Bernard Cohen's paintings are recognised for
their complex pictorial language, in which densely woven lattices of line, shape, pattern and colour are explored as a way of processing and recording lived experience.
Not exact matches
His repeated minimal palette correlates to his obsessive interest in line and form, drawing, and monochromatic and tonal values, while developing a
complex language of
pictorial and sculptural signs.
Seamlessly blending contemporary cultural imagery and classical
pictorial language, Yuskavage marshals color as a conduit for
complex psychological constructs.
Painting in Italy 1910s - 1950s: Futurism, Abstraction, Concrete Art relays a
complex historical account of the fraught relationship between art and politics in Italy during the interwar and postwar period, attesting to the bumps, curves, utopias and traumas experienced by an eclectic group of artists working to assert a new
pictorial language by challenging the dominant tenets of their culture.
Maybe the shift from figuration to abstraction is tied up with a mounting mistrust of
language as a description of the «real» world and a consequently increased emphasis on spontaneity at the expense of
complex and specific
pictorial space.