On view from June 28 through July 29, the show brings together a wide array of artists dealing with
complex notions of space, challenging our sensation of the world around us.
Not exact matches
Despite their initially crude appearance, Mr. Deutsch's paintings are grown - up,
complex of space and surface, and rich in
notions of human interaction or the lack thereof; voyeurism and solitude; and often an ambiguous ominousness.
Through basic elements such as pixels and binary code, the artist builds large - scale sculptural installations that defy predictability, and ultimately grow into
complex forms that question common
notions of space and time.
While nature, relative proximity to the city,
space, and affordability may be the most obvious appeals
of the Catskills, what the area also offers is that
complex dynamic between town and country — a chance to measure how urban
notions of culture fit within the rural setting, and the kinds
of esthetic, social, and political navigations that artists make in dealing with the land and its people.
Utilizing the dialectic
of order and flux as well as
notions of invisibility and transience, Le Va attempts to classify and catalogue ways
of thinking by distributing objects in
space as
complex markers or traces
of process.
Utilizing the dialectic
of order and flux as well as
notions of invisibility, transience, and temporality, Le Va attempts to classify and catalogue ways
of thinking by distributing objects in
space as
complex markers or traces
of process.
Representing a wide variety
of media and aesthetic styles, works by Rachelle Bussieres, Tanja Geis, Kaveh Irani, Sara Kerr, Christopher Nickel, Brittany Powell, and Jonathan Sprague all speak to
complex notions of time — from geological time, to the abstract
space of human memory — and the transformations that occur in those spans.
This collection
of translucent sculptures is a continuation
of Suh's ongoing Specimen Series, which the artist has ambitiously expanded for the Hong Kong exhibition by turning his attention to larger and more
complex objects, and presenting them in new and innovative ways that utilize light to highlight their transparency.Since the mid-1990s, Suh has questioned the conventional
notion of personal
space and explored the variable dimension and mobility
of this idea in both its physical and metaphorical manifestations.