Sentences with phrase «complex life forms made»

With the Franceville discovery, complex life forms made a leap of 1.5 billion years back in time.

Not exact matches

Just as there are many different auto manufacturers making various styles and models of cars that are in no way as complex as life forms, we know without question they have a designer.Dosn «t it defy reason to not believe in a grand design and a grand designer?

you can find examples of this pathetic god and its very human traits... its all thru out the bible, and it even makes excuses for why god seems so human — two possible reasons for this — either those who wrote the bible screwed up and forgot to make god seem godlike because its all a lie... a fabrication of man... or god isn't a god but rather a petty, hateful alien with a napoleon complex (not sure they have a napoleon in the alien form... godzilla — lol, but godzilla at least is a true possibility... god and those who believe are living in a fantasy world!!

We would be remiss in not recognizing him as an inventive alchemist when it comes to innovation — gin, Destillaré cordials, absinthe, bitters, and more to come, we certainly breathe rare air when it comes to relentless innovation, with Brandon making the complex, and arcane, come to life in spirit form.»

About four billion years ago, the strength of those hydrogen - carbon bonds allowed increasingly complex molecules — amino acids, DNA, and proteins — to form from the primordial soup, making life possible.

Bech, a retired clergyman who lives at Duerne near Eindhoven, prepared the chemical mixture 10 years ago, and it has been forming crystals ever since, making the design increasingly complex.

DNA makes a slight variant of itself known as RNA, which directs the production of the specific proteins of which all complex life - forms are composed.

«It links volcanism and trace elements in seawater to changing populations in the biosphere,» he says, «which in turn led to changes in the earth's atmosphere that made the rise of complex life - forms possible.»

Lastly (I promise) don't take an isolated supplement of pure biotin, this can upset a balance with your b vitamins as it may possibly compete with B5 and cause more skin problems, if you take a B vitamin, make sure it's a whole food B complex vitamin, and again, do supplement with B12 either in this form or with a pure vitamin B12 supplement which you may only need once a week as a rule if it's a high enough amount — I use Garden of Life's B12 spray).

Here, its members have overthought the form and made a more complex musical edifice, adding hip - hop beats, electronica, too - muscular drumming and fussy textures to frame their message about the psychic ambiguities of modern life.

I am interested in the change from the period when the meaning of art and form in art was in making complex experience simple and lucid, as is still the case in «Knife in the Water» [Roman Polanski, 1962] or «Bandits of Orgosolo» [Vittorio De Seta, 1960], to the current acceptance of art as technique, the technique which in a movie like «This Sporting Life» [Lindsay Anderson, 1963] makes a simple, though psychologically confused, story look complex, and modern because inexplicable.

He made Still Life # 59, five panels that form a large, complex dimensional, freestanding painting: here too the elements are enlarged, and part of a telephone can be seen.

CA Spectral Hues, curated by Sharon Bliss, Palo Alto Art Center, Palo Alto, CA Art Market, with Chandra Cerrito Contemporary, San Francisco, CA Building the Art House, curated by Katherine Connell and Emma Spertus, Rosenberg Library, City College of San Francisco, San Francisco, CA Big Idea, curated by Sue Collier, Leslie Ford, Jack McWhorter and JoAnn Rothschild, The Painting Center, New York, NY Along the Lines, Harrington Gallery, curated by Julie Finegan, Pleasanton, CA 2016 Plus +1, Trestle Contemporary Art Gallery, Brooklyn, NY Group show, November - December 2016, Galleri Urbane, Dallas, TX Palette, curated by Kelly Inouye, Theodora Mauro and Lisa Solomon, ampersand international arts, San Francisco, CA Small Works, Trestle Gallery, Brooklyn, NY Art Market, with Chandra Cerrito Contemporary, San Francisco, CA 2015 Therely Bare Redux, Zeitgeist Gallery, Nashville, TN Therely Bare Redux, Clara M Eagle Gallery, University of Tennessee, Murray Territory of Abstraction, Pentimenti Gallery, Philadelphia, PA Out of Storage, Studio 110 Projects, Sausalito, CA Art Market San Francisco, (with Chandra Cerrito Contemporary), San Francisco, CA The Airplane Show, B Sakata Garo, Sacramento, CA 2014 un.bound.ed, curated by Brent Hallard and Don Voisine, Root Division, San Francisco, CA (edition) DOPPLER SHIFT, curated by Mary Birmingham, Visual Arts Center, Summit, NJ (catalogue) The Intuitionists, curated by Heather Hart, Steffani Jemison & Jina Valentine, The Drawing Center, New York, NY (catalogue) First / Last, curated by Heather Phillips, Park Life, San Francisco, CA 2013 DOPPLER, Parallel Art Space, Brooklyn, NY (catalogue) Generations IX: The Red / Pink Show, A.I.R. Gallery, Brooklyn, NY Made In Paint: 2012 Artists in Residence, The Sam & Adele Golden Gallery, New Berlin, NY Rituals of Exhibition II, Light Space Project, H Gallery, Chiang Mai, Thailand Rituals of Exhibition, curated by Giles Ryder and Gilbert Hsiao, Don't Be Selfish, Phayao, Thailand POSTE CONCRET II, curated by Richard van der Aa, ParisCONCRET, Paris, FR 2012 Soft Luminosity, curated by Guido Winkler and Iemke van Dijk, IS Projects, Leiden, NL (edition) Art On Paper 2012, The Weatherspoon Museum of Art, Greensboro, NC (brochure) Islands of Order in a Sea of Chaos, curated by Ruth van Veenen, de Vishal, Haarlem, NL Doppler Stop, Amsterdams Grafisch Atelier, Amsterdam, NL (catalogue) Doppler Stop, Kunst & Complex, Rotterdam, NL Doppler Stop, Fluctuating Images / General Public, Berlin, DE Doppler Stop, trenutak.39 / Museum of Contemporary Art, Zagreb, HR Trade - O - Mat, curated by Kathryn Kenworth, Kala Art Institute, Berkeley, CA 2011 A Romance of Many Dimensions, curated by Brent Hallard, Brooklyn Artists Gym, Brooklyn, NY POSTE CONCRET I, curated by Richard van der Aa, ParisCONCRET, Paris, FR BYO, IS Projects, Leiden, NL Stop & Go Rides Again, touring exhibition curated by Sarah Klein, Z Space, San Francisco, US; Kunst & Complex, Rotterdam, NL; Fluctuating Images / General Public, Berlin, DE; Fluctuating Images / Interventionstraum, Stuttgart, DE An Exchange with Sol Lewitt, Massachussetts Museum of Contemporary Art, North Adams, MA (catalogue) ReTrace, Cesar Chavez Art Gallery, San Francisco State University, San Francisco, CA 2010 TOUCH, curated by Brent Hallard, ParisCONCRET, Paris, FR (catalogue) Factor XX, curated by Jenny Balisle, Los Gatos Museum, Los Gatos, CA (catalogue) The Rule of Typical Things, Gregory Lind Gallery, San Francisco, CA 2009 TRANS: form color, Meridian Gallery, San Francisco, CA (catalogue) TRANSformal, Pharmaka, Los Angeles, CA (brochure) The Grid, curated by JT Kirkland, MP5, Portland, OR 2008 Calculated Color, curated by Jane Lincoln, Higgins Art Gallery, Cape Cod, MA (brochure) The Space Between, curated by Cathy Kimbell, San Jose Institute of Contemporary Art, San Jose, CA (brochure) Close Calls, Headlands Center for the Arts, Sausalito, CA (also 2005, 2004) TOUCH, curated by Brent Hallard, Busdori, Tokyo, Japan Out of the Fog: Artists from Headlands Center for the Arts, curated by Dianne Romaine and Holly Blake, Art works Downtown, San Rafael, CA 2007 TRANS: Abstraktion, Weltraum, Munich, DE (brochure) 7 - 07 Hung Liu curates 7 Women Artists in the year of the Pig, b.Sakata Garo, Sacramento, CA (brochure) Bay Area Currents, The Oakland Art Gallery, Oakland, CA Visual Noise, UMC Gallery, University of Colorado, Boulder, CO The Unknown Quantity, Gregory Lind Gallery, San Francisco, CA Systems & Transmutations, Root Division, San Francisco, CA (catalogue) Still, Contemporary Quarterly, curated by Chandra Cerrito, www.ContemporaryQuarterly.com (brochure) 2006 Suitcase: Bus - Dori, curated by Brent Hallard, Tokyo, JP Summertime, Judy Saslow Gallery, Chicago, IL microcosm, curated by Victoria Wagner, Richmond Art Center, Richmond, CA (brochure) Sketch, The Memorial Union Gallery, University of California at Davis, Davis, CA 2005 Contemporary Perspectives, Museum of Contemporary Art, Santa Rosa, CA 2004 and now they aren't.

«The identity presents a combination of extremes, from soft pastel colours and minimal type, to a series of complex illustrations formed from the mash up of various visual assets, and vigorous hand - made brushstrokes, textures of varied surfaces, to fragments of photographs taken of day to day life in São Paulo — all pieced together into a subjective graphic synthesis of the city.»

It's hard to be succinct about universe - sized matters, particularly when you're innumerate, but as I understand it, this argument (made seriously by some serious scientists, I note) says one explanation for the absence of contact is that there's a flaw in the process that would otherwise lead to truly complex life forms and truly complex societies, such that intelligent life fails at some point short of its ability to manage interstellar travel or communication.

With his usual flair for presenting complex data in a form all can grasp and understand, Joe Sorge quickly made the case for how home and work life in the United States have changed dramatically yet our family laws and our family law courts and child support guidelines have remained stuck in the past.