Sentences with phrase «complex identities of artists»

Throughout Know Yourself, banality unifies dissimilar works that range from found images to recontextualized readymades, acting as a point of entry for more substantial discourse about authenticity, ownership of art objects, and the complex identities of artists.

Not exact matches

Firelei Báez's Complex Studies of Female Identity Show Why She's an Artist for Our Time — Jared Quinton Artsy, 02.09.2016

Rirkrit Tiravanija's use of Annlee — the manga character, whose rights have been bought by artists Pierre Huyghe and Philippe Parreno — in his video Ghost Reader, captures the complex issues of copyright, identity, subject - hood, and emotion in our changing society.

To us, her superbly intellectual approach to a variety of media suggests a remarkable affinity with fellow gallery artists Roni Horn and Zoe Leonard, as well as Rashid Johnson, Mark Bradford, and others tackling complex issues of identity.

Collectively, these artists explore notions of culture, identity and the complex colonial histories of Indigenous people using photography, film and new media.

Replete with mystical symbols, the painting shows a blue teacup atop a checked tabletop, with the word «MOI» written boldly beneath, addressing the respective identities and complex friendship of the artist and sitter.

Known for exploring issues including cultural identity and individuality, the artist's complex relationship with his native South Korea underpins much of his practice.

Born in Tucson, Arizona, the artist has been a chronicler of his country's heterogenous identity through an equally complex visual and textual narrative, merging text and imagery under an ironic and humorous tone.

Culled from around the globe, the artists in this exhibition utilize character studies as a means of exploring the increasingly complex concept of identity.

In this exhibition curated by Modou Dieng, these artists come into conversation with one another, providing a space in which to explore complex systems articulated around design and execution that have been employed in the cultural realization of identities as they continue to emerge in new transcultural and hybrid forms.

While inflatable objects are typically associated with advertising, children's entertainment or holiday decorations, the format has been appropriated by a diverse group of artists to explore complex subjects such as identity, materialism and war.

, 2013, Tiravanija uses the manga character Annlee — who appears on the artist's Berlin billboards — to explore the complex issues of copyright, identity, status and emotion in our rapidly changing society.

An Israeli artist, Matalon is also interested in conveying the complex identity of this unique sociological, geographical, and political entity.

Sama Alshaibi has been awarded two production grants, Visual Arts AFAC Grant - Arab Fund for Arts and Culture (2017) and Artist Research and Development Grant - Arizona Commission on the Arts (2018) for her forthcoming project «Carry Over», a multimedia series that, according to the artist, «recalls, decodes, and subverts familiar images while questioning their ability to inform nuanced understanding of complex identities.&Artist Research and Development Grant - Arizona Commission on the Arts (2018) for her forthcoming project «Carry Over», a multimedia series that, according to the artist, «recalls, decodes, and subverts familiar images while questioning their ability to inform nuanced understanding of complex identities.&artist, «recalls, decodes, and subverts familiar images while questioning their ability to inform nuanced understanding of complex identities.»

Unburdened by complex narratives the artist's work presents us with our own identities filtered through the lense of media intervention, it is in fact the way that we now present our own image to ourselves.

The resulting works reflect the «complex identities of the women as feminists and artists.»

The artist's work addresses complex and often uncomfortable questions of race, imperialism, colonialism and identity.

While the works by these artists reveal traditional themes, including impersonation, reinvention, self - consciousness, vanity and the complex game of seeing a mirrored image, the exhibition will also explore how issues of identity and self - portrayal were bent in new directions in the 20th century as if refracted through a prism.

All of these artists employ the undeniable beauty of their materials and abstract compositions to convey complex ideas about art history, social issues, and identity.

Of all the artists in the 1980s, he was the one who really broke out and established a new and complex identity for his generation,» says Paul Schimmel, expert on Kelley's work and principal of Hauser Wirth & SchimmeOf all the artists in the 1980s, he was the one who really broke out and established a new and complex identity for his generation,» says Paul Schimmel, expert on Kelley's work and principal of Hauser Wirth & Schimmeof Hauser Wirth & Schimmel.

Byron Kim is a critically acclaimed artist whose work balances formal ingenuity with conceptual sophistication; beginning with his breakthrough work Synecdoche (1991 - ongoing), Kim's work has become synonymous with complex series of paintings that deconstruct the ways we organize and define contemporary identity.

The book «provides a new approach to understanding the range and impact of this artist's practice, as well as its complex relationship to several key artistic and ideological debates of the late 20th century, including the instability of identity, the role of appropriation, and the boundaries of expressionism.»

In this conversation, both artists and curator will discuss the ramifications of the racialization of ethnic identities through national campaigns such as Speak Mandarin and the complex social positioning that those of Chinese ancestry have been negotiating in multiracial Singapore and Malaysia through the years.

In his video Ghost Reader, 2013, Tiravanija uses the manga character Annlee — who appears on the artist's Berlin billboards — to explore the complex issues of copyright, identity, status and emotion in our rapidly changing society.

«Of all the artists in the 1980s, he was the one who really broke out and established a new and complex identity for his generation.»

«Putiferio» at the DESTE Foundation's Project Space in the former Slaughterhouse on the island of Hydra is a major exhibition by Italian artist Roberto Cuoghi who works in painting, drawing, digital animation, and sound to explore issues surrounding transformation, identity, death, memory, and time — what he describes as facing «complex ideas iconographically»