Seeing this work first reiterates the notion of object subversion between the relationships of galleries to objects, be it from
a conceptual curatorial perspective or objects as commodities.
Giving insight into the the
perspectives of artists from across Brussels, Chicago, Oaxaca and Guatemala, the exhibition reflects on their differing
conceptual and physical topologies in a «spontaneous and reactive»
curatorial gesture, founded on exchange and resulting in a collision of «the presence of works with a dissolution of discourse».