Sentences with phrase «concept of abstract painting»

The torn surfaces of works like «I'm Sorry I Made You Cry» and the large - scale «Hardcore Rose» suggest the end result of an epic struggle with the very concept of abstract painting itself.

For me, the concept of abstract painting is still the primary visual challenge of our time.

Inspired by Roland Barthes» book «Writing Degree Zero», curator Carlos Basualdo presented artists who were reducing their artworks through radical means, focusing on pictorial practices that fitted neither the concept of abstract paintings nor that of the ready - made.

Not exact matches

By showcasing current contemporary painting and sculpture, the exhibition explores both postmodern and modern concepts through the re-evaluation of historical work from varying mediums, styles and content by recalling abstract expressionism and minimalism.

In this fun and fast - paced lesson, students will consider the concept and process of abstraction, collaboratively creating a line drawing that will become an abstract painting.

She now works across media — painting, sculpture and sound installation — but in all its forms, her art has always striven to embody abstract concepts of spirituality and sensuality.

Tagged with abstract concepts, abstract painting, abstraction, art, art in the workplace, Callum Ines, Gillian Ayres, Ian Davenport, Institute of Mathematics, mathematics, University of Warwick

In his opinion, the revived concept of abstract art is a combination of formalist methods in painting and the zombielike return of the discarded aesthetics of Clement Greenberg, art critic responsible for the promotion of the American abstract expressionist movement.

Today, nearly two centuries since Turner's visits to Margate, see first - hand how his dynamic concept of landscape, unconventional use of colour and near abstract watercolours and paintings secured his place as the artist of the elements and the founder of modern landscape painting.

His approach to exploring psychological concepts is highly abstracted and every painting begins with metaphors relating to architecture — rooms, staircases, hallways: «These spaces are stretched and contorted, almost to the point of becoming paradox illusions, to twist spaces that should be readily familiar into places that are fragmented and uncertain.»

The Syrian artist's colorful paintings and drawings highlight arabesque concepts and are deeply influenced by the abstract school of Arab art.

Whilst the final painting resembles a formalist abstract construct, the choice of colour, paint and material used, directly reflects the psychological concept of the subject.

While this term is often associated with American painting, specifically Abstract Expressionism and Color Field painting, Declaring Space addresses this concept from an international viewpoint, blurring national labels for a set of spatial themes that were evoked in abstract art in the latter half of the twentieth century, where the boundaries of traditional pictorial space were crossed and a new realm of abstract theater was engaged.

It's an abstract concept she describes as «part of the essence of a painting, or a sculpture» that can be sensed in the hushed atmosphere of gallery or museum.

Wassily Kandinsky was the creator of the first modern abstract paintings by following the concepts of nonfigurative art and notions of connection between art, music and spiritual forces.

With many modern artists, and certainly with the first abstract artists, the figure / ground concept has become an important visual means for developing a personal visual language, for instance in Matisse's paintings on dance and the large collages from the last years of his life.

I am an abstract artist that paints on very large canvases and I love the tag line and concept of: «Let my Loft ArtWork dress your naked wall.»

Wang's vivid yellow «Untitled» and vibrant «Coffin» paintings both serve to record the abstract concept of time through the application of paint, with layers added over a period of several weeks.

A: What is it about combining the mediums of painting and digital photography that excites you, and why do you think they work so well together when forming abstract images and concepts?

Reflecting on the influence that Concrete art's appearance and concepts had on later manifestations of abstract art, including Op - art and Hard - Edge painting, Saul Sánchez utilizes the square, repeatedly, as a reference to the historical traditions he is addressing.

For forty years Len Bellinger's work has been committed to the exploration of abstract / non-representational painting and the ambiguous space inherent in the concept of «abstraction,» from early icon - shaped minimalist panels trimmed with gold leaf as a P.S. 1 studio resident in the late» 70's to thickly manipulated paintings rich with byzantine color and an underlying architectonic -LSB-...]

Lawrence Paul Yuxweluptun's figurative and abstract paintings, and etchings construct a modern /» primitive» encounter, that is as much a means of inscribing a new aesthetic concept of form and space, as it is an inquiry into colonial imperialism.

Curated by Richard Witter, this show focuses on color as content in abstract painting, and brings together thirty - three painters in a stunning array of discerning concept and sensuous chroma....

The first of these is Albert Oehlen's specific approach to abstract painting, which is evident in the works chosen for the exhibition and is also reflected in the artist's often - quoted concept of «post-non-figurative» painting.

The paintings provide a mirror of the world of destruction and creation we are all a part of; as formal inventions they evidence the short distinctions between the physical and the abstract world of phenomena — the difference, being merely language and concept.

It was thus that his concepts helped to develop a new and distinctive language of abstract painting in America.

If I try to get rid of that boaty bit, then to a certain extent I have already been hijacked by figurative thinking (in particular, my concept of what an abstract painting should look like) and the abstractness of my work has already been compromised.

Their work has a directness that short circuits concept and fashion, and encourages an engagement with the materiality of the work and the felt experience of it; they are John Eaves RWA, from Bath; Frank Bowling RA, OBE, who works in London and New York; Patrick Jones, based in the Exmouth area, and John Bunker, from London Curated by Nick Moore, Bristol - based painter, musician and writer, the title of the exhibition derives from associations such as deep, profound, personal, direct, close; all words one could use to describe the qualities of these small abstract paintings.

Yet they are abstract paintings, not representing anything in particular but a concept — the seductive power of industrial design and how it feeds human desire and emotion, deluding us into thinking we really need the newest high - tech consumer gadget or product.