Sentences with phrase «conceptual artist works with»

I can now ask whether it makes a difference how a painter or conceptual artist works with a knot or a square.

The Park Life Gallery exhibition, «(Invisible) Relic,» curated by Andrew McClintock, examines works by two generations of California Conceptual Artists working with performative actions and re-appropriated objects in a variety of mediums including video, photographic, audio, sculpture and performance.

Hank Willis Thomas is a photo conceptual artist working with themes related to identity, history, and popular culture.

Hank Willis Thomas is a conceptual artist working with themes related to identity, history and popular culture.

Hank Willis Thomas (New York) is a conceptual artist working with ideas of identity, history and race, appropriating language and images from the civil rights movement and changing their meaning to expose stereotypes.

Lauri Stallings is a conceptual artist working with ideas about how we associate with one another, and have intensely private moments in public spaces.

Galuzin is a conceptual artist working with installation, painting, performance, text and poetry.

Kim Asendorf (b. 1981, Bremen) is a conceptual artist working with digital media to explore Internet culture and technology.

Galuzin is a conceptual artist working with installation, painting,... More

Not exact matches

(Note that the paintings that fill the margins with DisneyView activated are by Lisa Keene, a conceptual artist who worked on Disney's Tangled.)

The Square, which won the top prize at Cannes, is just over two - and - a-half hours long; much of it is filmed in long, unbroken takes, and it's set in the rarefied world of Stockholm's contemporary art world with gags that demand a working knowledge of conceptual land artists.

This book takes us on a grand tour across all three games in the Lords of Shadow trilogy, presenting us with a mixture of conceptual pieces, sketches and more, all of which, without fail, demonstrate that MercurySteam have some seriously talented artists working for them.

At the core of this endeavor, titled «Culturunners,» is a pickup truck and trailer kitted out with broadcast equipment, prototype gadgets, and conceptual works by the artists, who will live and work aboard the «mobile studio.»

The film, Eyes of Laura Mars (1978), served as the source for the conceptual photo work, Woman with a Camera (2009), by the artist Anne Collier.

Though Adrian is experimental with his music — a bucket, for example, plays prominently in his work — he's enraged at Madeleine's plans to pair his compositions with works by the conceptual artist Monroe (Ptolemy Slocum).

About the artist: Hank Willis Thomas is a conceptual photo artist working primarily with themes related to identity, history and popular culture.

Many artists working in the 20th century endowed their work with greater conceptual meaning by employing materials from the outside world.

Lehmann Maupin is honored to open it's fall season in Hong Kong with the first solo show in China of acclaimed American artist Teresita Fernández, whose conceptual, experiential works are often characterized by an interest in perception and the psychology of looking.

The exhibition begins with works by early Minimalist artists such as Sol LeWitt and Carl Andre; drawings by conceptual artists Lawrence Weiner, William Wegman, and Mark di Suvero, among others; and continues with recently celebrated artists Fiona Banner, Teresita Fernandez, Jutta Koether, and Tracey Emin.

Flavin has been credited with being «one of the first artists to make use of a basically progressional procedure,» and the systematic arrangement of color and light fixtures was an aspect of his work that not only led to it being characterized as Minimal art but which moreover influenced Conceptual artistic practices.

Hank Willis Thomas is a photo conceptual artist working primarily with themes related to identity, history, and popular culture.

In a sprawling and somehow still tight and cogent show that included David Zwirner's 20th - street space and billboards across the city, the gallery's first co-representing the peerless conceptual artist's estate with his longtime dealer Andrea Rosen, nine installations covered his major series, including his text portraits, candy works, paper stacks, and more.

While Tony Tasset may modestly credit a large portion of his creative inspiration to «more successful artists,» the art world has long been eyeing his large - scale multimedia works with enthusiastic appreciation, fittingly so as his enormous «pop conceptual» monuments are meant to be ogled.

With the exhibition Conceptual and Applied III: Surfaces and Pattern, Daimler Art Contemporary in Berlin, Germany, is continuing its series of exhibitions that focus on artists who have worked on the borders between free and applied disciplines.

But many more were inspired by the strife of the 1960s, including black artists whose work is primarily conceptual or abstract, and white artists with mainstream popularity.

CIMA's first two - person exhibition pairs the Metaphysical painter Giorgio de Chirico with the contemporary conceptual artist Giulio Paolini, who has described de Chirico as an «illustrious model» and has incorporated overt and coded images and references to de Chirico in his work for years.

Currently on view at the Mary Boone Gallery in both the Fifth Avenue and Chelsea locations as well as with Team Gallery in New York are works by premiere French conceptual artist Pierre Bismuth titled «One Size Fits All.»

Jen Bervin (Brooklyn, NY) is a visual artist and writer whose works combine text and textiles with conceptual elements and a minimalist's eye for the poetic and essential.

Conceptual artist Charles Gains speaks with Marshall about his childhood in South Central Los Angeles, his approach to art as activism, and the inspiration behind his landmark work, «Self Portrait of the Artist as a Shadow of His Former Self» (artist Charles Gains speaks with Marshall about his childhood in South Central Los Angeles, his approach to art as activism, and the inspiration behind his landmark work, «Self Portrait of the Artist as a Shadow of His Former Self» (Artist as a Shadow of His Former Self» (1980).

Works by John Baldessari, a conceptual artist and former UCLA instructor whose signature style includes overlaying historical images with opaque colored dots, now fetch more than $ 1 million.

Her reputation as a thoughtful and thought - provoking conceptual artist has gained over the last decade, with major biennials, a survey in England at the Whitworth Art Gallery in 2011 and an October Files book on her work in 2016.

The approach that the artists in Slipped have taken to clay as an extension of their painting or sculptural practices has resulted in an exciting and innovative works that combine the visual and sumptuous nature of ceramics with a conceptual rigour.

The 21 participating artists are both emerging and mid-career, and work in a variety of media, generally with an unconventional or conceptual approach: Trudy Benson, Anna Betbeze, Michael Berryhill, Kari Cholnoky, David Kennedy Cutler, Michael DeLucia, Jess Fuller, Elizabeth Ferry, Alicia Gibson, E.J. Hauser, Butt Johnson, Matt Keegan, Michael Mahalchick, Sam Moyer, Sheryl Oppenheim, John O'Connor, Josh Reames, Emily Mae Smith, Siebren Versteeg, Jacques Louis Vidal and Wendy White.

In groundbreaking works from the 1970s like Mary Kelly's Post-Partum Document (1973 — 79) and Martha Rosler's Semiotics of the Kitchen (1975), the tenets of conceptual art — with its integration of language and image, its embrace of photography and the video camera, and its unfolding over time and space — are enmeshed with questions of subjectivity, the body, and indeed, emotional affect, subjects generally avoided by an earlier generation of conceptual artists.

Gaines» interest in systems aesthetics can be related to the systematized work of minimalist, Fluxus and early conceptual artists, yet his works differ in their preparedness to engage directly with prosaic, social, political and philosophical propositions.

These include Theaster Gates, founder of the non-profit Rebuild Foundation space, with whom he composed the music for Looks of a Lot, a performance presented in 2014 at the Chicago Symphony Center; Stan Douglas for the Luanda - Kinshasa (2013) video work, in which he is one of the performers; the conceptual artist Glenn Ligon, with whom he composed the soundtrack for the Death of Tom video (2008), and the American artist Joan Jonas.

Robert Blanchon was a conceptual and video artist whose work dealt with the subject of gay identity and AIDS.

While Frankfort's work seems to eschew some of this historical weight in favor of a nuanced linguistic playfulness suggestive of the paintings of various other artists, including Ed Ruscha, Mel Bochner, Suzanne McClelland, and Kay Rosen, it nevertheless both engages with the physicality of paint and retains a certain conceptual directness evocative of Louise Fishman's groundbreaking «Angry Paintings» from 1973 (recently included in the exhibition «WACK!

The work is a reflection of Abdu'Allah's interest in transformation, states of consciousness and experimentation with multiple forms of printing, inspired by the work One and Three Chairs (1965) by American conceptual artist Joseph Kosuth.

The New York - based conceptual artist makes work that engages with unique methods, such as his large paintings and site - specific installations using silver nitrate.

Rose Ocean: Living with Duchamp, on view from February 17 through May 20, 2018, revisits the 2003 Tang Teaching Museum exhibition Living with Duchamp and features more than 50 artists whose conceptual and irreverent works engage with Duchamp's oeuvre.

In their aesthetic and conceptual choices for the work exhibited in Data / Transfer / Object the artists will respond to and interact with one another, each picking up a concept where the other leaves off.

Ifeel that both the work and my studio practice have matured and this exhibition reflects my creative and conceptual ambition, even with the sculptural difficulties it throws up for me as an artist.»

Taryn Simon (b. 1975) is a conceptual artist whose practice involves rigorous research and investigation into power and the structure of secrecy, especially when formalized, with her work exposes emotional vulnerabilities.

«The last Bienal was the first step to making it more engaged with the public,» say Bienal co-founder Nelson Herrera Ysla about the increased number of public - art works throughout the city, from the likes of Havana - based artist Arles del Rio to the Russian conceptual artists Ilya and Emilia Kabakov, who brought their globe - trotting»

Quint Gallery is also known for working with conceptual and object based artists including Adam Belt, Roman de Salvo, Thomas Glassford, Roy McMakin, Johannes Girardoni and Lee Materazzi.

Today, the gallery presents contemporary multimedia and conceptual work, as well as painting and sculpture and continues to show the artists it has worked with in the early nineteen eighties, while it presents and works with new talents.

Revolutionary twentieth - century composer John Cage and contemporary conceptual artist Glenn Kaino produce works that highlight the sense of community created by chess, especially when interwoven with music and art.

Working this way enables me to be a closet Pictures Generation / conceptual artist but with painting, and for my work to be recognizable.

In another space, Ms. Holzer, a Conceptual artist, said she would display «some old, some new» works, including her signature electronic light projections of poetry and slogans, and a new piece, still in development, that would allow visitors with smartphones to see augmented reality projections, blending the real with 3 - D virtual objects.