Sentences with phrase «complex painting space»

Around 1970, while in the John St. studio, Frances began working on large horizontal abstract paintings that were involved with ideas of gravity, slow painting time, indeterminate color, and trying to create a complex painting space that appeared geometric, but alternately shifted into a deeper space.

Not exact matches

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Among a new generation of abstract painters who emerged combining color field painting with expressionism, the older generation also began infusing new elements of complex space and surface into their works.

Patterns of delicate brushwork, poured paint, and a unique use of space and palette create a complex pathway made from vivid colors and rhythmic movement, inherent to the artist's work.

His kaleidoscopic compositions of overlapping grids and patterns create complex pictorial spaces, and his use of transparent pigments allows the viewer to see, as the artist has said, «all the events that went into the making of the painting.»

The Geoffrey Young Gallery is pleased to present «The Place of Things,» a three - person show featuring the paintings and drawings of Joshua Marsh, the «longitude - location» paintings of Mike Glier, and new black and white photographs of complex spaces by James Welling.

Every single one has extraordinary color: the variety and brightness each piece carries, detail: the amount of work that is put into every aspect of each painting that make it look so realistic and abstract, lighting: the bright light shining throughout each image giving each piece an intriguing positive / enthusiastic energy, shading: the detailed shadings on each face giving them that 3 - dimensional look, definition: the quality of the defined lines that are portrayed through every painting (piece) and every small detail in the painting (like the faces and body parts) line: the complex and balanced lining that is seen in both, the abstract and realistic images in these works, texture: somewhat giving off an appealing texture to the works by the dimensions, as if you can reach out and grab the images, dimension: the realistic look that each women has (3 - dimensional), spacing: the space is used wisely in each work, very nicely spread out adding to its originality, touch: the clear and powerful finishing touch that every piece has, and the most visible that is seen in every piece here, is simply life.

Among others, Stacy Leigh's deeply strange nudes at Fortnight Gallery; Nicholas Cueva's mysterious paintings at the Brooklyn community space Five Myles; Louis Fratino's weird realism at Thierry Goldberg; Jordan Casteel at Casey Kaplan; Maryam Hoseini's complex illuminated manuscript - like paintings at Rachel Uffner; Nina Chanel Abney's grand combinations of Stuart Davis and Jacob Lawrence, at Mary Boone and Jack Shainman (who's become one of the better galleries in the world); Marcia Marcus's prescient 1970s paintings at Eric Firestone; the teeny storefront 56 Henry mounted consecutive excellent shows of Cynthia Talmadge, Richard Tinkler, and Kate Shepherd; personal perennial faves shone, including Cary Leibowitz, Lisa Beck, Mira Schor, Keith Mayerson, Julian Lethbridge, Betty Tompkins, Jack Pierson, Ken Tisa, Tabboo, and Ashley Bickerton.

Working with the brother - and - sister curators Michael and Yael Lipschutz, Taylor has chosen paintings and drawings from the series to inaugurate his new project space Henry Taylor's, at his studio / apartment in downtown Los Angeles (right across from the new Hauser & Wirth gallery complex).

Designed to wrap around the entire wall space of the Leo Castelli Galley in New York, the 80ft painting of a full - scale F - 111, America's highly - advanced strategic bomber, symbolized the inescapable trap of the military industrial complex.

Two unique constructions by Frank Stella join hand - painted abstract 3D - printed forms to create complex and vibrant objects that are reminiscent of his paintings (see John Dorfman, «Working in Space,» Art & Antiques Magazine, October 2013).

Regarding «Shadow Brigade», Sarah has noted that people were discussing it, looking at it, talking about moving around the complex transitions of pictorial spaces of the painting in a manner quite comparable to that of looking at and moving around in a complex spatial figurative painting — BUT, it is now clear that this is not a quality restricted to figurative painting, and this particular quality of how the eye takes in and moves around imaginatively in the work is just a natural condition of all painting once it starts to develop and mature and take on synthesised complexity to any degree.

«A complex painting would be one capable of including many spaces... many qualities of light, of texture, of facture, a wide gamut of colors; it would allow for descriptive representation, schematic or symbolic representation, for geometric and gestural abstraction; and these would not simply coexist, but would somehow be coordinating... and out of multiplicity would arise the work's sense of meaning.»

Each group is offset by voids — scrims, essentially, of negative space — through which vestiges of earlier compositions peek out from below the surface — an indication of the complex process by which Burckhardt completes a painting.

While his paintings involve complex layering and the deliberately distorted treatment of light — suggesting three - dimensional space — the subjects are flat.

The flatness of the spaces in his paintings and collages emphasizes what might be called the lateral relations between the picture's elements, and he makes these as complex as any depth effect might be.

Abstract geometrical forms seem to dissolve the historical references and translate them into complex spacial concepts: wall drawings and architectural interventions are fragmented continuations of the paintings, sculptures and drawings in the exhibitions space.

In her painting practice Earnest uses unconventional materials such as aluminum tape, carpet fuzz, insulation, drywall tape, cement, contact paper, latex gloves, and joint compound, and she seeks to explore how abstract spaces such as «home» can be defined through the complex relationship between objects and memory.

Despite their initially crude appearance, Mr. Deutsch's paintings are grown - up, complex of space and surface, and rich in notions of human interaction or the lack thereof; voyeurism and solitude; and often an ambiguous ominousness.

RECOGNIZED FOR HER LARGE - SCALE, abstract paintings, Mehretu's canvases are complex explorations of time, space, history, and geography.

CA Spectral Hues, curated by Sharon Bliss, Palo Alto Art Center, Palo Alto, CA Art Market, with Chandra Cerrito Contemporary, San Francisco, CA Building the Art House, curated by Katherine Connell and Emma Spertus, Rosenberg Library, City College of San Francisco, San Francisco, CA Big Idea, curated by Sue Collier, Leslie Ford, Jack McWhorter and JoAnn Rothschild, The Painting Center, New York, NY Along the Lines, Harrington Gallery, curated by Julie Finegan, Pleasanton, CA 2016 Plus +1, Trestle Contemporary Art Gallery, Brooklyn, NY Group show, November - December 2016, Galleri Urbane, Dallas, TX Palette, curated by Kelly Inouye, Theodora Mauro and Lisa Solomon, ampersand international arts, San Francisco, CA Small Works, Trestle Gallery, Brooklyn, NY Art Market, with Chandra Cerrito Contemporary, San Francisco, CA 2015 Therely Bare Redux, Zeitgeist Gallery, Nashville, TN Therely Bare Redux, Clara M Eagle Gallery, University of Tennessee, Murray Territory of Abstraction, Pentimenti Gallery, Philadelphia, PA Out of Storage, Studio 110 Projects, Sausalito, CA Art Market San Francisco, (with Chandra Cerrito Contemporary), San Francisco, CA The Airplane Show, B Sakata Garo, Sacramento, CA 2014 un.bound.ed, curated by Brent Hallard and Don Voisine, Root Division, San Francisco, CA (edition) DOPPLER SHIFT, curated by Mary Birmingham, Visual Arts Center, Summit, NJ (catalogue) The Intuitionists, curated by Heather Hart, Steffani Jemison & Jina Valentine, The Drawing Center, New York, NY (catalogue) First / Last, curated by Heather Phillips, Park Life, San Francisco, CA 2013 DOPPLER, Parallel Art Space, Brooklyn, NY (catalogue) Generations IX: The Red / Pink Show, A.I.R. Gallery, Brooklyn, NY Made In Paint: 2012 Artists in Residence, The Sam & Adele Golden Gallery, New Berlin, NY Rituals of Exhibition II, Light Space Project, H Gallery, Chiang Mai, Thailand Rituals of Exhibition, curated by Giles Ryder and Gilbert Hsiao, Don't Be Selfish, Phayao, Thailand POSTE CONCRET II, curated by Richard van der Aa, ParisCONCRET, Paris, FR 2012 Soft Luminosity, curated by Guido Winkler and Iemke van Dijk, IS Projects, Leiden, NL (edition) Art On Paper 2012, The Weatherspoon Museum of Art, Greensboro, NC (brochure) Islands of Order in a Sea of Chaos, curated by Ruth van Veenen, de Vishal, Haarlem, NL Doppler Stop, Amsterdams Grafisch Atelier, Amsterdam, NL (catalogue) Doppler Stop, Kunst & Complex, Rotterdam, NL Doppler Stop, Fluctuating Images / General Public, Berlin, DE Doppler Stop, trenutak.39 / Museum of Contemporary Art, Zagreb, HR Trade - O - Mat, curated by Kathryn Kenworth, Kala Art Institute, Berkeley, CA 2011 A Romance of Many Dimensions, curated by Brent Hallard, Brooklyn Artists Gym, Brooklyn, NY POSTE CONCRET I, curated by Richard van der Aa, ParisCONCRET, Paris, FR BYO, IS Projects, Leiden, NL Stop & Go Rides Again, touring exhibition curated by Sarah Klein, Z Space, San Francisco, US; Kunst & Complex, Rotterdam, NL; Fluctuating Images / General Public, Berlin, DE; Fluctuating Images / Interventionstraum, Stuttgart, DE An Exchange with Sol Lewitt, Massachussetts Museum of Contemporary Art, North Adams, MA (catalogue) ReTrace, Cesar Chavez Art Gallery, San Francisco State University, San Francisco, CA 2010 TOUCH, curated by Brent Hallard, ParisCONCRET, Paris, FR (catalogue) Factor XX, curated by Jenny Balisle, Los Gatos Museum, Los Gatos, CA (catalogue) The Rule of Typical Things, Gregory Lind Gallery, San Francisco, CA 2009 TRANS: form color, Meridian Gallery, San Francisco, CA (catalogue) TRANSformal, Pharmaka, Los Angeles, CA (brochure) The Grid, curated by JT Kirkland, MP5, Portland, OR 2008 Calculated Color, curated by Jane Lincoln, Higgins Art Gallery, Cape Cod, MA (brochure) The Space Between, curated by Cathy Kimbell, San Jose Institute of Contemporary Art, San Jose, CA (brochure) Close Calls, Headlands Center for the Arts, Sausalito, CA (also 2005, 2004) TOUCH, curated by Brent Hallard, Busdori, Tokyo, Japan Out of the Fog: Artists from Headlands Center for the Arts, curated by Dianne Romaine and Holly Blake, Art works Downtown, San Rafael, CA 2007 TRANS: Abstraktion, Weltraum, Munich, DE (brochure) 7 - 07 Hung Liu curates 7 Women Artists in the year of the Pig, b.Sakata Garo, Sacramento, CA (brochure) Bay Area Currents, The Oakland Art Gallery, Oakland, CA Visual Noise, UMC Gallery, University of Colorado, Boulder, CO The Unknown Quantity, Gregory Lind Gallery, San Francisco, CA Systems & Transmutations, Root Division, San Francisco, CA (catalogue) Still, Contemporary Quarterly, curated by Chandra Cerrito, www.ContemporaryQuarterly.com (brochure) 2006 Suitcase: Bus - Dori, curated by Brent Hallard, Tokyo, JP Summertime, Judy Saslow Gallery, Chicago, IL microcosm, curated by Victoria Wagner, Richmond Art Center, Richmond, CA (brochure) Sketch, The Memorial Union Gallery, University of California at Davis, Davis, CA 2005 Contemporary Perspectives, Museum of Contemporary Art, Santa Rosa, CA 2004 and now they aren't.

Daniels» paintings utilize real forms and entice the viewer into examining their depth and investigating the complex area where space begins and ends.

Declaring Space includes works by four artists whose images had a dramatic effect on the complex development of space and color in abstract painting as it evolved in the years following World WaSpace includes works by four artists whose images had a dramatic effect on the complex development of space and color in abstract painting as it evolved in the years following World Waspace and color in abstract painting as it evolved in the years following World War II.

His paintings, which had always inclined towards a frontal geometric structure of space, became more formally complex, guided by principles of mathematics and symmetry.

Caeiro has recently made a transformative shift from complex paintings of architectural spaces to increasingly abstract compositions that insert imagery from his previous work into the void.

RE Gallery presents an exhibition of photography and painting exploring the complex relationships one has with space and place.

Vision Division features sculptural work alongside vibrant, large - scale acrylic paintings that explore complex geometries of divided space and color.

Through his unique intricate painting methods, Wright injects complex works into often overlooked architectural spaces, working predominantly with paint and gold leaf directly on walls, ceilings and windows.

Retna will be invited into the gallery to transform both the interior and exterior spaces with his complex system of multi-layered lettering in an installation of murals and paintings.

Dr Maria Balshaw, Director of the Whitworth and Manchester Art Gallery said: «Raqib Shaw's magical paintings offer a highly complex, absorbing semi-autobiographical space to think through both image and issues of identity.

As an example, she pointed out a brilliant small painting by Theil Morgan, «Terns,» that shows birds and oranges in a complex, layered abstract space.

Working in acrylic on wood panel or linen, Takenaga arranges the simple components of her paintings, predominantly thin lines and small dots, into stunningly complex compositions that undulate, radiate, and recede in seemingly infinite space.

Through his paintings Nzebo addresses the complex relationship between individuals and the urban spaces they inhabit.

Winters» kaleidoscopic compositions of overlapping grids and patterns create complex pictorial spaces, and his use of transparent pigments allows the viewer to see, as the artist has said, «all the events that went into the making of the painting.»

But by this time Stella's idea of a painting's structure had become ever more complex, and he began to experiment with assemblages of dynamic forms that extended several feet into space from the picture s background support.

He paints places he knows, working from drawings, photographs and his own recollections to re-imagine complex spaces emblematic of individual and cultural significance.

Several paintings by Cobb also were featured in Fl!ght's inaugural group show at the gallery's space in the Blue Star Arts Complex last year in May.

The art historian Dore Ashton has written of the «colonizing emptiness» of her images, and indeed, Frankenthaler's best paintings have a complex illusionism that can make the viewer feel he's gazing into a deep, quiet space.

But these analogies are superseded by something far more crucial in the work, namely the complex, often contradictory painting space that Ferris carves out in her strongest paintings.

«Putiferio» at the DESTE Foundation's Project Space in the former Slaughterhouse on the island of Hydra is a major exhibition by Italian artist Roberto Cuoghi who works in painting, drawing, digital animation, and sound to explore issues surrounding transformation, identity, death, memory, and time — what he describes as facing «complex ideas iconographically»

The basic push and pull which has been the benchmark of abstract painting for the last forty years, has been expanded into a more complex, subtle, multiplex of spaces, which is starting to approach the kind of space that we can find in a Poussin for example.

He soon fell in with a group known as the Indian Space Painters, who created geometrically complex abstract paintings using forms derived from both Native American art and modern European painting.

High - gloss and eggshell - colored white paint on the cladding, the molding and the ceiling form another contrast and give the complex space a ship - shaped unity.