Sentences with phrase «conceptual departure points»
From iconic photo series to early sculpture and large - scale installation, the works included in this presentation represent the foundations or conceptual departure points that have defined practices and broader dialogues in contemporary art since the 1990s.
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His thoughts on the special role of agape in evolution may serve as a point of departure for developing a conceptual scheme that makes room for the origin of what is radically new in a world of regularity and order.
The artist chose to use Brancusi as a departure point and did what he does best, follow the conceptual threads of modernism to track down the truths in provenance.
This exhibition presented a selection of artworks privileging a sense of realness, tangibility and matter of fact - ness as departure (or arrival) point in their otherwise wide ranging visual and conceptual articulation.
The conceptual point of departure for the exhibition is Robert Rauschenberg's Erased de Kooning, 1953, where the artist erased a drawing by Willem de Kooning, simultaneously unmaking one work and creating another in an act of both destruction and devotion.
«My paintings take landscape as their subject and as a conceptual point of departure,» Bloodgood said in a statement that accompanied the announcement of his Guggenheim Fellowship in 2009.
Curated by Michaelis lecturer Fabian Saptouw, «Context» draws together artists who use the book - object as a conceptual point of departure for the exploration of the printed text.
The show's conceptual point of departure is «I Work Like a Gardener» [Je travaille comme un jardinier], a text by Yvon Taillandier based on his interviews with Joan Miró and first published in the journal XXe siècle in Paris in 1959, in which the artist underscores the simplicity of his approach to art by comparing himself to a farmer.
Architect Edward Larrabee Barnes's original designs for the Walker's 1971 building and curator Lucy Lippard's 1973 group show c. 7,500, featuring work by an all - women roster of conceptual artists, were also important points of departure for Deschenes's intervention here.
(Suprematism, Constructivism, and De Stijl, the early avant - garde movements that were Minimalism's point of departure, had a conceptual dimension, as the theoretical writings of their artists make clear, but it was their rejection of representation in favour of pure abstraction that gave them their important place in the history of modern art, in the eyes of Greenberg.
The departure point for each artist appears to be figuration, and the canvases arrive at a range of aesthetic and conceptual possibilities.
Hiller's installation Belshazzar's Feast (1983 - 84) and Martin's film Soft Materials (2004) are the conceptual points of departure.
The conceptual point of departure for the exhibition: Robert Rauschenberg's Erased de Kooning (1953).