Dada gave way to movements like Fluxus, Nouveau réalisme, Performance art and just
Conceptual art in general, all thanks to the originality of the thought behind their artworks, and the unique, unprecedented way of making them.
He paid her back by founding the stuckists in 1999 to rubbish
conceptual art in general, hers and the YBAs in particular.
Not exact matches
In revealing the failure of much academic art history, and a great deal of history in general, to take account of the unacknowledged value system, the very presence of an intruding subject in historical investigation, the feminist critique at the same time lays bare its conceptual smugness, its meta - historical naïvet
In revealing the failure of much academic
art history, and a great deal of history
in general, to take account of the unacknowledged value system, the very presence of an intruding subject in historical investigation, the feminist critique at the same time lays bare its conceptual smugness, its meta - historical naïvet
in general, to take account of the unacknowledged value system, the very presence of an intruding subject
in historical investigation, the feminist critique at the same time lays bare its conceptual smugness, its meta - historical naïvet
in historical investigation, the feminist critique at the same time lays bare its
conceptual smugness, its meta - historical naïveté.
Art in General gives selected artists the opportunity to create and present new work by providing them with a high level of organizational and
conceptual support including artist fees, production fees, exhibition space, a solo exhibition, promotion, and opportunities to engage with audiences through free online and public programs.
He has written extensively on
Conceptual and contemporary
art in general, including the Survey text for Luc Tuymans, also published by Phaidon.
While the works created by these artists have previously been contextualized
in terms of associations and movements ranging from Fluxus to
Conceptual Art to the blanketed arena of contemporary art practice, in Radical Presence they will be presented along a trajectory providing general audiences and scholars alike, a critical understanding of the significance and persistence of black performance as a stand - alone practi
Art to the blanketed arena of contemporary
art practice, in Radical Presence they will be presented along a trajectory providing general audiences and scholars alike, a critical understanding of the significance and persistence of black performance as a stand - alone practi
art practice,
in Radical Presence they will be presented along a trajectory providing
general audiences and scholars alike, a critical understanding of the significance and persistence of black performance as a stand - alone practice.
Many observers assume that contemporary
art in general is
conceptual: low on pleasure, high on idea, or at least rant.
The members of
General Idea were key figures
in the 1970 - 80s
conceptual art scenes and, with equal parts humor and criticality, created work across a variety of mediums and platforms.
As
in all
general forms of
conceptual art, installation artists are more concerned with the presentation of their message than with the material used to present it.
That can make a viewer anxious — and sometimes even hostile, given the
general public's relative disdain (or simple disinterest)
in wide swaths of
conceptual art.
Which of course raises the question of
conceptual art and
conceptual artists
in general: Why do they bother?
These types of deliberations are only one part of the enormously important movement within
conceptual art, highlighting the connection between political and
art, which largely influences the contemporary
art in general.
The members of
General Idea were key figures
in the 1970's -80's
conceptual art scenes and, with equal parts humor and criticality, created work across a variety of media and platforms.
General Idea is widely recognized as a leading part of a branch of a
conceptual art movement that embraced the expression of ideas
in multiple media.