Sentences with phrase «concept of the exhibition»

He will present the curatorial concept of the exhibition.

Weist — keeping with the overall concept of the exhibition — questions instabilities of authorship while maintaining her own artistic voice.

The political body, a key concept of the exhibition Radical Women: Latin American Art, 1960 - 1985, is bound by the poetics of subjectivity, shaped by desire, and disobedient and resistant in the face of political turmoil such as oppression, violence, and dictatorship.

For the third edition the title and concept of the exhibition Swiss Watches implements a superb andoutstanding quality in the exhibited pieces, similar to the world - renowned watches fabricated in Switzerland.

«The very concept of the exhibition is interesting from a curatorial perspective, since the show brings together so many fabulous masterpieces for a truly astonishing result.

Learn about every stage of the curatorial process, from developing the initial concept of an exhibition, to requesting works on...

The bases for the overall concept of the exhibition are mostly large - format paintings from different periods, but photographs as well — an integral part of the artist's work, and drawings (sketches)-- as a study of one of the sculptures, which Scully has occasionally focused on in recent years and which, due to their dimensionality, were unfortunately not possible to present.

The concept of the exhibition was inspired by the curator's conversations with the late author and critic Susan Sontag about artistic approaches that describe and question the human condition.

The concept of the exhibition is to present -LSB-.....]

In this video, Natalie Kovacs talks about the title and the concept of the exhibition, the convergence of design, art and architecture, and specific works like Atelier van Lieshout's Wombhouse and Mahieu Lehaneur's Local River.

Adopting a dynamic and collaborative approach to art, he has worked with some of the most influential artists of recent decades, like Pierre Huyghe, Tino Sehgal, Douglas Gordon and Dominique Gonzalez - Foerster, radically rethinking the concept of the exhibition.

In this video, we have a look at the show, and Superflex talk about the group, the concept of the exhibition and the works on display.

In this video, Alison Gingeras talks about the concept of the exhibition and some of the works on display.

This videos provides you with an exhibition walkthrough and Michał Jachuła, co-curator of Drawing is Coming Back in a Big Way, talks about the concept of the exhibition.

For the concept of the exhibition, please visit the SOMA website.

Underpinning the concept of this exhibition is the idea of «lens of resistance» as a socio - political filter adopted by the image - makers.

VernissageTV also met with the director of the Kunsthaus Bregenz, Yilmaz Dziewior, who talks about the idea behind the show, the concept of the exhibition, the significance of Ai Weiwei's architectural work, and the supporting program.

In this video, we walk through the exhibition and hear the curator of the show, Dr. Ulf Küster, talking about the concept of the exhibition and the relevance of Louise Bourgeois» work.

In this video, gallerist Michael Zink talks about the concept of the exhibition and the works on display.

This video shows the opening of the first part of the project, and Heike Munder talks about the concept of the exhibition and the works on display.

May 26 Theater of Mutual Operations, authors of the First Act of General Rehearsal, conduct a tour and discuss the concept of the exhibition in the form of a theater performance.

In this video, Biesenbach and Obrist talk about live and performance art, the concept of this exhibition series, the original idea, the concept of the show, and how it evolved over the years.

In this interview with curator Francesco Bonami, the curator talks about the title and concept of the exhibition, what is special about curating for the Whitney Biennial, and a group of work that exemplifies the Whitney Biennial 2010.

On Friday 25 April at Pace London, Zhang Huan and Philip Dodd, broadcaster, writer, editor and chairman of the creative industries company Made in China, discussed the concepts of the exhibition Spring Poppy Fields and explored the central themes of Zhang Huan's work.

This concept of the exhibition interprets contemporary figurative painting based on a socio - political context.

That's the concept of an exhibition where visitors can see the artwork themselves or don a virtual reality headset and move around using a game pad.

In this video, MOCA Associate Curator Ruba Katrib talks about the concept of the exhibition, and Swiss artist Olaf Breuning talks about the two works he presents in the show.

In this segment, we have a look at the exhibition and meet up with the curator of the show, Michiko Kono, who talks about the artist, her work, the concept of the exhibition and the artworks on display.

Mary Ting describes the concept of the exhibition: «This exhibition centers on the Witch, Whore and Widow who are forever linked and equated with each other in their societal role — the role of the independent female who is apart from the rest, bearing unusual marks, being too quiet, being too smart, being too this way too that way and thereby subject to gossip, accusations, jealousy, and betrayal.

The concept of the exhibition expands beyond the artists in the exhibition, for one can recall the sculptural brushstrokes by Roy Lichtenstein and the Splats by Polly Apfelbaum.

In this video, Susan Philipsz explains significances of the concept of the exhibition and talks in detail about the developing process of this project.

The concept of this exhibition is to create a fictional and subjective view of Los Angeles where many narratives generate a flowing synergy between the artworks.

In this video we have a look at the exhibition, and the curator of the exhibition, Christiane Meyer - Stoll, talks about the person and career of Bill Bollinger, the starting point and concept of the exhibition, and the essence of his work.

In the above video, the curator of the exhibition, Kathleen Bühler, talks about the Yves Netzhammers work, the concept of the exhibition, and upcoming shows at the Kunstmuseum Bern.

In an upcoming episode we will have a look at the Nordic Pavilion and talk with Ingar Dragset about the concept of the exhibition.

The artists have examined the concept of the exhibition from diverse angles - the legacy of institutions which now sit uncomfortably with each other, the question of identity which oversteps fiercely guarded national borders with several challenges thrown to the viewer to ponder on what is deemed to be the «status quo».

In this video, curator Andres Pardey (Vice Director, Museum Tinguely) talks about Robert Breers oeuvre and career, his artistic development, his relationship to Jean Tinguely, and the concept of the exhibition (click here for the complete video).

In this video, Raphaele Shirley talks with curator Natalie Kovacs about the Mini Capsule Hotel and the concept of her exhibition Never - Ever Land.

Twenty years later, do it has taken place in 60 + venues worldwide and includes nearly 400 artists from across the globe, giving new meaning to the concept of an exhibition in progress, while offering infinite creative possibilities for participating audiences everywhere.

The curation and concept of this exhibition is fantastic and we wish other large institutions would take gambles on show like this; it's just the choice of painters that lets it down.

This tour is an introductory level event to introduce the artists and concept of the exhibition, led by participating artists Gayle Chong Kwan, Asunción Molinos Gordo, Senam Okudzeto, Zineb Sedira, Tadasu Takamine and Raed Yassin.

The concept of the exhibition aims to strike a balance between private and general.

In addition to introducing the curatorial role and concepts of exhibition - making, the program included a hands - on exercise in conceiving a small exhibition presented in a gallery space, Chatterjee & Lal.

Drorit Gur Arie the curator, explains the concept of the exhibition Recurrence: «Reconstruction and repetition, a cyclic human state of struggle, construction and destruction, a fusion of reality, speculation, and fiction, anchored in the fascinating relationship between ritual, place and history, are at the core of the exhibition Recurrence, which presents spectacular, stylized, and eye - pleasing manifestation of violence.

In this video, Karin Sander talks about the concept of the exhibition.

The concept of the exhibition focused on four generation of female artists since the 70's.

She spoke to us about the importance of collaboration between people and space within her own experimental curatorial practice; of initiating a continous discussion to evolve and extend the concept of an exhibition; and of working against her own preconceived ideas through this process of exchange.

The artist explains the work and the concept of the exhibition as follows:

According to the press release the concept of the exhibition «stems from the reflection on the conflict between chaos and control; between that which we can foresee and the totally unexpected; between planning and improvisation.