Copyright litigation can spark from the simple act of right - click - copy - paste or from
a complex series of image transfers across multiple internet platforms.
Not exact matches
To overcome the problem
of visualizing chromatin in an intact nucleus, O'Shea's team screened a number
of candidate dyes, eventually finding one that could be precisely manipulated with light to undergo a
complex series of chemical reactions that would essentially «paint» the surface
of DNA with a metal so that its local structure and 3D polymer organization could be
imaged in a living cell.
Before satellite
images and drones could pinpoint the exact location
of enemy targets, warfare was often more like a game
of Battleship: a
complex series of guesses based on spotty information.
The new 3.4 mile circuit that makes up this years US Grand Prix is something
of a copycat, incorporating several elements from other tracks in its design: a mirror -
image of Istanbul's turn 8, a
series of corners that feel very similar to Silverstone's outstanding Beckett
complex and a stadium section that is rather like the Hockenheimring.
Other works featured in LIVESupport include «Church State,» a two - part sculpture comprised
of ink - covered church pews mounted on wheels; «Ambulascope,» a downward facing telescope supported by a seven - foot tower
of walking canes, which are marked with ink and adorned with Magnetic Resonance
Images (MRIs) of the spinal column; «Riot Gates,» a series of large - scale X-Ray images of the human skull mounted on security gates and surrounded by a border of ink - covered shoe tips, objects often used by the artist as tenuous representation of the body; «Role Play Drawings» a series of found black and white cards from the 1960s used for teaching young children, which Ward has altered using ink to mark out the key elements and reshape the narrative, which leaves the viewer to interpret the remaining psychological tension; and «Father and Sons,» a video filmed at Reverend Al Sharpton's National Action Network House of Justice, which comments on the anxiety and complex dialogue that African - American police officers are often faced with when dealing with young African - American teen
Images (MRIs)
of the spinal column; «Riot Gates,» a
series of large - scale X-Ray
images of the human skull mounted on security gates and surrounded by a border of ink - covered shoe tips, objects often used by the artist as tenuous representation of the body; «Role Play Drawings» a series of found black and white cards from the 1960s used for teaching young children, which Ward has altered using ink to mark out the key elements and reshape the narrative, which leaves the viewer to interpret the remaining psychological tension; and «Father and Sons,» a video filmed at Reverend Al Sharpton's National Action Network House of Justice, which comments on the anxiety and complex dialogue that African - American police officers are often faced with when dealing with young African - American teen
images of the human skull mounted on security gates and surrounded by a border
of ink - covered shoe tips, objects often used by the artist as tenuous representation
of the body; «Role Play Drawings» a
series of found black and white cards from the 1960s used for teaching young children, which Ward has altered using ink to mark out the key elements and reshape the narrative, which leaves the viewer to interpret the remaining psychological tension; and «Father and Sons,» a video filmed at Reverend Al Sharpton's National Action Network House
of Justice, which comments on the anxiety and
complex dialogue that African - American police officers are often faced with when dealing with young African - American teenagers.
Gander is an inventive polymath, a creator
of worlds and teller
of tales, whose making takes forms as varied as a lecture
series entirely based on «loose associations,» a nonlinear narrative
of wildly disparate ideas and
images found and collected by the artist; re-creations
of children's tent - forts sculpted in marble; the construction
of complex mechanisms to generate a gentle breeze that wafts through a gallery; a conveyer belt carrying sculptures that can only be seen through one window; or detailed designs for an art school that may never be realized.
In this large, light - filled space, a
series of assemblages, composed
of found objects and dedicated to people and places, surround one last «penetrable»: PN27 Penetrable, Rijanviera (1979), a spare installation furnished only with water, gravel, sand and music, which simultaneously recalls Oiticica's very first geometric constructions and the increasingly
complex sound - and
image - filled environments
of his later years.
In this
series, Quaytman examines the
complex terrain between text and
image using Spicer's poetry and photographs from SFMOMA's collection as points
of departure.
The exhibition brings together a
series of Umbrico's works from 1989 to the present, reflecting on photography's relationship to light and the
complex changes that digital technology has brought to photographic
image production.
The result is a
series of complex visual
images.
This dichotomy between the clarity
of the
image and the obscurity
of the subject is one
of the factors that makes this
series one
of the artist's most
complex and engaging observations
of American culture.
DOPPLER STOP: a
series of exhibitions
of 19 abstract artists working between 2D and 3D 2012 DOPPLER STOP, Amsterdams Grafisch Atelier, Amsterdam, NL DOPPLER STOP, Kunst en
Complex, Rotterdam, NL DOPPLER STOP, Fluctuating
Images at General Public, Berlin, DE DOPPLER STOP, trenutak.39 in association with the Museum
of Contemporary Art, Zagreb, HR
She is a recent graduate
of Bard College International Center
of Photography where she earned an M.F.A. in Advanced Photographic Studies, and has exhibited internationally and regionally in solo and group shows including, The Exquisite Landscape, ICP, New York; Interiority
Complex: A Conversation
Series, Camera Club
of New York, New York; and «Wrestling with the
Image: Caribbean Interventions», organized by the World Bank and the OAS, and «About Change».
Sama Alshaibi has been awarded two production grants, Visual Arts AFAC Grant - Arab Fund for Arts and Culture (2017) and Artist Research and Development Grant - Arizona Commission on the Arts (2018) for her forthcoming project «Carry Over», a multimedia
series that, according to the artist, «recalls, decodes, and subverts familiar
images while questioning their ability to inform nuanced understanding
of complex identities.»
Punctuated with a
series of abstract self - portraits and with the discrete insertion
of two
images recording Iran's history
of revolt and violence, the piece negotiates the
complex geopolitics
of the region.
Laura McPhee's
images, on the
series «The Home and the World: a View
of Calcutta», are less an overview
of this city
of 15 million than a few frank glimpses into its
complex, often conflicted soul.
Redacted
image of a
complex of buildings where a pilot identified as having flown rendition flights lives, 2013, from the
series Negative Publicity: Artefacts
of Extraordinary Rendition
Keen's watercolor drawing
series from the 1970s accompanying the film features fragmented film - noir inspired narrative told through a combination
of words and
images; the works are significant expressions
of the artist's
complex and idiosyncratic creative philosophy.
Since the early 1990s, Catherine Opie has produced a
complex body
of photographic work, creating
series of images that explore notions
of communal, sexual, and cultural identity.
This print is based on a painting from the artist's Clips
series in which she has used the motifs
of standard office stationary, in particular, the simple paper clip, to make abstract and
complex images using a bold palette
of colours.
At first glance, the
images emerge as a
series of complex and abstract sculptural collages.
Image Credit: Edmund Clark, Redacted image of a complex of buildings where a pilot identified as having flown rendition flights lives, 2013, from the series Negative Publicity: Artefacts of Extraordinary Rend
Image Credit: Edmund Clark, Redacted
image of a complex of buildings where a pilot identified as having flown rendition flights lives, 2013, from the series Negative Publicity: Artefacts of Extraordinary Rend
image of a
complex of buildings where a pilot identified as having flown rendition flights lives, 2013, from the
series Negative Publicity: Artefacts
of Extraordinary Rendition
The exhibition presents different modes
of Yang's visual languages emerging from a
complex literary narrative; a
series of word and
image collages, Sonic Sculptures and new Straw Sculptures.
It's easy to say but harder to understand, because the illusion
of motion derived from a
series of still
images results from really
complex events in the eye and brain.