After listening to workers here, as well as at Foxconn's Shenzhen plant and Pegatron's Shanghai facility,
a complex picture of working conditions emerged.
Not exact matches
Breaking larger,
complex problems into smaller pieces gives him time to create a mental
picture of the problem he's
working through.
Our review
of the
work done so far reveals a highly
complex picture, but there's no doubt that reefs are under very real threat.
There is also
work to be done in completing the
complex picture of influencing factors.
Jian - Xin Zhu,
of Physics
of Condensed Matter and
Complex Systems, broadly impacted actinide science and nanotechnology
work at the Laboratory by upending the conventional
picture of when the transition to strong correlations occurs in delta and alpha plutonium.
Regardless
of your aspirations, dividing your ultimate goal into smaller, manageable tasks has been proven to
work better than sticking only to the big
picture — if anything, the latter seems to lead only to confusion and frustration, especially when you put all
of your hopes and motivation into a life - changing
complex goal without realizing that it's a long term commitment and small failures are bound to happen.
This application offers a wide variety
of image adjustments including fun
picture editing effects, image collages and sketching to advanced photo tools such as
working with layers and masks as well as
complex object selections.
A series
of pictures within
pictures, and motifs within motifs, fills the painting's field to construct a formally and philosophically
complex work.
Located in Josef Albers's place
of birth in Germany, the museum preserves 100 paintings in addition to graphic
works, studies on paper, glass
pictures, and furniture and is closely affiliated with neighboring museums in the Quadrat
complex.
Invested in the
complex pleasures and challenges
of looking at
pictures, specifically
works on paper, these pieces are visible evidence
of thought.
Greenberg, art critic Michael Fried, and others have observed that the overall feeling in Pollock's most famous
works — his drip paintings — read as vast fields
of built - up linear elements often reading as vast
complexes of similar valued paint skeins that read as all over fields
of color and drawing, and are related to the mural - sized late Monets that are constructed
of many passages
of close valued brushed and scumbled marks that also read as close valued fields
of color and drawing that Monet used in building his
picture surfaces.
And until May 2018 the National gallery is showing Faithless
Pictures, an exhibition that explores the
complex relationship between image and reality in the
works of forty artists from the last forty years.
The
complex and intriguing show involves a number
of collaborations, including
work with composer Sally Beamish, the musicians
of the Scottish Ensemble, and reggae singer Ghetto Priest (
pictured above).
Riffing off both the aesthetic and conceptual characteristics
of technology, artists in Technologism document technology's advancement in a plethora
of ways: Ulla Wiggen's intricate paintings
of circuit boards from the mid 1960s, see the development
of an aesthetic inspired by the
complex intersection
of electrical wires, connectors and components,
working to manipulate and rewire the physicality
of technology; some thirty years later, John F. Simon's Art Appliances series
of the 1990s uses the circuitry
of small LCD screens to disrupt
pictures and patterns, recreating them over; in Matte Rochford's video Progressively Degrading Test Pattern 2013, humble VHS tapes are copied and recopied, in a process
of metaphysical reduction; while in Joshua Petherick's new
work, one technology is employed to record another soon to be superseded, revealing new visual dimensions and the «ghosts in the machine».
Work in the exhibition ranges from deceptively simple, geometric work that consciously embraces the flatness of the picture plane, to those using complex interactions of planar -LSB-
Work in the exhibition ranges from deceptively simple, geometric
work that consciously embraces the flatness of the picture plane, to those using complex interactions of planar -LSB-
work that consciously embraces the flatness
of the
picture plane, to those using
complex interactions
of planar -LSB-...]
Drawn from the Christopher E. Olofson Collection, Revealing
Pictures displayed contemporary photographic
works engaging with the medium's ability to articulate
complex issues
of national identity, culture and resistance, both personal and beyond.
Building up multiple layers
of oil paint as he
works, Richter mobilizes paintbrush, squeegee, scraper and palette knife in his signature process, his wealth
of experience meeting his careful deployment
of chance in highly detailed and extremely
complex pictures.
Some
of these sketches evolved into more
complex paintings with multiple figures and architectural views,
works that give us a bigger
picture of life at Camarillo, as in the evocative scene
of medicated patients in the hospital's day hall, below, which was damaged in a fire while in storage.
Her
pictures skirt the edge
of legibility, and while certain
works might telegraph the silhouette
of a skyline, others dissemble into
complex patterns
of faceted planes.
His tensely
wrought and unpredictably
complex pictures hold a unique position within the canon
of contemporary art.
The pictorial tension
of these
complex paintings, such as Parting and Together, 1978, and Twist
of Fate, 1979, both
of which will be on view in the exhibition, pushed the boundaries
of the two - dimensional
picture plane, foreshadowing the three - dimensional paintings that would characterize Murray's
work in the 1980s.
Whether it is in the potency
of teenage girls captured by Dutch artist Rineke Dijkstra, the female body as a site for ideology
pictured by Iranian artist Shirin Neshat, or Dutch artist Hellen van Meene «s depiction
of a bubble gum - blowing adolescent recalling the paintings
of Vermeer, these
complex and aesthetically compelling
works tell a vital story
of women, subjectivity and art.
From universal issues
of power, loss and love to broader categories
of ideology, philosophy and identity, Wiharso's
work is layered with social, political and sexual critique, revealing a
complex picture of the human condition.
Michael Brand, director, Art Gallery
of NSW: «Francis Bacon: five decades presents a dazzling
picture of a
complex and conflicted artist whose
work retains its visceral impact 20 years after his death.
Her
works are often connected to mediations on nature and poetry but her turbulent gestures reveal a more
complex picture of a woman often at odds with herself and the world.
He was initially inspired to develop what he called «reconstructions» or «two - period
pictures,» composites
of smaller, early
works, mainly from 1917 and 1918, which he enlarged with strips
of paper to create grander, more
complex compositions.
Mr. Leo has extensive experience representing motion
picture studios, production companies, distributors, lenders and cofinanciers in all types
of motion
picture and television financing transactions, including multipicture production, financing and distribution arrangements; revolving credit production finance facilities; rights acquisition financings;
complex secured distribution arrangements; television license financing and securitization facilities; entertainment - related merger and acquisition financings and
working capital lines
of credit;
complex intercreditor and interparty arrangements; and entertainment finance generally.
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