Sentences with phrase «concept of abstraction»

As a painter, he is inextricably bound to the concept of abstraction and hard - edgeness.
Each artist developed a project to provide the dialogue and expand the concept of abstraction, having in mind the tradition and influence of this movement in contemporary art and especially in Brazilian art.
That is exactly the reason why I am not an abstract painter; the concept of abstraction does not fit my thinking or my approach because I do not deduce things from what I can see.
The show features art by Sterling Ruby, Math Bass, Alex Israel, Urs Fischer, Rudolf Stingel and others and is curated to explore the contemporary concept of abstraction and present those who are pushing its boundaries.
Although a high school teacher had introduced him to the concept of abstraction, he found himself rebelling against the prevailing idea of «art for art's sake» put forth by Clement Greenberg and other proponents of Abstract Expressionism, focusing instead on spiritual, therapeutic, religious, and political motivations for his own practice.1
It is their pure concept of abstraction and concept.
Musiqa returns with their popular Loft Concerts at CAMH and will present three concerts over the course of the exhibition exploring the concept of abstraction in music.
Amie Cunat's new sculpture develops concepts of abstraction and perception employed in her 2016 Sunroom Project.
The paintings are a nod to traditional concepts of abstraction, particularly the 80's where abstraction played on a purely visual level.

Not exact matches

Although at times Hartshorne has spoken as though his account of experience rested on some intuition of its essence as exhibited in his own experience, 2 his predominant view and his philosophical practice advance a concept of experience that is generated by dialectical argument rather than by appeal to direct introspection or intuition: «The philosopher, as Whitehead says, is the «critic of abstractions
Those elements, in order of increasing abstraction, are: individuals, groups, institutions, concepts, and fields.1
Progress in truth — truth of science and truth of religion — is mainly a progress in the framing of concepts, in discarding artificial abstractions or partial metaphors, and in evolving notions which strike more deeply into the root of reality.»
He speaks in the lowest abstractions that language is capable of, and his sayings are actions and not adjustments of concepts.
The concept of societies is further misleading in that it is an abstraction which leaves out many of the details of the reality of persons.
It does not presuppose Whitehead's theory of extension in Part IV of Process and Reality, a theory that evolved from his earlier method of extensive abstraction (287) 18 In contrast, the concept of a «time - system» in his Principles of Natural Knowledge presupposes the method of extensive abstraction; note that, in a time - system, moments are «arranged in serial order» (114).
An alternative route of abstraction, by thinking away all energy that sets up physical relations, and thinking this away by having substances too dense to release radiation, also leads to a space concept that may be approximated somewhere in nature.
Lowe claims that «Whitehead, by means of the method of extensive abstraction which he had invented, constructed the scientific concepts of space and time.
And Whitehead's reopening of the theme used this concept only in passing, as an arbitrarily chosen case - study of the difference between scientific abstractions and adequate common - sense.
For Bergson, like many process thinkers (Peirce, James and Dewey come particularly to mind), the entire concept of «necessity» only makes sense when applied internally to abstractions the intellect has already devised.11 Of course, one can tell an evolutionary story about how the human intellect came to be a separable function of consciousness that emphasizes abstraction (indeed, that is what Bergson does in Creative Evolution), but if one were to say that the course of development described in that story had to occur (i.e., necessarily) as it did, then one would be very far from Bergson's view (CE 218, 236, 270of «necessity» only makes sense when applied internally to abstractions the intellect has already devised.11 Of course, one can tell an evolutionary story about how the human intellect came to be a separable function of consciousness that emphasizes abstraction (indeed, that is what Bergson does in Creative Evolution), but if one were to say that the course of development described in that story had to occur (i.e., necessarily) as it did, then one would be very far from Bergson's view (CE 218, 236, 270Of course, one can tell an evolutionary story about how the human intellect came to be a separable function of consciousness that emphasizes abstraction (indeed, that is what Bergson does in Creative Evolution), but if one were to say that the course of development described in that story had to occur (i.e., necessarily) as it did, then one would be very far from Bergson's view (CE 218, 236, 270of consciousness that emphasizes abstraction (indeed, that is what Bergson does in Creative Evolution), but if one were to say that the course of development described in that story had to occur (i.e., necessarily) as it did, then one would be very far from Bergson's view (CE 218, 236, 270of development described in that story had to occur (i.e., necessarily) as it did, then one would be very far from Bergson's view (CE 218, 236, 270).
In the theory we are offering, since knowledge is by intuition and perception, not by abstraction of only part of the singular real, this ultimate universalism of the nature as sort or species, is said to be a singular real and also a concept defined within a distinct limit of formal variability, both as real, and also as concept.
And, as the ego's shrill clamor for possessions, pleasure and recognition subsides, the voice of God grows more distinct and the concept of his guidance moves from abstraction to daily experience.
Thus while the idea of the predicate has mass is sensible preprojectively as an attribution to be made at the periphery of the Quinian web, it seems to have no deep meaning — this is to say, no embedding into a network of concepts and actions that allows us to describe and circumscribe the phenomenal world — without recourse to mathematical abstraction.
Maritain, like Thomas, sought to maintain the balance between the concept's finite intelligibility, without which no thought is possible, and the infinite reality transcending abstractions, whose recognition prevents reality from being reduced to necessary laws of rational thought.
Insofar as this reflexivity itself does not represent the mere abstraction of a cognitive concept, with which the object of reflection would contrast as true reality even though reflexivity stands in a timeless relationship to it, both coming - to - be [das Entstehen] and perishing [das Vergehen] would alike vanish from the object of reflexivity.
Thus, the thing - concept of reality is rejected as superficial because Whitehead thought he was able to show that the thing - concept of reality corresponded to a high grade of abstraction and represented a late derivative concept.
In his early research into the child's world - view, Piaget showed that the thing - concept, as Whitehead criticized it, actually appears rather late in a child's development and represents an abstraction from earlier and more concrete perceptions (RME) Not until around ten years of age does the child come to see «things» in reality in the way the adult sees «things» in reality and uses the thing - concept consciously, that is argumentatively.
The thing - concept is then the left - over product of such a separating process; it is, as Whitehead contended, a late abstraction.
But such an abstraction or formlessness of energy and life is the equivalent of the «Pure Act» concept of God, an actuality that has realized every possible form.
The fallacy occurs when these disciplines forget that their concepts are particular abstractions from reality and thus function as if their concepts were actual universal representations of reality.
If we choose our words correctly, some will point to the area of abstraction, of principles, of patterns, of forms, of imageless concepts; others will point to the reality reached by intuition with its mystical overtones.
Neither his relational conception of space, which is basic for understanding his concept of extensive abstraction and which gave his theory of relativity its unique character, nor the problem of the bifurcation of nature, with its differentiation between the materialistic and personalistic outlook on the world, seem to be clearly in Whitehead's mind at this time.
These seem, on the surface, to be forms of foundationalism.16 Whitehead seems to be of two minds about these concepts, usually treating them as abstractions from fully concrete human experience, which includes transmuted contents synthesized from these elements.
Recently, advanced cognitive researchers have been especially focused on the capacities of abstraction, generalization, concretization / specialization and meta - reasoning which descriptions involve such concepts as beliefs, knowledge, desires, preferences and intentions of intelligent individuals / objects / agents / systems.
As we have wrestled with the question over the years, we have slowly begun to realise it is more than an abstraction, the intangible concept embodying anything that can be expressed in strings of 1s and 0s.
Good intelligence»: Sound reasoning and judgment, along with the ability to manipulate with abstractions, concepts, and ideas, are hallmarks of an entrepreneur.
By making abstraction of the strict odor - induced patterns, it would be possible to make associations and achieve a global concept.
In addition to the rather standard relational database approach to keep duplication of identical data records to a minimum, thesaurus - based technology was developed with the University of Rotterdam to enable the abstraction of «concepts» from text.
Students immersed in classroom experiences that let them engage in learning mathematics concepts through problem solving, making and using abstractions, and developing and applying mathematical theories have greater opportunities for developing mathematical habits of mind.
The new curriculum aims to ensure that all pupils can understand and apply the fundamental principles and concepts of computer science, including abstraction, logic, algorithms and data representation.
This scheme of work was designed originally for year 9, and aims to embed some art and design key concepts: colour, composition, and abstraction.
Dr Bill Mitchell, Director of Education at the British Computer Society and one of the founders of the Barefoot Computing Project, said: «A lot of people don't realise that computational thinking concepts like logic, sequencing, abstraction and debugging now underpin much of what we do in our daily lives.
This requires learners to understand a number of concepts, including decomposition — the ability to break a problem down into component parts — and abstraction — removing any unnecessary details.
Topics addressed: Architectural style of monuments in Ancient Greece Historical and cultural significance of Greek monuments Primary CT concept: abstraction.
The Montessori Math curriculum begins with concrete representation of quantity and symbol, and contains a variety of materials that progress in complexity of concept to enable students to move toward abstraction.
The most intriguing concept in our mental modes are the «leaps of abstraction» we make in our daily lives.
Two fundamental concepts that have remained with me since Jessica's presentation are the ladder of abstraction and the idea of renewal in both nonfiction and fiction writing.
That concepts like «truth,» «guilt,» «reasonable doubt,» were often meaningless abstractions devoid of a clear, articulable concept.
To many, the purpose of life is a concept that cultivates the wildest theories and thoughts, generating abstraction after abstraction in an attempt to attribute some meaning to existence.
Exploring concepts of landscape and abstraction with human experience, the exhibition unites sculpture with important recent paintings on aluminium and linen, together with works on paper.
Although the artist's figurative abstractions may appear crude at first glance, closer examination reveals works vibrating with energy and pulse, creating an all - out assault on the viewer's concept of reality.
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