Sentences with phrase «conceptual drawing practice»
Among the first critical art historical examinations of Haendel's conceptual drawing practice, «Karl Haendel: Knight's Heritage» narrates four illuminating moments in the artist's career that show how the operations, effects, and reception of appropriation art have changed in recent decades.
http://www.wentrupgallery.com/ Not exact matches
The example has clearly color coded sections for students to draw conclusions from and develop conceptual understanding as they apply their own knowledge through practice.
Drawing on the preservice and in - service teacher education literatures, we present a conceptual analysis of learning activities that have the potential to support mathematics and science teachers to improve practice.
Artwork ranges from drawing, photography, sculpture, installations, film and video to performance and social practice taking place in both urban and rural landscapes, and include works that are narrative, political, performative, and conceptual examples of contemporary art.
Peter Doig, whose practice over the past twenty years has drawn heavily on the language of cinema, layers the personal and public, figurative and abstract, visual and conceptual in works that resonate with narrative potential.
Known for his handcrafted sculptural installations of crochet, tulle, spices and stones, Neto's renowned art - making practice draws from a wide variety of sources, from Modernist traditions of biomorphic abstraction, through Arte Povera and American Minimalism, to the legacies of Brazilian neo concrete, conceptual and Tropilcália movements.
Tuesday, April 26, 2016 11 AM — 1 PM: Lecture DER RISS — DRAWINGS AND CONSEQUENCES by Christian Schwarzwald, artist 1 — 2 PM: Lunch break 2 — 5 PM: Time for artistic practice and exchange Wednesday, April 27, 2016 11 AM — 1 PM: Lecture CONCEPTUAL DRAWING by Nadine Fecht, artist 1 — 2 PM: Lunch break 2 — 5 PM: Time for artistic practice and exchange Thursday, April 28, 2016 11 AM — 1 PM: Lecture CAPUT by Ralf Ziervogel, artist 1 — 2 PM: Lunch break 2 — 5 PM: Time for artistic practice and exchange Friday, April 29, 2016 11 AM: Guided tour through the exhibition «We're Off Then — Travel Pictures from Albrecht Dürer to Olafur Eliasson» at the Kupferstichkabinett.
Using geography and a site - based practice, he works with sound, video, and installation to draw conceptual lines between sites, exploring the relationships of people to place.
Like all previous editions of Traces, the current exhibition sets out to map contemporary practice in the field of drawing in Israel; to outline directions and inclinations, while emphasizing the conceptual and thematic transformations that occurred in this dynamic — traditional, yet constantly renewing — medium in recent years; and to sustain a dialogue with the previous biennials.
Throughout her practice, in sculpture, print, drawing, and film, Lucy Skaer mines the conceptual possibilities of each in order to examine the shifts between dimensions, to explore the gap between object and image, and to represent the gradations between these mediums.
Ruscha himself resisted being labelled a Pop or Conceptual artist, but his work drew from both practices.
A departure from his signature drip paintings, Fox's Autonomic (Tracy Volkswagen) is a contemporary conceptual twist on the automatic drawing and painting practices associated with Dada and Surrealism.
Sen «s practice stems from a conceptual and interactive drawing background that has extended into drawing, video, sculpture, installation, poetry, sound and performance.
Christopher Flower draws from a variety of sources in his practice: conceptual art, illusionism, do - it - yourself invention, and the everyday.
Sol LeWitt, 2 Part Composite, 1971 Serigraph edition 59/60 Collection Albright - Knox Art Gallery Gift of Seymour H. Knox, Jr., 1972 August 7, 2010 — February 27, 2011 Although wall drawings represent the foundation of his practice, Sol LeWitt's works on paper, sculptures, artist's books, and writings on Conceptual art were equally important to his oeuvre.
Approaching his multidisciplinary practice from a Conceptual perspective, Thomas often draws on recognizable text or imagery — the comic book speech bubble, corporate logos, typeface — to subvert viewers» expectations and assumptions.
Postcards From The Edge, Metro Pictures, New York, US New York / New Drawing 1946 - 2007, Museo de Arte Contemporáneo Esteban Vicente, Segovia, ES Monuments With A Horizon Line II, Buchmann Galerie, Berlin, DE Desenhos [Drawings]: A-Z, Museu da Cidade, Pavilhão Preto, Lisbon, PT The Porn Identity, Kunsthalle Wien, Vienna, AT A Bit of Matter And A Little Bit More, screening Performatik 09, Cultuurcentrum Strombeek and Performatik, Brussels, BE Regift, The Swiss Institute, New York, US Cut & Paste, Galleri Susanne Ottesen, Copenhagen, DK Down To Earth (Ceramics), Cultuurcentrum Strombeek, Grimbergen, BE Double 40 Jahre Kabinett für Aktuelle Kunst, Bremerhaven, MMK, Frankfurt, DE The First Stop on the Super Highway, Nam June Paik Art Center, Gyeonggi - do, KR Feedbackstage, Galerie Thomas Schulte, Berlin, DE Sharjah Biennial 9: Provisions For The Future (curated by Isabel Carlos), Sharjah Arts Museum, Sharjah, UAE Two in One Contemporary Art from Witte De With & De Appel, Christie's, Amsterdam, NL 40th Anniversary Benefit Exhibition, White Columns, New York, USA Écritures Silencieuses, curated by Herve Mikaeloff, L'Éspace Louis Vuitton, Paris, FR Carnival Within - An Exhibition Made in America, curated by Sabine Russ, Gregory Volk, Uferhallen, BE Espèces d'Espaces, Yvon Lambert, New York, US Take The Money And Run, Brouwergracht 196, Appel, Amsterdam, NL Double Participation, Museum für Moderne Kunst, Frankfurt / Main, DE Beginnings, Middles, And Ends (cur.Gianni Jetzer), Christine Koenig Galerie, Vienna, AT Dematerialised: Jack Wendler Gallery 1971 to 1974, curated by Teresa Gleadowe, Chelsea Space, London, UK Time As Matter, MACBA, Barcelona, ES 15 Years of Collecting Against the Grain, Kunstmuseum Wolfsburg, Wolfsburg, DE Artist Rooms Tate St Ives Summer Season, Tate St.Ives, UK Au Pied De La Lettre, Centre d'Art Contemporain, Chamarande, FR Art - Athina, Galerie Hubert Winter, Faliro Pavillion, Athens, GRSerralves 2009 The Collection: An Exhibition in Three Parts and Permanent Works in the Park, Serralves 2009 - The Collection: Passage through the First Part of the Exhibition, Serralves Museum, Porto, PT Serralves 2009 - The Collection: Videos and Films in the City, 74 Rua Cândido dos Reis, Porto, PT As Long As It Lasts, curated by Tom Eccles, Marian Goodman Gallery, New York, US Close Encounter, Blokhuispoort, Leeuwarden, NL When Ideas Become Forms 30 Years of Gallery, La Galleria, Venice, IT; Galerie Dr.Dorothea van der Koelen, Mainz, IT The Poetics of Space, curated by Anja Isabel Schneider, Galerie Marian Goodman, Paris, FR Zidovi na Ulici / Walls in the Street, multiple locations around Belgrade, RS Target Practice: Painting Under Attack 1949 - 78, Seattle Art Museum, Washington, US Time, Konrad Fischer Galerie, Düsseldorf, DE This World & Nearer Ones, curated by Mark Beasley, Governors Island, New York, US Recontres International Paris / Berlin / Madrid, Haus der Kulturen der Welt, Berlin, DE Turning Some Pages, screening A House is not a Home, La Calmeleterie, Nazelles, Négrons, FR Printed Matter, Learn to Read Art (Aprender a Leer Arte), Museo de Arte Contemporáneo de Castilla y León, ES Collection History: Highlighting Recent Acquisitions, MOCA, Los Angeles, California, US In & Out of Amsterdam: Travels in Conceptual Art, 1960 - 1976, curated by Christophe Cherix, Museum of Modern Art, New York, US Memory Labyrinth.
«The exhibition draws a visual and conceptual thread from the beginnings of the artist's practice to the present time.»
Drawing on sources as diverse as concrete poetry, Korean cultural traditions, and conceptual art, Cha crafted a distinctive voice that has informed many contemporary artistic practices.
Sen «s practice stems from a conceptual and interactive drawing...
His multi-disciplinary art practice draws from a variety of sources: conceptual art, illusionism, do - it - yourself invention, and...
Now at the forefront of the renewed interest in the evolution of Land Art, feminist and conceptual art practices, Stuart's intimate and monumentally scaled works synthesize drawings with the post-minimalist sculpture and the discourse surrounding site - specific Land Art.
Mira Schendel's practice evolved from drawing and painting into more conceptual works.
BIO / STATEMENT: Zorica Zafirovska is a visual and conceptual artist whose multi-layered practice includes drawing, installation, and design and the use of a variety of materials such as human hair and blood.
«Sometimes, when I am really «in the zone,»» she said in an interview, «I almost feel that the gesture of making a line is the duration of a note, and it becomes a conceptual practice — the relationship between listening and drawing.»
Bernar Venet (b. 1941, Alpes - de-Haute-Provence, France), known for his groundbreaking sculpture works, has explored a range of disciplines over his five - decade conceptual practice, including sculpture, painting, photography, language and drawing.
He is only one of several predecessors to have shaped the modus operandi of this exhibition, which also draws from Conceptual and Minimalist art of the 1960s and 1970s as well as Fluxus practices.