Sentences with phrase «concentric square painting»

Deborah Kass» colorful 2008 canvas layers the devotional lyric «Daddy, I would love to dance» from the musical A Chorus Line over her appropriation of a Frank Stella concentric square painting.

Lot 34 is a very cool and very elegant concentric square painting by Frank Stella (b. 1936).

In the exhibition, Andy Warhol's Flowers are echoed in the graphic florals of a Christopher Wool painting; a monumental Concentric Square painting by Frank Stella faces off with a large Donald Judd stack; and the cracked - earth surface in Alberto Burri's Cretto finds its literal counterpoint in the crumbled asphalt bed of a David Hammons Basketball Drawing.

Ushering in a new era in his work, Stella arrived at color with the first Concentric Square paintings, never to make a monochrome painting again.

Instead of parsing the grays and the colors into individual squares on the same canvas like earlier Concentric Square paintings, Stella combines them, resulting in a dizzying clash between the two essential components of color, hue and value.

Representative of the artist's famous liking for measured logic, Lettre sur les sourds et muets I epitomizes the artist's «70s output and the very best of his Concentric Square paintings more broadly.

In the upcoming 27th annual ADAA show from March 4 to March 8 (with a VIP opening on Tuesday, March 3), Mr. Stella's pair of Concentric Square paintings will be on display at the Robert Mnuchin Gallery.

Not exact matches

So does the judicious hang, in which a few key works from Stella's early days pop up in the later galleries; a 1962 painting of concentric rainbow squares hangs next to a colossal 2009 assemblage of fibreglass and steel.

Discussing this series in the context of his «70s output more generally, Stella says, «The effect of doing [the Diderot paintings] «by the numbers,» so to say, gave me a kind of guide in my work as a whole... The Concentric Squares created a pretty high, pretty tough pictorial standard.

Having already executed Concentric Squares in all grayscale and all chromatic scale, the Diderot paintings represent a joining of these two motifs for Stella and a culmination of an iconic series.

Kenneth Noland's Gift 1961 — 2 is a six - foot square abstract painting of concentric rings centred on a subtly tinted background.

Done by staining diluted acrylic paint onto raw, unsized canvas — a technique Mr. Noland learned from Helen Frankenthaler — they consist of concentric circles in a variety of colors centered on a square canvas.

Later he began his Protractor Series (71) of paintings, in which arcs, sometimes overlapping, within square borders are arranged side - by - side to produce full and half circles painted in rings of concentric color.

These easel paintings create a sense of depth from small, nearly concentric squares.

In the exhibition, Deauville is shown adjacent to several Irregular Polygons and a large double concentric square Parodoxe sur le comediene (1974), and works from the Polish Village series (1971 - 74), which represent Stella's first constructed relief paintings, his attempt to build a painting and then paint it.

In two recent series, one of rounded - squares that look somewhat like television or computers screens and the other of black concentric circles that resemble targets, he turns painting into an industrial project in the manner of photography by making multiple painted copies of a single one - off photographic image.

The exhibition will include large single and double canvasses from Stella's Concentric Square and Mitered Mazes series, as well as the seminal «New Madrid» painting from his Benjamin Moore series.

Stella continues to produce work in series, and in the 1960s he followed his Black and Aluminum canvases with his Copper Paintings, Concentric Squares, Mitered Mazes, Irregular Polygons, and Protractor Paintings.

This union will come as a surprise to those who know Albers only for his association with the Bauhaus, his influential approach to color, and his famous Homage to the Square series, a group of over two thousand paintings each consisting of three or four concentric squares of different chromatic values and hues.

European Art, 1949 ‐ 1979 will include many other donations: a Letter to Palladio by Giuseppe Santomaso, early and late paintings by Armando Pizzinato, decoupages by Mimmo Rotella, two paintings by Lucio Fontana including a 1955 example of «holes» bequeathed in 2011, a major painting by Pierre Alechinsky, an aluminum relief by Heinz Mack, prints by Eduardo Chillida, a Homage to the Square by Josef Albers, an «extroflexed» canvas by Agostino Bonalumi, an entire room of sculptures by Mirko as well as his iconic tempera study for the Gates of the Fosse Ardeatine, a late monotype by Emilio Vedova, works by Bice Lazzari, Gastone Novelli and Toti Scialoja, and two paintings by Carla Accardi, including the magnificent Concentric Blue of 1956.

Hanging opposite the elevators on the new Whitney's fifth floor, as a kind of preamble to «Frank Stella: A Retrospective,» are Pratfall (1974), a precise arrangement of 12 concentric squares in contrapuntal grays that sucks the viewer into its black core; six untitled photographs, from the late 1980s, of curling smoke that looks like jellyfish, or ink dispersing in water; and Earthquake in Chile (1999), a 40 - foot - long, turgid mess of a painting.

One of Stella's «Concentric Square» Paintings featured at the Robert Mnuchin Gallery.

The geometric pattern is painted in meticulous and perfectly placed concentric squares of color resulting in a pulsating optical illusion within the constraints of its formulaic and rigid composition.

The Berkeley gallery, on the ground floor of the building, features a selection of Sturtevant's Frank Stella works, encompassing the Black, Aluminium and Copper Paintings, as well as a number of Concentric Squares.

A collaboration with Art in America and Artspace based on two paintings from Frank Stella's series «Concentric Square», 1961

For Tadasky, the framing square format of his paintings is as essential as the concentric circles within it, allowing each painting to act as a means of entry into a transformative space.

Painted in 1978, Frank Stella's Sacramento Mall Proposal # 1 is an elegant and impressive example of the culmination and reprisal of the Concentric Square series.

While his voluminous sculptural paintings began to dominate his output, the artist nonetheless continued to develop the Concentric Squares series finding comfort in the essential minimalist qualities of this format.

We all know Josef Albers for his austere formalist explorations into the relationships between concentric squares, such as those in his best - known series of paintings, «Homage to the Square.»