
complex academic, emotional and economic
realities of vulnerable youth, particularly those in urban and poverty areas.
Some landscape painters convey
reality in compellingly quotidian detail, reflecting or critiquing the
complex relationship between
humans and nature; others construct neo-byzantine visions of the future that may thrill or terrify; some work intuitively to give form to the ephemeral, conveying that which can not be spoken; and many bend or break accepted rules of vision, reminding us that perception itself is both a privilege and a discipline.
This year promises to be no exception with «Still
Human», featuring 25 contemporary artists who are using media such as artificial intelligence, biotechnology, surveillance and virtual
reality to grapple with the
complex consequences of recent technological advances and the digital revolution.
Such feelings are very difficult to express with words alone; the artists in the exhibition have elected abstract visual expression as the best medium of representation for these
complex and uniquely
human realities.
The duo's work span around the
complex relationship of materiality, technology, economy, and how technology shapes economy and physical
reality, including the
human body.
Published to accompany a major exhibition at Tate Britain in London, All Too
Human not only demonstrates how this spirit was passed down by artists of the previous generation, such as Walter Sickert and David Bomberg, but also explores how contemporary artists continue to express the
complex intangible
realities of life in paint today.
The images visualise a
reality in which
human physiognomy has transformed, reflecting the current
complex social and political landscape through unsettling aesthetics.
Both extreme positions ignore the more
complex reality that
human choices interact with natural constraints.
Those catastrophic climate predictions of doomsday that proponents of
human - made global warming rely are based on massive,
complex, costly computer climate models - also know as simulations and virtual climate
reality.