Yossifor chases an elusive
composition around the canvas, though she does not seek to achieve a composition that is thoroughly «resolved.»
Not exact matches
The second series of paintings focuses on color and consists of seven vertical
canvases, each with a palette centered
around a particular hue while bearing witness to the artist's melding of architectonic
composition and organic form.
If
composition with regards to painting involves moving the eye
around and within the frame of the
canvas, Sammak considers time another variable in the equation of form, that not only the perimeter of the frame but also the length of the video is a compositional limit.
I use a limited number of images and obsessively repeat painting them, each as a micro-painting (all
around 4» x 4») within the larger
composition of
canvases (mostly 72» x 80» stretched to stretcher bar supports).
Where Louis harnessed the power of gravity to pull his pigments down the
canvas and Frankenthaler very deliberately pushed her paints
around, Stern's colors seem to grow and blossom organically across the
composition.
While it was
around this time that Frankenthaler's
canvases began to achieve a lightness — a kind of openness that allowed the
composition to breathe — it was in the 1970s that the artist had moved away from the literal and figurative landscapes seen in her early work, such as the celebrated Mountains and Sea from 1952, and towards a more emotional and expressive representation of Color Field paintings where she developed a new sumptuousness and sensuality characterized in the present work.
Wrapping
canvas around board yields a surface durable enough to work and rework, and she renders her otherwise complex
compositions in a refreshingly unfastidious manner.
A few elements I've evinced from Smith's past exhibitions and
around the city (including his painted - directly - on - the - wall installation at Deitch in Long Island City): gestural subject matter (fish, leaves, his name), seriality (in
canvas size, subject matter, and hanging — like his 2011 show at Luhring Augustine featured panel grids), synthesized flatness and depth (the mixed - media
compositions in his 2009 show Currents resembled large - scale flatbed scans, while neighboring
canvases maintained every brushy, gloopy instance of Smith's hand).
This group exhibition showcases the paintings and photography of a select group of gallery and chosen artists from
around the globe whose dynamic
compositions and narratives are contained with a «small
canvas.»