In Joanne Greenbaum's energized yet controlled abstract paintings, vivid colors and contorted forms float against white backgrounds — they have drawn comparisons to
the compositions of major artists such as Elizabeth Murray and Donald Judd.
Not exact matches
Stepping aside from performance as a medium and the performative act
of production, best characterised by Mota's studio - based
compositions, her recent exhibition at the gallery, marks a
major shift in the practice
of the
artist, materialising a new form
of sculptural animism and a new agency, while shifting the instrumentalization
of the performative into a series
of coincidental and strictly conceptual acts.
Yet, at barely 9 x 8 inches, this simple cotton - thread
composition exemplifies the genius
of the seventy - seven - year - old fiber
artist, whose first
major career retrospective opened at the ICA Philadelphia this past spring.
Wiley is part
of an important new group
of highly visible
artists of African descent such as Kara Walker, Mickalene Thomas, Yinka Shonibare and Barkley Hendricks who have introduced people
of color into
major classical
compositions.
Resembling a sensual, otherworldly flower sprinkling drips
of color in the infinite space, the work amalgamates the effects
of some
major formative experiences in Francis's career: the time the
artist spent in Tokyo and his interest in Japanese calligraphy, his fascination with
compositions resembling aerial views as a one - time pilot and his studies
of botany as a Berkeley student.
This richly illustrated survey spans the
artist's prolific career from the early Flag and Target paintings — which were central to establishing his reputation as a
major young
artist in the mid 1950s, and have since become icons
of twentieth century art — to the compelling
compositions of the recent «Catenary» series - works that testify to Johns's continuing artistic ambition at the start
of the twenty first century.
The paintings by de Kooning also represent two iconic bodies
of his late work, including four
major examples
of abstract landscape paintings from the 1970s, in which the
artist's vibrating strokes
of bright blues and flesh pinks evoke the sea, sand, and coastal light
of East Hampton, and a group
of paintings from the 1980s where he transforms his richly impasto canvases
of the previous decade into luminous
compositions in which ribbons
of color ripple and curve across pale, ethereal backdrops.