Like all of Fernández's work, these
pieces also have
complex conceptual underpinnings and are full of
literary and philosophical allusions.
There extremely
complex, large - scale installations which develop
literary or narrative themes are also included: Sister Perpetua's Lie, 1973, first shown at the Institute of Contemporary Art in Pennsylvania; Souvenir
Piece, originally installed at Artists Space in 1973; and To Each Concrete Man, 1974, one of her most mysterious, poetic and hermetic works, formerly exhibited at the Whitney Museum of American Art.