Sentences with phrase «complex public works»

In your cover letter, discuss your field engineering experience on large - scale and complex public works projects.

For the last few years I have been a Construction Inspector (Mechanical QA) on two complex public work projects, the Ground Water Replenishment Expansion Project for Orange County Water District, and the San Vicente Dam Raise for San Diego County Water Authority.

Not exact matches

«As we work to address a complex public health crisis, it is important that naloxone, a potentially lifesaving tool, be accessible,» they wrote.

This concept might work quite well for companies like Groupon, but B2B companies or companies that need to convey complex ideas will find little success scrambling after the next shiny object that has captured the public's attention.

His ground breaking research on complex systems modelling of debt - deflation was awarded the eminent Revere Award from the Real World Economics Review, describing Keen as the economist «who first and most clearly anticipated and gave public warning of the Global Financial Collapse and whose work is most likely to prevent another GFC in the future».

He has worked with both public and private companies in a key leadership role to expand complex business strategies, improve business performance, guide business expansion and raise financial capital.

To continue to rush through such important and complex legislation at this breakneck pace, disregarding the hard work of cross-party MPs, doesn't just show contempt for parliamentary scrutiny, public debate and democracy — it puts Britain's security at risk.

They are an opportunity for HMRC, the Government — and other stakeholders such as professional bodies — to take stock and renew their efforts to work towards a more efficient and less complex tax system in which the public can have greater understanding and confidence.»

Master will be working on cases involve public corruption, affirmative federal litigation and complex civil litigation, while Haren will be responsible for providing expertise on federal law, federal agencies and internal Congressional workings, per The Daily News, which quoted the attorney general's office spokesman Eric Soufer.

And it's so complex and weird that most most members of the public - or anyone with a healthy social life - would not understand how it works.

«Accepting the notion that breaking down complex concepts from my discipline into very simplified explanations for the understanding of the public does not «dumb down'the work, but in fact gives it greater value, as it can reach more people.»

Work on an archaeological park is in progress which is to make the outstanding temple complex and the monastery ruins accessible to the public at large.

«Professor Macfarlane is a scientist with a long history of working on complex technical public policy issues,» the group said.

ISPRA, Italy — The landscape is familiar to science policy experts on both sides of the Atlantic: To address serious global problems and to take advantage of important future discoveries, they will have to work effectively with elected officials and members of the public who have complex and sometimes conflicting values and interests.

The working schedule during this trip was very full, including lectures and seminars at the mining college and teachers college in Chita and at the public health school in the Baley, tours of the gold and thorium mines at Baley and the uranium mining and processing complex at Krasnokamensk and working meetings at all three places.

Eleonore Pauwels (Woodrow Wilson Center, Washington DC) spoke on how experts in genomics navigate the complex societal contexts and issues of trust as they engage with publics about their work.

In 2016, only 4 in 10 eight grade public school students were proficient in science and 97.9 % of middle school students who took the Program for International Student Assessment (PISA) test, where Puerto Rico ranked 64 out of 70, exhibited low abilities interpreting scientific information and working on complex problems.

From an experience perspective, I thought it was important to bring experience growing up in public schools on Vandenberg Air Force Base in Lompoc, serving as a senior leader in the central office of a large, complex public school system in Chicago — with over 600 schools serving almost 400,000 students — and as an executive at a nationwide nonprofit working through state agencies and local districts to support public education.

«For the past decade, a diverse group of distinguished scientists has worked to translate complex research about early brain development into language that is scientifically accurate, highly credible, understandable to nonscientists, and useful to public decision makers.

The Foundation asked the Public School Forum to work with it to design a vehicle that would have a singular goal — to give policymakers more tools and more information to deal effectively with the host of complex questions that will shape schools and schooling in North Carolina.

Over the next several years, this group will work through the complex process of envisioning, designing, prototyping, launching, and continuously improving a transformational set of Oakland public schools.

Within her work examining the broad and complex set of ecological factors that influence classroom quality, Natalia's concentration on immigrant - origin children focuses the lens on a subpopulation of a particular policy and public interest.

«The Work of Chicago Public Schools» Principals: Leading in a Complex Context with High Stakes.»

But critics championed his work, finding his large - scale installations to be conceptual and intellectually complex, while at the same time accessible to the general public.

18th Street Art Center's 2010 catalogue features the work of emerging and prominent local and international artists and curators, whom we have worked with; art exhibitions that have revolutionized the meaning of socially engaging public art; our ground - braking events that have attracted over 3,000 visitors to the 18th Street complex within the last year, and much more!

This revealing and complex exploration of Barbara Hepworth's work features her naturalistic carvings of the 1920s and increasingly abstract sculptures of the 1930s, the ambitious post-war works in wood, stone and bronze, her monumental public commissions and the strikingly diverse creations of her final years.

«By looking at the greatest German Impressionist painters — presenting their works to the American public for the first time — we are able to better understand an important chapter of art history and the complex relationship between the art world and world events.»

«The exhibition, along with its accompanying catalogue and public programs, brings to light a crucial aspect of the postwar period that will strengthen not only our knowledge of these works of art but also our understanding of this complex period of inter-American relations amid the Cold War,» continued Frank Goodyear, Co-Director of the Bowdoin College Museum of Art.

For example, a large LED work presents excerpts from the minutes of interrogations of American soldiers accused of committing human rights violations and war crimes in Abu Ghraib prison — making what was once secret, public and exposing the «military - commercial - entertainment complex.»

With Ingrid Calame (born 1965), Mathilde ter Heijne (born 1969) and Jörg Wagner (born 1967) the Kunstverein Hannover presents three young artists, whose complex and promising works have until now been seen in part by a larger German public only.

Moreover, in the public work Basel Time (2010), the artist manipulated the image of the huge clock on the facade of the Hall 2 building at Art Basel's Messe complex (designed in 1953), and placed it on the facade of Hall 1 (designed in 1926), which is slated for demolition in advance of an upcoming building project by Herzog & de Meuron.

CA Spectral Hues, curated by Sharon Bliss, Palo Alto Art Center, Palo Alto, CA Art Market, with Chandra Cerrito Contemporary, San Francisco, CA Building the Art House, curated by Katherine Connell and Emma Spertus, Rosenberg Library, City College of San Francisco, San Francisco, CA Big Idea, curated by Sue Collier, Leslie Ford, Jack McWhorter and JoAnn Rothschild, The Painting Center, New York, NY Along the Lines, Harrington Gallery, curated by Julie Finegan, Pleasanton, CA 2016 Plus +1, Trestle Contemporary Art Gallery, Brooklyn, NY Group show, November - December 2016, Galleri Urbane, Dallas, TX Palette, curated by Kelly Inouye, Theodora Mauro and Lisa Solomon, ampersand international arts, San Francisco, CA Small Works, Trestle Gallery, Brooklyn, NY Art Market, with Chandra Cerrito Contemporary, San Francisco, CA 2015 Therely Bare Redux, Zeitgeist Gallery, Nashville, TN Therely Bare Redux, Clara M Eagle Gallery, University of Tennessee, Murray Territory of Abstraction, Pentimenti Gallery, Philadelphia, PA Out of Storage, Studio 110 Projects, Sausalito, CA Art Market San Francisco, (with Chandra Cerrito Contemporary), San Francisco, CA The Airplane Show, B Sakata Garo, Sacramento, CA 2014 un.bound.ed, curated by Brent Hallard and Don Voisine, Root Division, San Francisco, CA (edition) DOPPLER SHIFT, curated by Mary Birmingham, Visual Arts Center, Summit, NJ (catalogue) The Intuitionists, curated by Heather Hart, Steffani Jemison & Jina Valentine, The Drawing Center, New York, NY (catalogue) First / Last, curated by Heather Phillips, Park Life, San Francisco, CA 2013 DOPPLER, Parallel Art Space, Brooklyn, NY (catalogue) Generations IX: The Red / Pink Show, A.I.R. Gallery, Brooklyn, NY Made In Paint: 2012 Artists in Residence, The Sam & Adele Golden Gallery, New Berlin, NY Rituals of Exhibition II, Light Space Project, H Gallery, Chiang Mai, Thailand Rituals of Exhibition, curated by Giles Ryder and Gilbert Hsiao, Don't Be Selfish, Phayao, Thailand POSTE CONCRET II, curated by Richard van der Aa, ParisCONCRET, Paris, FR 2012 Soft Luminosity, curated by Guido Winkler and Iemke van Dijk, IS Projects, Leiden, NL (edition) Art On Paper 2012, The Weatherspoon Museum of Art, Greensboro, NC (brochure) Islands of Order in a Sea of Chaos, curated by Ruth van Veenen, de Vishal, Haarlem, NL Doppler Stop, Amsterdams Grafisch Atelier, Amsterdam, NL (catalogue) Doppler Stop, Kunst & Complex, Rotterdam, NL Doppler Stop, Fluctuating Images / General Public, Berlin, DE Doppler Stop, trenutak.39 / Museum of Contemporary Art, Zagreb, HR Trade - O - Mat, curated by Kathryn Kenworth, Kala Art Institute, Berkeley, CA 2011 A Romance of Many Dimensions, curated by Brent Hallard, Brooklyn Artists Gym, Brooklyn, NY POSTE CONCRET I, curated by Richard van der Aa, ParisCONCRET, Paris, FR BYO, IS Projects, Leiden, NL Stop & Go Rides Again, touring exhibition curated by Sarah Klein, Z Space, San Francisco, US; Kunst & Complex, Rotterdam, NL; Fluctuating Images / General Public, Berlin, DE; Fluctuating Images / Interventionstraum, Stuttgart, DE An Exchange with Sol Lewitt, Massachussetts Museum of Contemporary Art, North Adams, MA (catalogue) ReTrace, Cesar Chavez Art Gallery, San Francisco State University, San Francisco, CA 2010 TOUCH, curated by Brent Hallard, ParisCONCRET, Paris, FR (catalogue) Factor XX, curated by Jenny Balisle, Los Gatos Museum, Los Gatos, CA (catalogue) The Rule of Typical Things, Gregory Lind Gallery, San Francisco, CA 2009 TRANS: form color, Meridian Gallery, San Francisco, CA (catalogue) TRANSformal, Pharmaka, Los Angeles, CA (brochure) The Grid, curated by JT Kirkland, MP5, Portland, OR 2008 Calculated Color, curated by Jane Lincoln, Higgins Art Gallery, Cape Cod, MA (brochure) The Space Between, curated by Cathy Kimbell, San Jose Institute of Contemporary Art, San Jose, CA (brochure) Close Calls, Headlands Center for the Arts, Sausalito, CA (also 2005, 2004) TOUCH, curated by Brent Hallard, Busdori, Tokyo, Japan Out of the Fog: Artists from Headlands Center for the Arts, curated by Dianne Romaine and Holly Blake, Art works Downtown, San Rafael, CA 2007 TRANS: Abstraktion, Weltraum, Munich, DE (brochure) 7 - 07 Hung Liu curates 7 Women Artists in the year of the Pig, b.Sakata Garo, Sacramento, CA (brochure) Bay Area Currents, The Oakland Art Gallery, Oakland, CA Visual Noise, UMC Gallery, University of Colorado, Boulder, CO The Unknown Quantity, Gregory Lind Gallery, San Francisco, CA Systems & Transmutations, Root Division, San Francisco, CA (catalogue) Still, Contemporary Quarterly, curated by Chandra Cerrito, www.ContemporaryQuarterly.com (brochure) 2006 Suitcase: Bus - Dori, curated by Brent Hallard, Tokyo, JP Summertime, Judy Saslow Gallery, Chicago, IL microcosm, curated by Victoria Wagner, Richmond Art Center, Richmond, CA (brochure) Sketch, The Memorial Union Gallery, University of California at Davis, Davis, CA 2005 Contemporary Perspectives, Museum of Contemporary Art, Santa Rosa, CA 2004 and now they arWorks, Trestle Gallery, Brooklyn, NY Art Market, with Chandra Cerrito Contemporary, San Francisco, CA 2015 Therely Bare Redux, Zeitgeist Gallery, Nashville, TN Therely Bare Redux, Clara M Eagle Gallery, University of Tennessee, Murray Territory of Abstraction, Pentimenti Gallery, Philadelphia, PA Out of Storage, Studio 110 Projects, Sausalito, CA Art Market San Francisco, (with Chandra Cerrito Contemporary), San Francisco, CA The Airplane Show, B Sakata Garo, Sacramento, CA 2014 un.bound.ed, curated by Brent Hallard and Don Voisine, Root Division, San Francisco, CA (edition) DOPPLER SHIFT, curated by Mary Birmingham, Visual Arts Center, Summit, NJ (catalogue) The Intuitionists, curated by Heather Hart, Steffani Jemison & Jina Valentine, The Drawing Center, New York, NY (catalogue) First / Last, curated by Heather Phillips, Park Life, San Francisco, CA 2013 DOPPLER, Parallel Art Space, Brooklyn, NY (catalogue) Generations IX: The Red / Pink Show, A.I.R. Gallery, Brooklyn, NY Made In Paint: 2012 Artists in Residence, The Sam & Adele Golden Gallery, New Berlin, NY Rituals of Exhibition II, Light Space Project, H Gallery, Chiang Mai, Thailand Rituals of Exhibition, curated by Giles Ryder and Gilbert Hsiao, Don't Be Selfish, Phayao, Thailand POSTE CONCRET II, curated by Richard van der Aa, ParisCONCRET, Paris, FR 2012 Soft Luminosity, curated by Guido Winkler and Iemke van Dijk, IS Projects, Leiden, NL (edition) Art On Paper 2012, The Weatherspoon Museum of Art, Greensboro, NC (brochure) Islands of Order in a Sea of Chaos, curated by Ruth van Veenen, de Vishal, Haarlem, NL Doppler Stop, Amsterdams Grafisch Atelier, Amsterdam, NL (catalogue) Doppler Stop, Kunst & Complex, Rotterdam, NL Doppler Stop, Fluctuating Images / General Public, Berlin, DE Doppler Stop, trenutak.39 / Museum of Contemporary Art, Zagreb, HR Trade - O - Mat, curated by Kathryn Kenworth, Kala Art Institute, Berkeley, CA 2011 A Romance of Many Dimensions, curated by Brent Hallard, Brooklyn Artists Gym, Brooklyn, NY POSTE CONCRET I, curated by Richard van der Aa, ParisCONCRET, Paris, FR BYO, IS Projects, Leiden, NL Stop & Go Rides Again, touring exhibition curated by Sarah Klein, Z Space, San Francisco, US; Kunst & Complex, Rotterdam, NL; Fluctuating Images / General Public, Berlin, DE; Fluctuating Images / Interventionstraum, Stuttgart, DE An Exchange with Sol Lewitt, Massachussetts Museum of Contemporary Art, North Adams, MA (catalogue) ReTrace, Cesar Chavez Art Gallery, San Francisco State University, San Francisco, CA 2010 TOUCH, curated by Brent Hallard, ParisCONCRET, Paris, FR (catalogue) Factor XX, curated by Jenny Balisle, Los Gatos Museum, Los Gatos, CA (catalogue) The Rule of Typical Things, Gregory Lind Gallery, San Francisco, CA 2009 TRANS: form color, Meridian Gallery, San Francisco, CA (catalogue) TRANSformal, Pharmaka, Los Angeles, CA (brochure) The Grid, curated by JT Kirkland, MP5, Portland, OR 2008 Calculated Color, curated by Jane Lincoln, Higgins Art Gallery, Cape Cod, MA (brochure) The Space Between, curated by Cathy Kimbell, San Jose Institute of Contemporary Art, San Jose, CA (brochure) Close Calls, Headlands Center for the Arts, Sausalito, CA (also 2005, 2004) TOUCH, curated by Brent Hallard, Busdori, Tokyo, Japan Out of the Fog: Artists from Headlands Center for the Arts, curated by Dianne Romaine and Holly Blake, Art works Downtown, San Rafael, CA 2007 TRANS: Abstraktion, Weltraum, Munich, DE (brochure) 7 - 07 Hung Liu curates 7 Women Artists in the year of the Pig, b.Sakata Garo, Sacramento, CA (brochure) Bay Area Currents, The Oakland Art Gallery, Oakland, CA Visual Noise, UMC Gallery, University of Colorado, Boulder, CO The Unknown Quantity, Gregory Lind Gallery, San Francisco, CA Systems & Transmutations, Root Division, San Francisco, CA (catalogue) Still, Contemporary Quarterly, curated by Chandra Cerrito, www.ContemporaryQuarterly.com (brochure) 2006 Suitcase: Bus - Dori, curated by Brent Hallard, Tokyo, JP Summertime, Judy Saslow Gallery, Chicago, IL microcosm, curated by Victoria Wagner, Richmond Art Center, Richmond, CA (brochure) Sketch, The Memorial Union Gallery, University of California at Davis, Davis, CA 2005 Contemporary Perspectives, Museum of Contemporary Art, Santa Rosa, CA 2004 and now they arworks Downtown, San Rafael, CA 2007 TRANS: Abstraktion, Weltraum, Munich, DE (brochure) 7 - 07 Hung Liu curates 7 Women Artists in the year of the Pig, b.Sakata Garo, Sacramento, CA (brochure) Bay Area Currents, The Oakland Art Gallery, Oakland, CA Visual Noise, UMC Gallery, University of Colorado, Boulder, CO The Unknown Quantity, Gregory Lind Gallery, San Francisco, CA Systems & Transmutations, Root Division, San Francisco, CA (catalogue) Still, Contemporary Quarterly, curated by Chandra Cerrito, www.ContemporaryQuarterly.com (brochure) 2006 Suitcase: Bus - Dori, curated by Brent Hallard, Tokyo, JP Summertime, Judy Saslow Gallery, Chicago, IL microcosm, curated by Victoria Wagner, Richmond Art Center, Richmond, CA (brochure) Sketch, The Memorial Union Gallery, University of California at Davis, Davis, CA 2005 Contemporary Perspectives, Museum of Contemporary Art, Santa Rosa, CA 2004 and now they aren't.

DOPPLER STOP: a series of exhibitions of 19 abstract artists working between 2D and 3D 2012 DOPPLER STOP, Amsterdams Grafisch Atelier, Amsterdam, NL DOPPLER STOP, Kunst en Complex, Rotterdam, NL DOPPLER STOP, Fluctuating Images at General Public, Berlin, DE DOPPLER STOP, trenutak.39 in association with the Museum of Contemporary Art, Zagreb, HR

The Meadows School of the Arts at Southern Methodist University has announced the recipients of its sixth annual Meadows Prize arts residency: the Detroit - based artist collective Complex Movements and Lear deBessonet, the director of The Public Theater's Public Works program in New York City.

His work engages the public domain, memory, and myth, and how these topics are mediated by complex social, economic, and urban landscapes.

As co-curator of street art exhibition and Prospect P. 3 + site ExhibitBE, Lydia researched and documented the history of the blighted apartment complex in which the work was created to guide the curatorial process, managed community programming and daily operations, and, after the exhibition closed, coordinated the #PaintWhereItAint Tour through which several ExhibitBE artists traveled across the southwest United States to collaborate with artists in other cities on community - centered public art projects.

SB14 will feature exhibitions by curators Zoe Butt, Omar Kholeif and Claire Tancons, bringing together a range of experiences and works — including major commissions, large - scale public installations, performances and films to explore how contemporary life, enabled by rapid technological change, has created a seemingly inescapable «echo chamber» of information, complex personal networks and shifting narratives that are physical, spiritual and virtual.

Introduction: Lucia Pietroiusti, Public Programmes curator, Serpentine Galleries Screening: Marc Camille Chaimowicz, Fade, 1976 (27 min, colour) Talk: Chris Kabel, on blue skies and talking machines: a short talk about Kabel's latest works and the immersive and experiential layers that are incorporated therein Talk / Reading: Gil Leung, Assets, 2015: A short reading on isolation pods, jet lag and the end of a relationship Screening / Talk: Sidsel Meineche Hansen, screening of the animations ONE - self, 2015 and Seroquel ®, 2014, and a talk about the psycho - pharmaceutical industry and the emotional - industrial complex Screening: Betzy Bromberg, Soothing the Bruise, 1980 (16 mm, 21 min, colour) Talk: Alexei Penzin, The Night Preserved: night, sleep, and the continuum of sleepless production, reproduction, consumption, financial speculation, and other incessant and open - ended activities without any interruption or meaningful finale Screening / Performance: Samuel Levack and Jennifer Lewandowski, Winter Solstice - Meditations in the Colour Blue, 2015, performed by Das Hund (Samuel Levack, Jennifer Lewandowski, Nicholas Pankhurst, Fancy Smith.

This Saturday, the work opens to the public which includes some extremely complex constructions.

His work critically engages trends in computing, manufacturing, and urban design, investigating contemporary tensions between waged and leisure time; the self and the social media public; and the virtual world and its complex material infrastructures.

Public Works: Artists» Interventions 1970s - Now: Creating artwork for public presentation outside the confines of museums and galleries is one of the most exciting and complex arenas of contemporarPublic Works: Artists» Interventions 1970s - Now: Creating artwork for public presentation outside the confines of museums and galleries is one of the most exciting and complex arenas of contemporarpublic presentation outside the confines of museums and galleries is one of the most exciting and complex arenas of contemporary art.

The smaller work on paper creates a new atmosphere of complex privacy, as if the artist were singing softly under his breath of things in art history that the public might or might not grasp but were of intense interest to him.

Art also oversaw the complex installation of P.F. 1 (Public Farm 1) by WORK Architecture Company (2008) at MoMA P.S. 1, as well as various projects for Public Art Fund.

These themes also clearly drove the creation of Stelen (Columns), a layered, complex, original, and utterly fascinating work from a relatively young San Francisco - based artist, and raises challenging questions about the transformation of sacred spaces of memory and atrocity, the shifting definitions of public and private space, and the uncomfortable commingling of sex, desire, and longing that has transformed the Holocaust memorial, for some, into a gay cruising ground.

Among these have been the retrospective Mike Kelley (Stedelijk Museum, Amsterdam, 2012; Centre Georges Pompidou, Paris, 2013; Museum of Modern Art / PS1, New York NY, 2013; Museum of Contemporary Art, Los Angeles CA, 2014); the permanent public work and accompanying exhibition HAUSER & WIRTH Mobile Homestead, Museum of Contemporary Art Detroit, Detroit MI (2013); Mike Kelley: Kandors, Museen Haus Lange, Haus Esters, Kunstmuseen Krefeld, Germany (2011); Mike Kelley: Educational Complex Onwards: 1995 — 2008, WIELS Centre d'Art Contemporain, Brussels, Belgium (2008); Petting Zoo, Skulptur Projekte Münster, Germany (2007); Profondeurs Vertes, Musée du Louvre, France (2006); The Uncanny, a curatorial project presented at Tate Liverpool, England and Museum Moderner Kunst Stiftung Ludwig, Vienna, Austria (2004); a 1993 retrospective at the Whitney Museum of American Art, New York NY and Los Angeles County Museum of Art, Los Angeles CA; Documenta IX (1992) and Documenta X (1997), Kassel, Germany; and five appearances at the Whitney Biennial.

Their discussions are factually sound and their work is brilliant, but is too complex for the public, as are the IPCC reports.

late to comment but here goes... as a biologist working on salmon issues in the Pacific Northwest I can not emphasize enough that when trying to communicate complex issues to the Public, points have to be easily understood and presented using terms / examples they understand etc..

Make no mistake, this article is far too complex for John Q. Public *: not because John Q. couldn't possibly understand it (he could, with some assistance from the helpful and infinitely patient people posting here), but because very few people work that hard to understand something unpleasant, unless it's a direct and immediate threat, and even then... End of story.

She is particularly interested in management processes that integrate multiple stakeholders and work across boundaries to solve complex environmental problems on public lands.

The SMC also works closely with Stempra, the science, technology, engineering and medicine public relations association, supporting their annual training event providing press officers with advice and guidance on translating complex science to the news media.