Novros»
composition of abstract forms and intervals has both a sensuality and deeply personal quality that goes far beyond any associations one might have for hard - edged, geometric abstraction.
Not exact matches
Through color alone — applied to suspended rectangles within
abstract compositions — Rothko's work evokes strong emotions ranging from exuberance and awe to despair and anxiety, suggested by the hovering and indeterminate nature
of his
forms.»
In some works, ribbon - like
compositions appear to twist and fold, alternating between
abstract forms, bursts
of color, or floral motifs.
Although these gridded and stacked
compositions of linear
forms initially appear
abstract, their titles (usually People or Person) point to their figurative content.
From 1963 to 1970, while living in Spain and South America, Semmel explored the potential
of form, color, and
composition in an
abstract expressionist idiom.
As their hometown metastasized and Brasília started to rise, São Paulo artists such as Geraldo de Barros and Luiz Sacilotto painted totally
abstract compositions — spiraling curlicues in the former's case, cascading black - and - white stripes in the latter's — that aimed to give
form to the utopian dreams
of a new Brazil.
Using a palette
of the same four colors, Cranston reworks an
abstract painting by one
of the key figures in Modernism, Swiss / French artist, architect and designer Charles - Édouard Jeanneret, better known as Le Corbusier (1887 - 1965) in six variations, identical in
form and
composition but in different color combinations.
The presentation offers fresh insight into the importance
of line in her work — from preliminary sketches and drawings, to the fluid, seemingly effortless outlines that define regions
of her canvas and divide her
compositions into dynamic zones
of color, be it the curve
of a flower petal, the horizon
of a landscape, or the contour
of an
abstract form.
It was also in New York that Thompson quickly arrived at his mature style, taking Dody Müller's advice to heart by reworking the
compositions of European Masters such as Piero della Francesca, Nicolas Poussin, and Jacopo Tintoretto into simplified,
abstracted forms painted in threatening and seductive tones that were hot and violent or deep and dark — seizing on the dynamism
of these classical scenes and often transforming them into contemporary allegorical nightmares.
Placed against a neutral backdrop with their labels inscribed below, Wylie's hard - won
forms play on the language
of ancient art as well as modernism and the
abstract compositions of painters like Franz Kline and Ad Reinhardt, who attempted to divorce image - making from even the most fundamental visual associations.
Hofmann encouraged Krasner to jettison the naturalist tendencies acquired in her earlier schooling, and she underwent a radical change
of style, rapidly developing an
abstract vocabulary and producing cubist - inspired
compositions that featured bold geometric
forms outlined in black and filled with bright colors.
Her
abstract compositions combine elements
of both urban skylines and organic
forms found in...
Deeply rooted in a fascination with how visual
abstract codes represent a means
of abbreviated, if not universal, communication, Carter's free -
form compositions are simultaneously non-objective and referential.
It is first explored in two dimensions, by the
abstract geometry combined together to
form vivid
compositions on the surface
of each work.
This transition towards
abstract forms and shapes is best illustrated in Kandinsky's Study for
Composition # 8, 1909, a turning point in the artist's vision, where recognizable
forms — people, church towers, cupolas and hills co-exist with
abstract shapes and pure fields
of color.
The sacks were dropped on the floor in strategic arrangements to
form abstract compositions of color,
form, and scent.
The result was a body
of abstract compositions of dynamic lines, shifting shapes, and mobile
forms.
In doing so, I always aim to capture a sense
of depth and
form using
abstract elements such as colour, colour relationships, texture, mark - making and
composition.
Like Sun Ra, who destabilized an origin myth to create the possibility
of new potential, Better Dimension investigates the potential
of abstract form approached through a
composition of destabilized figurative elements.
Feeley's
abstract works with their bright colors, simple repetitive
forms and symmetrical
compositions occupy an important place in the history
of twentieth - century American art.
In his
abstract paintings
of the 1950s and 1960s, expressionistic color and brushwork intersect with patterns, shapes, and pictographic
forms inspired by the dynamic
compositions of African sculpture, painting, and textile design.
From a distance this piece is an
abstract composition of grays and blacks against a white background, but closer inspection reveals multiple series
of images (some depicting the same subjects as in the upstairs gallery) each printed in the
form of a postage stamp from an undeclared country.
It reappears in the
abstract form of a large rectangle that frames some new
compositions, «both surrounding the picture and drawing you in the picture,» in the artists» own words.
While the dense hang downstairs is successful — the individual historical works hold their own against neighbours, the clutter lending the show itself a certain
abstract quality in which
form and colour between
compositions seem to overlap — this device
of overfilling the space falls apart upstairs.
Highlights from this include his piece Spiderman (2015), in which the artist takes on the persona
of a trans woman for a raunchy, politicized standup routine, and his signature large - scale
abstract compositions, which he
forms by layering paper and paint before sanding them down to reveal previously - obscured layers
of color.
Note: The auction record for a painting is nearly 1 800 000 USD (in 2011) The auction record for a lithograph is nearly 8 000 USD (in 2009) By the late 1950s Vieira da Silva was internationally known for her dense and complex
compositions, influenced by the art
of Paul Cézanne and the fragmented
forms, spatial ambiguities, and restricted palette
of cubism and
abstract art.
The productive tensions between an
abstract expressionist engagement with surface, paint, and gesture and a more decisive shift into the ambiguous terrain between painting, collage, and assemblage find their fullest expression in Untitled [black painting with portal
form], specifically in the way the
composition is structured around (and then decisively proceeds from) a tonal, monochromatic center: a flat, inky, double - truck sheet
of newspaper.
Figuration seems to linger behind Goodnough's
abstract forms, and his rejection
of allover
composition, which he equated with landscape painting, sets him apart from his abstractionist colleagues.
These provide instant, ready - made
abstract compositions; their geometric shapes and rainbow palette again aesthetically reference the 60s in the
form of Bridget Riley «s colourful Op Art canvases or, more recently, Gerhard Richter's painstakingly uniform «colour swatch» paintings.
Egan, a MFA candidate at the University
of North Texas, paints in large dynamic passages
of rich color, whereas Sherman combines aggressive
abstract and cartoonish
forms to create chaotic, yet deliberate,
compositions.
The result, a series
of abstract compositions that look like clusters
of oddly shaped cellular
forms — «images
of primal slime», one critic said, illumined by «a sunlit mescaline glow» — was completed in 2009.
Similarly in a rare figurative
composition by Johnson from 1946, watercolor shapes and colors overlap and coalesce to
form an
abstracted portrait
of Asawa, later given to her.
Wylie uses visual rhymes — Lolita's vibrant halo
of hair is mirrored in the circular floodlights that punctuate the
composition at varying points, depicted using the same unnatural shade
of yellow — as well as the transformation
of the
form of the house as a means
of both reinforcing and
abstracting the work's relationship to an initial reality.
In his final years, Wesselmann returned to the female
form in the «Sunset Nudes» series, where the
compositions,
abstract imagery, and sanguine moods recall the odalisques
of Henri Matisse.
Kay Hartung's «Bio Patterns 5» is an
abstract composition of geometric
forms colliding and overlapping.
His
abstracted forms and radically innovative
compositions have a painterly quality that stands out among the work
of his New York School contemporaries.
In his solo show, Giehl will also exhibit bold
abstract paintings that present balanced
compositions of rhythmic
forms.
They were so fresh and inventive, yet from their complexity and the assurance
of the vocabulary — loose geometry, gridlike formations, unnamable shapes, and squiggly lines — I knew at once that this was the work
of a confident and mature artist, even though it fit into the context
of what many younger painters were engaged in at the time, when
abstract painting had returned to issues
of eccentric
composition and irregular
forms realized through diverse approaches
of painting styles.
Making extensive use
of materials and utensils in her artistic practice, she works on gessoed panels, incising simple engraved patterns repeated at regular intervals, which
form abstract and minimal
compositions, but at the same time have a sensual dimension.
By this time, Vigas had created such signature early pictures as Composición IV (
Composition IV, oil on cardboard, 1944), with its melding
of abstract forms, layered Cubist pictorial space and a palette recalling that
of Old Master canvases.
Here the interview with Max Frintrop (1982, Oberhausen, Germany), who analyzes the spatial properties
of color and
form building
abstract compositions through heavy brushstrokes.
Matisse would cut painted sheets into
forms of varying shapes and sizes — from the vegetal to the
abstract — which he then arranged into lively
compositions, striking for their play with color and contrast, their exploitation
of decorative strategies, and their economy
of means.
His
abstract compositions — always borderline states, duality, contrast - enhancing
of core elements, return to the origins
of the
form, conflict and harmony, Yang and Yin.
In the late 1940s, Motherwell embraced the tenets associated with the
Abstract Expressionist movement: the canvas as an arena in which the artist engages spontaneously and passionately in the physical and mental action
of painting; the
composition, often monumental in size, charged with feeling; the
abstract forms suggesting deep, open - ended meanings.
By the late 1950s she was internationally known for her dense and complex
compositions, influenced by the art
of Paul Cézanne and the fragmented
forms, spatial ambiguities, and restricted palette
of cubism and
abstract art.
With Tree line two slopes Davos from below, the pine trees struggle to remain on the surface after having been covered by the white mantle
of a violent avalanche, yields a series
of abstract compositions charged with movement, where we see the pines on the hillside, and the channels the avalanches
formed in between them.
The exhibition is comprised
of portraits and
abstract compositions that further Souders» interest in fragmented narratives, the inchoate versus the fully
formed, and the uncontrollable nature
of time.
These large - scale
compositions draw attention to the
abstract properties
of each depicted
form, the interlocking positive and negative shapes evoking the technique
of collage in areas
of sharp delineation, bold color, and softly rendered detail.
The city became fodder for his grand
compositions as his commitment to
abstract form encompassed his deep sympathies for the found abstractions
of urban life.
Working intuitively, the artist translates both the fixed and mutable qualities
of a singular object or grouping before her — shape and
form, texture, colour, shadows and highlights, the play
of light across a surface — into
abstract compositions that evoke a specific atmosphere.