Flavin has been credited with being «one of the first artists to make use of a basically progressional procedure,» and the systematic arrangement of color and light fixtures was an aspect of his work that not only led to it being characterized as Minimal art but which moreover influenced
Conceptual artistic practices.
For an artist who borrows so much from contemporary black culture epitomized by the milieu on 125th street, Simmons's current work in this context makes a strong case for the transformative (and potentially stultifying) effects of
conceptual artistic practices.
Famed for creating sculptural objects and installations from fluorescent light fixtures, Flavin was one of the first artists to employ a systematic arrangement of color and light, and had a major influence on
Conceptual artistic practices.
Organized in a loosely thematic fashion, Disorderly Conduct illustrates an array of stylistic and
conceptual artistic practices characteristic of this dynamic period.
Not exact matches
Influenced by Minimalism, American
Conceptual Art, and Brazil's Neo-concrete movement, Dávila's
artistic practice questions the inherent qualities of modern architecture and art throughout history.
The presented
artistic contexts and
conceptual positions in these four female artists»
practices include references to mainstream comedy's systems and authors, and some are more explicitly gendered than others with literal and implied connections to the female body.
He candidly voiced the angst of striving to sustain a hermetic studio - based existence, of imbuing painting with
conceptual and metaphysical validity, of being stuck with oneself and one's compulsive behaviors, and of constantly seeking the means to short - circuiting one's predilections in pursuit of an innovative
artistic practice that retains urgency for both practitioner and viewer.
The unprecedented survey demonstrates how 29 Japanese artists and photographers enlisted the camera to make experimental and
conceptual shifts in their
artistic practices during a time of radical societal change.
This essay will therefore focus on the codices — a form that Hickson identifies as «the culmination of Chagoya's
artistic practice,» and Robert Storr describes as «a
conceptual breakthrough.»
To this aim, he employs
conceptual and methodological approaches borrowed from
artistic and academic
practices such as film, poetry, theater, linguistics, and journalism.
Taken as a whole, the Colour Charts embody a stratification of
artistic principles that allows them to be recognised as one of many important motifs in the complex progression of Richter's oeuvre, connecting the figural to the abstract and firmly grounding his
practice within a
Conceptual framework.
Miller studied at California Institute of the Arts in the late 1970s, during the heyday of
conceptual and language - based
artistic practice and instruction.
Focusing on the period 1964 — 79, the exhibition includes abstract painting,
Conceptual art, performative actions, poetry, sculpture, installations and land art, thus demonstrating the diversity of her
artistic practice.
Fig's
artistic vision is characterized by a
conceptual and aesthetic interest in the day - to - day creative
practices of fellow artists.
The Idea Fund provides cash awards to artists at three distinct levels: Spark ($ 1,000), Catalyst ($ 4,000), and Stimulus ($ 7,000) artist - generated, or artist - centered projects that exemplify the unconventional, interventionist,
conceptual, entrepreneurial, participatory, or guerrilla
artistic practices that occur outside of the traditional frameworks of support.
The exhibition investigates this area of
artistic practice by considering a variety of linguistic,
conceptual, and sculptural approaches that artists have employed for scoring action.
They represented several generations of Chicago - based artists who apply activist intentions,
conceptual strategies, and experimental
artistic approaches to complex social issues; they epitomize a larger «critical mass» of peers who have sustained and invigorated this kind of critical art
practice in Chicago.
Rooted in
conceptual art, semiotics, and feminism, Holzer's
artistic practice interrogates the effects of rhetoric, engaging spectators in fundamental questions such as «Who is speaking?»
Tuesday, April 26, 2016 11 AM — 1 PM: Lecture DER RISS — DRAWINGS AND CONSEQUENCES by Christian Schwarzwald, artist 1 — 2 PM: Lunch break 2 — 5 PM: Time for
artistic practice and exchange Wednesday, April 27, 2016 11 AM — 1 PM: Lecture
CONCEPTUAL DRAWING by Nadine Fecht, artist 1 — 2 PM: Lunch break 2 — 5 PM: Time for
artistic practice and exchange Thursday, April 28, 2016 11 AM — 1 PM: Lecture CAPUT by Ralf Ziervogel, artist 1 — 2 PM: Lunch break 2 — 5 PM: Time for
artistic practice and exchange Friday, April 29, 2016 11 AM: Guided tour through the exhibition «We're Off Then — Travel Pictures from Albrecht Dürer to Olafur Eliasson» at the Kupferstichkabinett.
Since the late 1960s, Adrian Piper has forged a unique
artistic practice that infused classical Minimal sculptural form with explicit political content and introduced issues of race, gender and identity politics into the vocabulary of
Conceptual art.
At the same time, The New Barbarians is tinged with the
conceptual subversiveness that the yBas deliberately exploited: by transplanting their own faces onto the work, the couple align their
practice and
artistic personae with grandiose narratives of creation and evolution.
Its mission is to bring a diverse theoretical and
conceptual base to
artistic, social and political
practices via archiving, translation, re-publication, re-exposure, re-distribution and re-discussion.
Inspired by a visit with artist Larry Rivers's pregnant wife, the Nanas ultimately signaled a major shift in Saint Phalle's
artistic practice: although she had experimented with
conceptual art in the»60s, Saint Phalle gravitated toward creating brightly colored, whimsical, and imaginative humanoid sculptures.
Her
artistic practice is based on
conceptual ideas and relates in its critical analyses of media and society to her distinctly European perspective.
«The exhibition is a testimony to Kapoor's unflagging research in the formal and
conceptual spheres, which has informed his
artistic practice from the start, contrasting the highly engineered and more organic processes of his work.
As part of an expanded
artistic practice, Quaytman was from 2005 to 2008 the director of the collectively run gallery in New York known as Orchard — a loosely knit collective of artists, filmmakers, and art historians widely admired for its innovative
conceptual framework that sought to «put the diversity of its members»
practices into discursive motion.»
In Sharon Lockhart I Noa Eshkol, Lockhart synthesizes the main elements of Eshkol's
practice, collapsing dance, theory,
artistic practice, and
conceptual strategy within a series of closely interrelated works.
However, it also prompts the viewers to re-think the definition of calligraphy as they know it, and to acknowledge its far - reaching
conceptual possibilities and the impactful role that it has to play in contemporary
artistic practice.
Part of Sol LeWitt's «Sentences on
Conceptual Art,» this single line encapsulates not only a large portion of contemporary
artistic practice, but the inherently contradictory nature of human creativity itself.
Borrowing from and reinterpreting
Conceptual art and Minimalism, Liam Gillick's work is not confined to a specific form of
artistic practice but ranges over his various activities as a critic, writer, designer, curator, filmmaker, professor, and visual artist.
The meditative artworks showcase Shetty's unique
artistic language and the breadth and depth of his
conceptual practice.
It was during this first period in New York, when she visited the first exhibitions of Minimal and
Conceptual Art, that her rigorous and prudish
artistic practice was noticed and recognized for the first time.
An extensive network of like - minded artists grew out of these early exhibitions, envisioning a
conceptual «ground zero» that would revitalize postwar
artistic practice.
[ENG] The third exhibition by Peter Downsbrough at àngels barcelona focuses on the
conceptual photographic work that the artist has been consistently producing since 1978 and that has been of major relevance in his multidisciplinary
artistic practice which includes sculpture, works on paper, photographs, films and books.
Very Historia, as an overarching
conceptual idea and as a guiding principle in my
artistic practice, inserts false histories about Puerto Rico into the World's meta - narrative.
The conversation covered topics such as the production process and the
conceptual framework of the exhibition, and the
artistic practice of Bingöl.
Prina's
artistic practice can certainly be described as
conceptual.
It is the Audain gallery's mission to encourage «
conceptual and experimental projects that explore the dialogue between the social and the cultural in contemporary
artistic practices» and SFU prides itself on its adherence to the principles of an autodidactic education, placing an emphasis on «self - directed and individual modes of learning».
She employs
conceptual and methodological approaches borrowed from
artistic and academic
practices such as theater, film, anthropology, linguistics and journalism, to explore new representational strategies that examine and interrogate the allegorical character of the present political moment.
Some areas of Chaffee's scholarship interests include abstract painting and
conceptual art, and engaging directly with emerging to mid-career contemporary artists to realize exhibitions with the intention of moving their
artistic practices forward.
What is certain is that Pierre Huyghe's extremely complex
artistic practice is based primarily on ideas and is, in this sense,
conceptual.
Melting Point: Movements in Contemporary Clay, is the CAFAM «s first clay biennial and focuses on
artistic practices that are currently expanding the
conceptual, aesthetic, and sociopolitical potential of the ceramic object.
The exhibition emerged out of the art centre's collaboration with Pittas and Mousse Publishing on the forthcoming book by the same name, which is a
conceptual publication that extends Pittas's
artistic practice as well as an anthology of essays reflecting on his work and its various contexts.
Long a leading figure in Chinese contemporary sculpture, Sui Jianguo has developed richly
conceptual creative ideas and expressive techniques over nearly forty years of
artistic practice.
All are part of a
conceptual practice in which he critically embodies an
artistic identity that responds to the contemporary moment.
Just as we come from across national, cultural, material and
conceptual boundaries our student body includes recent graduates, mid-career artists, writers, teachers and thinkers who come to Transart Institute to expand their points of view and invigorate their
practice by participating in intensive immersive residencies including workshops and seminars, presentation and critique, peer dialogue and debate and becoming part of an international
artistic research community.
Minima Visibilia offers unique insight into the formal and
conceptual principles of Bechara's
artistic thought and
practice.
In his 1967 «Paragraphs on
Conceptual Art,» Sol LeWitt set out the fundamental principle of his artistic practice: «In conceptual art the idea or concept is the most important aspect of th
Conceptual Art,» Sol LeWitt set out the fundamental principle of his
artistic practice: «In
conceptual art the idea or concept is the most important aspect of th
conceptual art the idea or concept is the most important aspect of the work....
These sculptures extend Nauman's ongoing
artistic practice — dating back to the 1960s — of incorporating
conceptual and performative uses of language and the body.
Nauman is widely regarded as among the most important living American artists and as a catalyst for the recent shift in international
artistic practice toward
conceptual and performative uses of language and the body.