Sentences with phrase «conceptual artistic language»

Not exact matches

Many of these artists explore language as an artistic medium or conceptual framework, as seen in works by Jesse Howard, Joseph Kosuth, Los Carpinteros, Alexis Smith, and Lawrence Weiner.

Miller studied at California Institute of the Arts in the late 1970s, during the heyday of conceptual and language - based artistic practice and instruction.

Miro had a stand completely devoted to the Japanese artist Yayoi Kusama last year, and the work of Ofili and Perry is in many ways ideal for the tentative Asian market: resolutely 21st - century in conceptual playfulness, yet steeped in a traditional artistic language.

The meditative artworks showcase Shetty's unique artistic language and the breadth and depth of his conceptual practice.

The posters of Milton Glaser — more than 450 since 1965 — combine conceptual rigour and originality with a mastery of visual language and a high level of artistic expression.

These sculptures extend Nauman's ongoing artistic practice — dating back to the 1960s — of incorporating conceptual and performative uses of language and the body.

Nauman is widely regarded as among the most important living American artists and as a catalyst for the recent shift in international artistic practice toward conceptual and performative uses of language and the body.

Since the 1970s, language has been seen as a means of moving from form and image - based works to a more theoretical and conceptual artistic discourse.

The conceptual analysis of his own artistic form language is at the centre of the abstractions of Jonathan Lasker (b. 1948); something that he performs in a particularly fastidious way in his painting Explanation of Ice to a Summer Insect.

As well, his work entwines profound sensitivity to language, formal clarity, and conceptual engagement into a forcefully original artistic practice.

Coming from the heated conceptual climate of the China Academy of Art in Hangzhou during the 1990s and a key member of the late 1990s «Post-Sense Sensibility» formation, Liu Wei has gone on in the past decade to pioneer an artistic language all his own.

From the Automatistes in Montreal to the conceptual art movement in Halifax, to the influence of Clement Greenberg through the Emma Lake workshops on the Prairies in the 1940s, the visual language of shape, form, colour and line that exists for its own sake without reference to external reality, changed the artistic landscape in this country.