These works often address exis - tential issues, such as
the concept of personal identity in the art of Roni Horn, the power of an emotional outburst in the work of Sam Taylor - Johnson, the expression of psychological states by Bas Jan Ader or Arnulf Rainer, or the confrontation with death and transience by the likes of Christian Boltanski or Bill Viola.
I have then used these explicated evidences to show that, as against Weiss, Whitehead's work can yield a fruitful
concept of personal identity based on behavioral habits, a sense of moral responsibility, and a legitimate notion of guilt.
These remarks about equilibrium, protectiveness and stability may seem irrelevant to
the concept of personal identity interpreted in terms of the habitual body, but in fact, they are not.
His evidences show that, as against Weiss, Whitehead's work can yield a fruitful
concept of personal identity based on behavioral habits, a sense of moral responsibility, and a legitimate notion of guilt.
In the present essay, I shall try to defend Whitehead on this charge by showing both that he has a viable
concept of personal identity and that it can sustain a meaningful sense of obligation and guilt.
It is at the base of
our concepts of personal identity, of social identity, and of all sociological functionings» (MT 73).
Not exact matches
Either way, whether authentically or in an «as if» mode, growth in regard to some
concepts can be a matter
of degree, namely, the degree to which the growth also involves an actual or imaginable change in the learner's
personal identity.
Using a range
of media such as video, photographs, and appropriated footage, Fowkes» work draws inspiration from ideas and
concepts that relate directly to
personal identity and experience.
Together, these works examine issues
of the political,
personal, and social body, and larger
concepts of identity, all in distinct and thought - provoking ways.
In his first solo show at Matthew Marks Gallery, he exhibited eight sculptures that expanded on an earlier body
of work, dealing with role playing, the skin's role in race and
personal identity, and the
concept of «passing» in terms
of identity.
In Selfie, the Sparkplug Collective will explore
concepts of identity, transformation, and
personal deception through painting, sculpture, mixed media, photography, and a site - specific performance.
Although his quest for
personal identity and testing the limits
of his body remained central themes during his entire oeuvre, Ulay's main artistic concern has been to explore in many different ways the
concept of «the ontology
of photography», referring to Andre Bazin's definition
of photography as a «preservation
of life by representation
of life», and as a «mould
of reality».
In conflating the
concepts of home and private life, the court noted that these rights require respect for one's physical and psychological development,
personal development and autonomy, physical and moral integrity, mental stability, integrity
of a person's
identity and protection
of one's private sphere and private space.
To explore unsatisfying relationships and issues
of personal identity, I draw on
concepts from dynamic, relational and cognitive behavioral psychology.
The idea
of success ultimately needs to be recognised as a multi-layered
concept that includes issues
of participation (for the institution) and reaffirming
personal identity and confidence (for the learner), and needs to be viewed in terms
of the broader community and the impact that increased participation in education will have on those connected to a student.
A
personal account
of life experiences and research in relation to the
concepts of respect,
identity, relatedness and education offered by an Indigenous Australian woman reared by a non-Indigenous family in a non-Indigenous community.
The focus
of the current paper was to consider the relations between structural characteristics
of the self -
concept and two broad aspects
of psychological adjustment:
personal identity and thinking dispositions.