As a painter, he is inextricably bound to
the concept of abstraction and hard - edgeness.
Each artist developed a project to provide the dialogue and expand
the concept of abstraction, having in mind the tradition and influence of this movement in contemporary art and especially in Brazilian art.
That is exactly the reason why I am not an abstract painter;
the concept of abstraction does not fit my thinking or my approach because I do not deduce things from what I can see.
The show features art by Sterling Ruby, Math Bass, Alex Israel, Urs Fischer, Rudolf Stingel and others and is curated to explore the contemporary
concept of abstraction and present those who are pushing its boundaries.
Although a high school teacher had introduced him to
the concept of abstraction, he found himself rebelling against the prevailing idea of «art for art's sake» put forth by Clement Greenberg and other proponents of Abstract Expressionism, focusing instead on spiritual, therapeutic, religious, and political motivations for his own practice.1
It is their pure
concept of abstraction and concept.
Musiqa returns with their popular Loft Concerts at CAMH and will present three concerts over the course of the exhibition exploring
the concept of abstraction in music.
Amie Cunat's new sculpture develops
concepts of abstraction and perception employed in her 2016 Sunroom Project.
The paintings are a nod to traditional
concepts of abstraction, particularly the 80's where abstraction played on a purely visual level.
Not exact matches
Although at times Hartshorne has spoken as though his account
of experience rested on some intuition
of its essence as exhibited in his own experience, 2 his predominant view and his philosophical practice advance a
concept of experience that is generated by dialectical argument rather than by appeal to direct introspection or intuition: «The philosopher, as Whitehead says, is the «critic
of abstractions.»
Those elements, in order
of increasing
abstraction, are: individuals, groups, institutions,
concepts, and fields.1
Progress in truth — truth
of science and truth
of religion — is mainly a progress in the framing
of concepts, in discarding artificial
abstractions or partial metaphors, and in evolving notions which strike more deeply into the root
of reality.»
He speaks in the lowest
abstractions that language is capable
of, and his sayings are actions and not adjustments
of concepts.
The
concept of societies is further misleading in that it is an
abstraction which leaves out many
of the details
of the reality
of persons.
It does not presuppose Whitehead's theory
of extension in Part IV
of Process and Reality, a theory that evolved from his earlier method
of extensive
abstraction (287) 18 In contrast, the
concept of a «time - system» in his Principles
of Natural Knowledge presupposes the method
of extensive
abstraction; note that, in a time - system, moments are «arranged in serial order» (114).
An alternative route
of abstraction, by thinking away all energy that sets up physical relations, and thinking this away by having substances too dense to release radiation, also leads to a space
concept that may be approximated somewhere in nature.
Lowe claims that «Whitehead, by means
of the method
of extensive
abstraction which he had invented, constructed the scientific
concepts of space and time.
And Whitehead's reopening
of the theme used this
concept only in passing, as an arbitrarily chosen case - study
of the difference between scientific
abstractions and adequate common - sense.
For Bergson, like many process thinkers (Peirce, James and Dewey come particularly to mind), the entire
concept of «necessity» only makes sense when applied internally to abstractions the intellect has already devised.11 Of course, one can tell an evolutionary story about how the human intellect came to be a separable function of consciousness that emphasizes abstraction (indeed, that is what Bergson does in Creative Evolution), but if one were to say that the course of development described in that story had to occur (i.e., necessarily) as it did, then one would be very far from Bergson's view (CE 218, 236, 270
of «necessity» only makes sense when applied internally to
abstractions the intellect has already devised.11
Of course, one can tell an evolutionary story about how the human intellect came to be a separable function of consciousness that emphasizes abstraction (indeed, that is what Bergson does in Creative Evolution), but if one were to say that the course of development described in that story had to occur (i.e., necessarily) as it did, then one would be very far from Bergson's view (CE 218, 236, 270
Of course, one can tell an evolutionary story about how the human intellect came to be a separable function
of consciousness that emphasizes abstraction (indeed, that is what Bergson does in Creative Evolution), but if one were to say that the course of development described in that story had to occur (i.e., necessarily) as it did, then one would be very far from Bergson's view (CE 218, 236, 270
of consciousness that emphasizes
abstraction (indeed, that is what Bergson does in Creative Evolution), but if one were to say that the course
of development described in that story had to occur (i.e., necessarily) as it did, then one would be very far from Bergson's view (CE 218, 236, 270
of development described in that story had to occur (i.e., necessarily) as it did, then one would be very far from Bergson's view (CE 218, 236, 270).
In the theory we are offering, since knowledge is by intuition and perception, not by
abstraction of only part
of the singular real, this ultimate universalism
of the nature as sort or species, is said to be a singular real and also a
concept defined within a distinct limit
of formal variability, both as real, and also as
concept.
And, as the ego's shrill clamor for possessions, pleasure and recognition subsides, the voice
of God grows more distinct and the
concept of his guidance moves from
abstraction to daily experience.
Thus while the idea
of the predicate has mass is sensible preprojectively as an attribution to be made at the periphery
of the Quinian web, it seems to have no deep meaning — this is to say, no embedding into a network
of concepts and actions that allows us to describe and circumscribe the phenomenal world — without recourse to mathematical
abstraction.
Maritain, like Thomas, sought to maintain the balance between the
concept's finite intelligibility, without which no thought is possible, and the infinite reality transcending
abstractions, whose recognition prevents reality from being reduced to necessary laws
of rational thought.
Insofar as this reflexivity itself does not represent the mere
abstraction of a cognitive
concept, with which the object
of reflection would contrast as true reality even though reflexivity stands in a timeless relationship to it, both coming - to - be [das Entstehen] and perishing [das Vergehen] would alike vanish from the object
of reflexivity.
Thus, the thing -
concept of reality is rejected as superficial because Whitehead thought he was able to show that the thing -
concept of reality corresponded to a high grade
of abstraction and represented a late derivative
concept.
In his early research into the child's world - view, Piaget showed that the thing -
concept, as Whitehead criticized it, actually appears rather late in a child's development and represents an
abstraction from earlier and more concrete perceptions (RME) Not until around ten years
of age does the child come to see «things» in reality in the way the adult sees «things» in reality and uses the thing -
concept consciously, that is argumentatively.
The thing -
concept is then the left - over product
of such a separating process; it is, as Whitehead contended, a late
abstraction.
But such an
abstraction or formlessness
of energy and life is the equivalent
of the «Pure Act»
concept of God, an actuality that has realized every possible form.
The fallacy occurs when these disciplines forget that their
concepts are particular
abstractions from reality and thus function as if their
concepts were actual universal representations
of reality.
If we choose our words correctly, some will point to the area
of abstraction,
of principles,
of patterns,
of forms,
of imageless
concepts; others will point to the reality reached by intuition with its mystical overtones.
Neither his relational conception
of space, which is basic for understanding his
concept of extensive
abstraction and which gave his theory
of relativity its unique character, nor the problem
of the bifurcation
of nature, with its differentiation between the materialistic and personalistic outlook on the world, seem to be clearly in Whitehead's mind at this time.
These seem, on the surface, to be forms
of foundationalism.16 Whitehead seems to be
of two minds about these
concepts, usually treating them as
abstractions from fully concrete human experience, which includes transmuted contents synthesized from these elements.
Recently, advanced cognitive researchers have been especially focused on the capacities
of abstraction, generalization, concretization / specialization and meta - reasoning which descriptions involve such
concepts as beliefs, knowledge, desires, preferences and intentions
of intelligent individuals / objects / agents / systems.
As we have wrestled with the question over the years, we have slowly begun to realise it is more than an
abstraction, the intangible
concept embodying anything that can be expressed in strings
of 1s and 0s.
Good intelligence»: Sound reasoning and judgment, along with the ability to manipulate with
abstractions,
concepts, and ideas, are hallmarks
of an entrepreneur.
By making
abstraction of the strict odor - induced patterns, it would be possible to make associations and achieve a global
concept.
In addition to the rather standard relational database approach to keep duplication
of identical data records to a minimum, thesaurus - based technology was developed with the University
of Rotterdam to enable the
abstraction of «
concepts» from text.
Students immersed in classroom experiences that let them engage in learning mathematics
concepts through problem solving, making and using
abstractions, and developing and applying mathematical theories have greater opportunities for developing mathematical habits
of mind.
The new curriculum aims to ensure that all pupils can understand and apply the fundamental principles and
concepts of computer science, including
abstraction, logic, algorithms and data representation.
This scheme
of work was designed originally for year 9, and aims to embed some art and design key
concepts: colour, composition, and
abstraction.
Dr Bill Mitchell, Director
of Education at the British Computer Society and one
of the founders
of the Barefoot Computing Project, said: «A lot
of people don't realise that computational thinking
concepts like logic, sequencing,
abstraction and debugging now underpin much
of what we do in our daily lives.
This requires learners to understand a number
of concepts, including decomposition — the ability to break a problem down into component parts — and
abstraction — removing any unnecessary details.
Topics addressed: Architectural style
of monuments in Ancient Greece Historical and cultural significance
of Greek monuments Primary CT
concept:
abstraction.
The Montessori Math curriculum begins with concrete representation
of quantity and symbol, and contains a variety
of materials that progress in complexity
of concept to enable students to move toward
abstraction.
The most intriguing
concept in our mental modes are the «leaps
of abstraction» we make in our daily lives.
Two fundamental
concepts that have remained with me since Jessica's presentation are the ladder
of abstraction and the idea
of renewal in both nonfiction and fiction writing.
That
concepts like «truth,» «guilt,» «reasonable doubt,» were often meaningless
abstractions devoid
of a clear, articulable
concept.
To many, the purpose
of life is a
concept that cultivates the wildest theories and thoughts, generating
abstraction after
abstraction in an attempt to attribute some meaning to existence.
Exploring
concepts of landscape and
abstraction with human experience, the exhibition unites sculpture with important recent paintings on aluminium and linen, together with works on paper.
Although the artist's figurative
abstractions may appear crude at first glance, closer examination reveals works vibrating with energy and pulse, creating an all - out assault on the viewer's
concept of reality.