Sentences with phrase «conceptual artistic tradition»

Collier's work can be understood as following a conceptual artistic tradition inherited from Marcel Duchamp, Andy Warhol, and Douglas Huebler, as they too worked with content - laden artifacts of our media age rather than creating new objects.

In many ways, her work can be understood as following a conceptual artistic tradition inherited from Marcel Duchamp, Andy Warhol, and Douglas Huebler of pointing at the ironic and content - laden artifacts of our media age rather than creating new objects.

Not exact matches

The first part of the exhibition From a Poem to the Sunset is devoted to conceptual approaches concerned both with the significance of artistic traditions and with the collision of divergent cultural, media and material worlds.

Her works refer to cultural, religious and artistic influences, from Afro - Cuban and indigenous Caribbean traditions to Catholicism, to conceptual art and post-minimalism.

This engrossing book compiles interviews with 19 contemporary architects, painters, sculptors and conceptual artists to present inspiring interpretations of this deeply rooted artistic tradition.

The catalog contains a foreword by Dean Anthony Vidler that places Slutzky's paintings in dialogue with his seminal essay, Transparency: Literal and Phenonmenal, (written with Colin Rowe in 1955); an interview with Slutzky by Emmanuel J. Petit that discusses the painter's critical strategies of artistic production; an essay by Robert C. Morgan that examines Slutzky's conceptual position in the art historical tradition of Leon Battista Alberti and Josef Albers; and an essay by Robert Slutzky with Joan Ockman on metaphor in his work.

It is thus not so much an absence of skill or hostility toward tradition that defines conceptual art as an evident disregard for conventional, modern notions of authorial presence and of individual artistic expression.

«There is a deep connection between mathematics and photography that originated in the invention of photography itself, a tradition that has carried into the 21st century,» says exhibition curator Klaus Ottmann, «Hiroshi Sugimoto's work exemplifies this tradition, and this exhibition reflects the artist's desire to combine a «very craft - oriented» practice with making «something artistic and conceptual».

Drawing on sources as diverse as concrete poetry, Korean cultural traditions, and conceptual art, Cha crafted a distinctive voice that has informed many contemporary artistic practices.

All five artists included in the exhibition address the notion of time with distinct philosophical and artistic voices that, while informed by globalized discourse, have developed formal and conceptual vocabularies specific to their respective traditions.

For more than twenty years now, New York - based artists Liam Gillick and Lawrence Weiner, who each represent different aspects of, and / or strands within, (the complex interplay between) the conceptual, post-conceptual and neo-conceptual traditions in art, have engaged in an intense intellectual and artistic dialogue.